Demolition Man [#1] [Single] by Sting (CD, Aug-1993, A&M (USA))

Album Features
UPC:	731454016223
Artist:	Sting
Format:	CD
Release Year:	1993
Record Label:	A&M (USA)
Genre:	Rock & Pop

Track Listing
1. Demolition Man
2. King of Pain
3. Shape of My Heart
4. Love Is Stronger Than Justice (The Munificent Seven)
5. It's Probably Me
6. Day in the Life, A

Details
Playing Time:	35 min.
Contributing Artists:	Shirley Marie Grahm
Producer:	Sting, Stoker
Distributor:	Universal Distribution
Recording Type:	Mixed
Recording Mode:	Stereo
SPAR Code:	ADD

Album Notes
Personnel: Sting (vocals, bass); Dominic Miller, Arik Marshall (guitar); David Sancious, Michael Railton (keyboards); Bush Bushnell (bass); Vinnie Colaiuta (drums); Ann Bennett Nesby, Jamecia Bennett, Core Cotton (background vocals)Recorded live at Villa Manin, Cudriopo, Italy on July 25, 1993. "Demolition Man" recorded at Paisley Park, Chanhassen, Minnesota and Two Guys From The Valley, North Hollywood, California.Sting's performance of "Demolition Man" was nominated for a 1994 Grammy Award as "Best Rock Vocal Performance, Solo."Personnel: Sting (vocals); Dominic Miller, Arik Marshall (guitar); Michael Railton (keyboards); Shirley Marie Graham, Core Cotton, Jamecia Bennett, Ann Nesby (background vocals).Audio Mixer: Stoker.Recording information: Paisley Park Chanhassen, MN; Two Guys From The Valley, North Hollywood, CA; Villa Manin, Cudiopo, Italy.Photographer: Michael Railton.Unknown Contributor Role: Ann Nesby.A merchandizing tie-in to a Sylvester Stallone film of the same name, this quickie EP features the slick, intelligent pop craft the public has come to expect from the multi-talented former Police frontman. Noteworthy tracks include Sting's skittish, urban theme song and a fair end-credit ballad co-written with soundtrack maven Michael Kamen. Filling in the cracks are a workmanlike live version of the Police's "King of Pain," and an inexplicable and unconvincing lite jazz version of the Beatles' "A Day in the Life." While not an essential purchase, Sting completists will want it, and the whole further substantiates the notion of Sting as a pop music superman.