Look at All the Love We Found: A Tribute to Sublime [PA] [Digipak] by Sublime (Rock) (CD, Jul-2007, Cornerstone RAS)

Album Features
UPC:	788377103325
Artist:	Sublime (Rock)
Format:	CD
Release Year:	2007
Record Label:	Cornerstone RAS
Genre:	Alternative, Rock & Pop

Track Listing
1. Badfish/Boss DJ
2. What I Got
3. Date Rape
4. Get Out
5. Santeria
6. D.J.'s
7. Paddle Out
8. Work That We Do
9. Get Ready
10. Greatest Hits
11. Doin' Time
12. Garden Grove
13. April 29th, 1992 (Miami)
14. Waiting for My Ruca
15. Same in the End
16. Pawn Shop

Details
Playing Time:	61 min.
Producer:	Mark Johnson, Pennywise, Josh Fischel, Mike Watt, Avail, Michael Franti, Greyboy Allstars, Ozomatli, Spearhead, Chris D., Ricky Keller, G. Love, Michael Pollack, Norwood Fisher, Andrew Weiss, Eddie Ashworth, Robert Carranza, The Greyboy Allstars, Brad Ziggen, Mike McMullen, Chris Xefos, Transducer, De Andre Gibson, Jason Westfall (Compilation), Jon Phillips (Compilation), Mike Scheftner, Rick Keeler, Zach Fischel (Compilation), Mike McMullen a.k.a. Transducer
Distributor:	NAIL Distribution
Recording Type:	Studio
Recording Mode:	Stereo
SPAR Code:	n/a

Album Notes
Personnel: David Hidalgo (vocals, guitar); Petra Haden (vocals, violin); Josh Fischel (vocals, melodica); Jason Boggs (vocals, saxophone); Stephen Bradley (vocals, trumpet); Brad Conyers (vocals, drums); Justin "El Niño" Porée (vocals, percussion); Gift of Gab, Gwen Stefani, Half Pint, Michael Franti (vocals); Cesar Valle Rojas (guitar, acoustic guitar); Raúl Pacheco (guitar, background vocals); Mike Scheftner, Dave Shul, Bert Susanka, Fletcher Dragge, Greg Lisher, Dickie Little, Louie Pérez, Tom Dumont (guitar); Zach "Zippy" Goodin (acoustic guitar, electric guitar); Jonathan Segel (violin); Ulises Bella (saxophone, background vocals); Asdrubal Sierra (trumpet); Gabrial McNair (trombone, keyboards); Sheffer Bruton (trombone); Steve Berlin (horns, keyboards); Ben McClara (keyboards); Cougar Estrada (drums, percussion); Darrin Baker , Adrian Young, Robert Bradley, Stephen Perkins , Mario Calire, Frank Funaro (drums); Jiro Yamaguchi, Robert Carranza (percussion); DJ Spinobi (turntables).Audio Mixers: Mark Johnson ; Alan Weatherhead ; Eddie Ashworth; Andrew Weiss; Robert Carranza; David Kahne; Rick "Soldier" Will; Mike McMullen; Marshall Goodman; Ricky Keller; Bryan Cook.Liner Note Authors: Mike Scheftner; Michael Franti; Norwood Fisher; Josh Fischel; Eddie Ashworth; David Kahne; Bert Susanka; Fletcher Dragge; Jack Johnson; Mike McMullen; Karl Denson; Asdrubal Sierra; Tony Kanal; Victor Krummenacher.Recording information: Coolville Ridge (05/1997); Hideout (05/1997); Mario C's Studio (05/1997); Ohio University School Of Telecommunications Studio B, (05/1997); Room 127, Sacramento, CA (05/1997); Sound Of Music, Richmond, VA (05/1997); Stall #2 (05/1997); Stall #2, Redondo Beach, CA (05/1997); Sugar Shack, San Francisco, CA (05/1997); The Pond, Anaheim, CA (05/1997); total Access, Redondo Beach, CA (05/1997).Photographers: John Dunne; Josh Coffman; Jim Nowell; Sean Whisner; Matt Taylor; Basil.Sublime's music and lifestyle were unique in their time, as the band celebrated both the irreverence of punk sans anger and political hang-ups, and the mellow party spirit embodied by the hippie generation sans philosophical baggage and ridiculous outfits. In this regard, they can be seen as an important bridge between the mainstream alternative rock scene of the 1980s and the jam band explosion of the '90s. As such, the group's influence has extended to an unusually wide cross-section of bands. Combining rock, reggae, ska, folk, and rap, Sublime's genre-mixing and good-time attitude had much in common with many of the acts represented here, making this collection a true celebration rather than a cheap cash-in. The best tracks are those that the artists choose to make their own: Fishbone's "Date Rape" takes the original's hyper pogo groove and kicks it up several crazed notches, while Jack Johnson puts his unique surfer stamp on "Badfish: Boss DJ/Medley." In addition, the presence of contemporaries G-Love and No Doubt, as well as predecessors Los Lobos and Mike Watt, reinforces the fact that Sublime's music struck a universal chord.