Extraordinary Machine [DualDisc] by Fiona Apple (CD, Oct-2005, Epic (USA))

Album Features
UPC:	827969653029
Artist:	Fiona Apple
Format:	CD
Release Year:	2005
Record Label:	Epic (USA)
Genre:	Alternative, Music (General), Music Video, Musical & Performing Arts, Pianists/Pianos, Pop Music, Pop Vocal, Pop/Rock, Rock & Pop, Singers

Track Listing
1. Extraordinary Machine
2. Get Him Back
3. O' Sailor
4. Better Version of Me
5. Tymps (The Sick in the Head Song)
6. Parting Gift
7. Window
8. Oh Well
9. Please Please Please
10. Red Red Red
11. Not About Love
12. Waltz (Better Than Fine)

Details
Producer:	Brian Kehew, Mike Elizondo
Distributor:	Sony Music Distribution (
Recording Type:	Studio
Recording Mode:	Stereo
SPAR Code:	n/a

Album Notes
Fiona Apple's long-awaited follow-up to 1999's WHEN THE PAWN had a difficult (and well-documented) inception that involved pulling the notoriously strong-willed artist out of self-imposed seclusion in her California home. The end result, however, is an assured outing that upholds Apple's reputation for exceptional albums, proving that it was well worth the six-year wait.Bookended by lush, vaudeville-like tunes created with Apple's longtime collaborator, Jon Brion, EXTRAORDINARY MACHINE features production work by Mike Elizondo (50 Cent, Eminem) on all other tracks. Those expecting any hip-hop flourishes will be left empty-handed--this disc presents Apple working in her signature style, with her soulful, slightly mischievous voice carrying these confident, primarily piano-driven songs. The performer's penchant for confessional, witty lyrics is still apparent, but her approach is notably more subtle and mature here. While many tracks are gilded with adventurous arrangements that incorporate an arsenal of organs (Farfisa and Optigan, among others), marimba, Moog bass, and other unusual instrumentation, Apple also shines when left to her own devices, as on the spare, melancholy ballad "Parting Gift." Listeners worried that the lengthy hiatus might have diluted Apple's potent, inventive aesthetic can sleep well: EXTRAORDINARY MACHINE more than lives up to the superlative in its title.This DualDisc presents the CD version of EXTRAORDINARY MACHINE on one side and a DVD version with surround-sound mix and bonus video material (including music videos, live performances, and behind-the-scenes footage) on the other.

Personnel: Fiona Apple (piano); Brian Kehew (guitar, Farfisa); Brad Warnaar (French horn); Zac Rae (Wurlitzer piano, keyboards, vibraphone); Dave Palmer, Roger Joseph Manning, Jr., Jebin Bruni, Keefus Ciancia (keyboards); Mike Elizondo (Moog synthesizer); Abe Laboriel, Jr. (drums).To say that the released version of Extraordinary Machine is a marked improvement over the bootlegged version is not to say that it sounds more complete -- after all, the booted Jon Brion productions sounded finished, as evidenced by the two cuts that were retained; the intricate chamber pop of the opening title track and the closing "Waltz (Better Than Fine)" are the only time Brion's productions not only suited, but enhanced Fiona Apple's songs -- but they are both more accessible, and more fully realized, letting Apple's songs breathe in a way they didn't on the original sessions. While Brion's productions were interesting, they stretched his carnivalesque aesthetic to the limit, ultimately obscuring Apple's songs, which were already fussier, artier, and more oblique than her previous work. When matched to Brion's elaborately detailed productions, her music became an impenetrable Wall of Sound, but Mike Elizondo's productions open these songs up, making it easier to hear Apple's songs while retaining most of her eccentricities. Now, Extraordinary Machine sounds like a brighter, streamlined version of When the Pawn, lacking the idiosyncratic arrangement and instrumentation of that record, yet retaining the artiness of the songs themselves. Like her second record, this album is not immediate; it takes time for the songs to sink in, to let the melodies unfold, and decode her laborious words (she still has the unfortunate tendency to overwrite: "A voice once stentorian is now again/Meek and muffled"). Unlike the Brion-produced sessions, peeling away the layers on Extraordinary Machine is not hard work, since it not only has a welcoming veneer, but there are plenty of things that capture the imagination upon first listen -- the pulsating piano on "Get Him Back," the moodiness of "O' Sailor," the coiled bluesy "Better Version of Me," the quiet intensity of the breakup saga "Window," the insistent chorus on "Please Please Please" -- which gives listeners a reason to return and invest time in the album. And once they do go back for repeated listens, Extraordinary Machine becomes as rewarding, if not quite as distinctive, as When the Pawn. Nevertheless, this is neither a return to the sultry, searching balladeering of Tidal, nor a record that will bring her closer to tasteful, classy Norah Jones territory, thereby making her a more commercial artist again. Extraordinary Machine may be more accessible, but it remains an art-pop album in its attitude, intent, and presentation -- it's just that the presentation is cleaner, making her attitude appealing and her intent easier to ascertain, and that's what makes this final, finished Extraordinary Machine something pretty close to extraordinary. ~ Stephen Thomas Erlewine

Editorial Reviews
4 stars out of 5 -- Apple is a savvy and focused cookie with a playful, malleable contralto....A fine, off-beat listen.
Mojo

Ranked #66 in Q Magazine's 100 Greatest Albums of 2006.
Q

...[T]he album places Apple's dusky voice and firm, almost defiant way with piano chords at its center.... - Grade: A
Entertainment Weekly

Ranked #1 in Entertainment Weekly's 'Top Ten Records of the Year' -- For all its melodrama, EXTRAORDINARY MACHINE never sounds like the work of a defeated spirit; it's the most paradoxically uplifting music of the year.
Entertainment Weekly

Ranked #9 in Spin's 40 Best Albums Of 2005
Spin

EXTRAORDINARY MACHINE lives up to its name most when Elizondo echoes Apple's cartoon spookiness on 'Tymps,' which sounds like a '60s Disney soundtrack left out in the sun. - Grade: B
Spin

4 stars out of 5 - ...Against all odds, EXTRAORDINARY MACHINE lives up to its title as a testimony to its creator's resilience and flexibility....
Rolling Stone