Blankets [Digipak] * by Tracker (CD, Oct-2004, Film Guerro)

Album Features
UPC:	751937248224
Artist:	Tracker
Format:	CD
Release Year:	2004
Record Label:	Film Guerro
Genre:	Alternative, Rock & Pop

Track Listing
1. (We Were) The Trees
2. Flurry, The (Pt. 1)
3. Static
4. Flurry, The (Pt. 2)
5. Snow
6. "F! Is for Filth! "
7. Vanishing Cave
8. House of Jarius, The
9. Marathon
10. Stirring Furnace
11. Everything Is Beautiful

Details
Producer:	John Askew, Todd Corbett
Distributor:	Southern Music Dist.
Recording Type:	Studio
Recording Mode:	Stereo
SPAR Code:	n/a

Album Notes
Tracker: Chris Funk (pedal steel guitar); Derek Trost (accordion, glockenspiel, drums); John Askew (organ, synthesizer); Todd Corbett (bass instrument); Cory Gray.Personnel: John Askew (guitar, piano, Fender Rhodes piano, pump organ, drums); Adam Selzer (slide guitar); Cory Gray (trumpet, trombone); Bruce Winter (Wurlitzer organ); Todd Corbett (keyboard bass); Erik Herzog (xylophone, drums); Willy Vlautin (background vocals).Audio Mixers: Adam Selzer ; Tucker Martine.Recording information: Buona Pasta, Santa Barbara, CA; Flora Ave., Seattle, WA; Lemon Grove, Santa Barbara, CA; Scenic Burrows, Portland, OR; Type Foudry, Portland, OR.Blankets was a left turn for Tracker, and not just because the soundtrack to Craig Thompson's acclaimed illustrated novel of the same name was their first virtually all-instrumental disc. The Portland band's two prior releases included plenty of evocative soundscapes and vocal-free passages, so what really sets Blankets apart is the different emotional tone of the record. Both Ames and Polk featured panoramic vignettes built on dusty narratives and pedal steel accents -- psychotropic road trips through desert badlands with Hunter S. Thompson driving, and Calexico and Deserter's Song-era Mercury Rev on the radio. On both records, a sense of wonder crept into even the most melancholy nooks and crannies. But on Blankets, the music works from the inside-out: Tracker's synth washes, clarion guitar tones, brushed cymbals and keyboard textures capture the isolation and longing of Thompson's wintry coming-of-age tale. Still, the songs have a cocoon-ish warmness that belies titles like "Snow" or "Vanishing Cave," and there are obvious nods to the Fripp & Eno collaborations, as well as songs that pulse with Tortoise-like momentum and vibraphone chimes. There are more dramatic variations, too, such as the horns-spiced "F! Is for Filth!," which captures the main character's clash with his strictly religious parents, and the barely controlled feedback (read: angst) lurking beneath "The House of Jarius." "Marathon" even conjures a jazz vibe during its brief duration. To Tracker's credit, all these sonic moods flow together quite naturally. The only misstep on the record is disc-ender "Everything Is Beautiful" -- the song is fine on its own, but after 30-plus minutes of instrumental mood pieces, the vocals and more traditional song structure are too jarring. Thompson commissioned Tracker's soundtrack to accompany Blankets, but it's not a prerequisite to enjoying the record. With assistance from fellow Portland musicians like Norfolk & Western's Adam Selzer and the Decemberists' Chris Funk, John Askew's trio creates an atmospheric tapestry that should please fans of instrumental outfits ranging from Friends of Dean Martinez to the Six Parts Seven. It may not match the rambling grandeur of Polk, but Blankets adds another dimension to Tracker's impressive songbook. ~ John Schacht

Editorial Reviews
The music captures the snowy landscapes of the story's Wisconsin and Michigan settings.
The Wire