Freddy Vs. Jason [Original Motion Picture Soundtrack] by Graeme (Composer) Revell (CD, Aug-2003, Varèse Sarabande (USA))

Album Features
UPC:	030206649826
Artist:	Graeme (Composer) Revell
Format:	CD
Release Year:	2003
Record Label:	Varèse Sarabande (USA)
Genre:	Film Composers, Rock & Pop

Track Listing
1. Freddy vs. Jason, film score: The Legend
2. Freddy vs. Jason, film score: The House On Elm Street
3. Freddy vs. Jason, film score: Girl With No Eyes
4. Freddy vs. Jason, film score: The Psych Ward
5. Freddy vs. Jason, film score: Gibb Meets Freddy
6. Freddy vs. Jason, film score: Will's Story
7. Freddy vs. Jason, film score: French Kiss
8. Freddy vs. Jason, film score: The Control Room
9. Freddy vs. Jason, film score: Jason's Surprise Attack
10. Freddy vs. Jason, film score: Jason's First Dream
11. Freddy vs. Jason, film score: Stoner Creature
12. Freddy vs. Jason, film score: Freddy's Dream World
13. Freddy vs. Jason, film score: Jason Unmasked
14. Freddy vs. Jason, film score: In The Library
15. Freddy vs. Jason, film score: Freddy Gets Young Jason
16. Freddy vs. Jason, film score: Wake Up Lori
17. Freddy vs. Jason, film score: Freddy In The Real World
18. Freddy vs. Jason, film score: Fight On The Dock
19. Freddy vs. Jason, film score: Freddy Expires
20. Freddy vs. Jason, film score: Is It Ever Over?

Details
Playing Time:	42 min.
Producer:	Graeme Revell
Distributor:	Universal Distribution
Recording Type:	Studio
Recording Mode:	Stereo
SPAR Code:	n/a

Album Notes
Composer: Graeme Revell .Personnel: Melanie Spore, Melissa Osser, Dora Hiller (vocals); Robert Revell (guitar); David Russo , Boris Elkis (programming); Prague Philharmonic Orchestra.Recording information: Studio Smecky, Prague, Czech Republic.Editor: Ashley Revell.New Zealand native Graeme Revell has found his niche in the world of film music. After composing scores for thrillers like Dead Calm and The Craft, he's finally discovered a project worthy of his B-movie, B-music material. New Line Cinema's Freddy Vs. Jason is the perfect vehicle for Revell to drive. Lifting the occasional motif from Charles Bernstein's superior score from the first film, Revell brings the two villains into the 21st century with his brooding choirs and MTV edits -- it's surprising he has yet to work on a Michael Bay film, as they each have a knack for exploding good ideas. The inclusion of the Friday the 13th signature echo, as Jason is introduced, works nicely with Freddy's spooky piano trills, but the whole thing sounds like one of the endless boiler room scenes from any of the previous Nightmare on Elm Street movies. ~ James Christopher Monger