Just the Same by Terri Clark (CD, Nov-1996, Mercury Nashville)

Album Features
UPC:	731453287921
Artist:	Terri Clark
Format:	CD
Release Year:	1996
Record Label:	Mercury Nashville
Genre:	Contemporary Country, Country

Track Listing
1. Emotional Girl
2. Poor, Poor Pitiful Me
3. Just the Same
4. Something in the Water
5. Neon Flame
6. Any Woman
7. Twang Thang
8. You Do or You Don't
9. Keeper of the Flame
10. Not What I Wanted to Hear
11. Hold Your Horses

Details
Playing Time:	37 min.
Contributing Artists:	Ricky Skaggs, John Wesley Ryles
Distributor:	Universal Distribution
Recording Type:	Studio
Recording Mode:	Stereo
SPAR Code:	n/a

Album Notes
Personnel: Terri Clark (vocals); John Willis (acoustic guitar); Brent Rowan (acoustic & electric guitars); Paul Franklin (steel & lap steel guitars); Brent Mason (electric guitar); Carl Marsh (strings); Aubrey Hancy, Joe Spivey, Stuart Duncan (fiddle); Gary Prim, Steve Nathan (piano); Duncan Mullins, Michael Rhodes (bass); Eddie Bayers (drums); Terry McMillan (cowbell); John Wesley Ryles, Dennis Wilson, Cheryl Wolff, Ricky Skaggs (background vocals).Producers: Keith Stegall, Chris Waters, Terri Clark.Recorded at Sound Stage Studio, Nashville, Tennesee.All tracks have been digitally mastered using HDCD technology.She's a little bit country, she's a little bit rock and roll, she's the toast of Nashville. On JUST THE SAME, Terri Clark combines the punch and electricity of rock with the twangy, earthy feel of country music. Clark covers Warren Zevon's evergreen "Poor, Poor Pitiful Me" without trying to turn it into a country song, and adds an aggressive rock edge to "Twang Thang" (rhymes with "heart strang" and "deep pang"), an ode to down-and-dirty country music.The production places Clark's straight-ahead vocals in the forefront of the mix, keeping the album's focus squarely on her way with a lyric. Terri Clark isn't JUST THE SAME as other modern country singers. She has a distinctive vocal style that marks her as a singular artist whose work will be of interest to both country and rock listeners.Personnel: Brent Rowan (acoustic guitar, electric guitar); John Willis (acoustic guitar); Brent Mason (electric guitar); Paul Franklin (steel guitar, lap steel guitar); Stuart Duncan, Joe Spivey, Audrey Haney (fiddle); Carl Marsh (strings); Gary Prim, Steve Nathan (piano); Eddie Bayers (drums); Cheryl Wolff, John Wesley Ryles, Ricky Skaggs, Dennis Wilson (background vocals).Audio Mixers: John Kelton; Mark Nevers; Paula Montondo.Recording information: Cayman Moon Recorders, Nashville, TN; Marsh Labs, Nashvill; Mix Box, Nashville, TN; Sound Stage Studio, Nashville, TN.Photographer: Matthew Barnes.Terri Clark may be a glamour queen, with lots of high style and flash. But then so is Dwight Yoakam, and he's a hell of a singer and songwriter, right? Clark is a honky angel singer with ambition, taste, looks, and a voice that's as big as a canyon. Oh yeah, and she's a fine songwriter as well. So bring on the glamour if it brings out the music. Luke Lewis over at Mercury has got to believe in this woman -- she gets a producer's credit alongside Keith Stegall! Not every country singer or songwriter gets a production say on her second record. And this one develops the strengths that made her debut so compelling, even if it was flawed. Choosing to cover Warren Zevon's "Poor, Poor Pitiful Me" after the Linda Ronstadt version takes guts. But Clark has more than that; her version is as valid as her predecessor's and as full of rock & roll heart as the songwriter's own version.Other than this, Clark, Chris Waters, and Tom Shapiro wrote the majority of this album. They're a decent team, though the fullness of Clark's potential as an emotive artist -- without sentimentality -- is not exploited in these songs. They are solid, they belong here, and they're good listening, but given what she is obviously capable of, they are workmanlike. Other than the aforementioned, the best two tracks on the set are "Something in the Water," where Clark gets her blues growl out into the mix, "Twang Thang," which is as tough as anything Alan Jackson ever wrote and sung with twice the verve and grit, and the ballad "Keeper of the Flame," which Clark wrote on her own. In this song, the protagonist's hope is what keeps a relationship together, and in the grain of her voice one can hear both weariness and determination; when she gets to the top of her contralto in the refrain, chills run down the listener's spine and recall the fine songs of Lacy J. Dalton, Trisha Yearwood when she was a singer instead of a status symbol, and Loretta Lynn when ...

Editorial Reviews
...This follow-up offers a more seasoned singer and more varied songs, but less spunk... - Rating: B
Entertainment Weekly (19961115)