Before Me by Gladys Knight (CD, Oct-2006, Verve)

Album Features
UPC:	602498571484
Artist:	Gladys Knight
Format:	CD
Release Year:	2006
Record Label:	Verve
Genre:	Motown, R&B

Track Listing
1. Do Nothing till You Hear From Me
2. Man I Love, The
3. Good Morning Heartache
4. Since I Fell For You
5. God Bless the Child
6. This Bitter Earth
7. I Got It Bad (And That Ain't Good)
8. Someone to Watch Over Me
9. But Not For Me
10. I'll Be Seeing You
11. Stormy Weather
12. Come Sunday
13. Teach Me Tonight - (Bonus Track)

Details
Contributing Artists:	Chris Botti, Joe Sample, Roy Hargrove, Clayton-Hamilton Jazz Orchestra, Russell Malone, The Clayton/Hamilton Jazz Orchestra
Producer:	Tommy LiPuma, Phil Ramone
Distributor:	Universal Distribution
Recording Type:	Studio
Recording Mode:	Stereo
SPAR Code:	n/a

Album Notes
Available Only Through Select RetailersPersonnel: Gladys Knight (vocals); Jeff Mironov, Anthony Wilson , Russell Malone (guitar); David "Fathead" Newman (tenor saxophone); Chris Botti (trumpet); Roy Hargrove (flugelhorn); Joe Sample, Billy Childs (piano); David Finck, John Clayton, Christoph Luty (bass guitar); Jeff Hamilton , Mark McLean (drums); Joe Porcaro (percussion); Clayton-Hamilton Jazz Orchestra.To her considerable credit, Gladys Knight is forever seeking out fresh projects that push her in new stylistic directions. 2006's BEFORE ME is a case in point. The album features Knight performing a series of jazz standards as popularized by the likes of Billie Holiday, Sarah Vaughan, and Ella Fitzgerald, each of whom proved a formative influence on Knight in her early years.Longtime fans of Knight may be surprised by her vocal approach here. In place of the earthy, textured soul attack for which she is best known is a comparatively reserved, sophisticated singing style that suits both the material and the legacy of her mentors. Versions of "God Bless the Child" and "Someone To Watch Over Me" are accomplished enough to bring new life to the songs, and to place Knight firmly in the tradition of the great female vocalists.

Editorial Reviews
[T]he splendor of BEFORE ME isn't about echoing great voices of the past, but in hearing a great contemporary voice reborn.
JazzTimes