Live! [Remaster] by Police (The) (CD, Mar-2003, 2 Discs, A&M (USA))

Album Features
UPC:	606949360122
Artist:	Police (The)
Format:	CD
Release Year:	2003
Record Label:	A&M (USA)
Genre:	New Wave, Rock & Pop
Number Of Discs:	2

Track Listing
DISC 1:
1. Next to You
2. So Lonely
3. Truth Hits Everybody
4. Walking on the Moon
5. Hole in My Life
6. Fall Out
7. Bring on the Night
8. Message in a Bottle
9. Bed's Too Big Without You, The
10. Peanuts
11. Roxanne
12. Can't Stand Losing You
13. Landlord
14. Born in the 50's
15. Be My Girl/Sally: Be My Girl / Sally

DISC 2:
1. Synchronicity I
2. Synchronicity II
3. Walking in Your Footsteps
4. Message in a Bottle
5. O My God
6. De Do Do Do, De Da Da Da
7. Wrapped Around Your Finger
8. Tea in the Sahara
9. Spirits in the Material World
10. King of Pain
11. Don't Stand So Close to Me
12. Every Breath You Take
13. Roxanne
14. Can't Stand Losing You
15. So Lonely

Details
Playing Time:	144 min.
Producer:	Andy Summers
Distributor:	Universal Distribution
Recording Type:	Live
Recording Mode:	Stereo
SPAR Code:	n/a

Album Notes
The Police: Sting, Andy Summers, Stewart Copeland.Additional personnel: Tessa Niles, Dolette McDonald, Michelle Cobbs (background vocals).Recorded live at The Orpheum, Boston, Massachussets and at The Omni, Atlanta, Georgia between 1979 & 1983.This is a Super Audio CD playable only on Super Audio CD players.The Police: Sting, Andy Summers, Stewart Copeland.Additional personnel: Tessa Niles, Dolette McDonald, Michelle Cobbs (background vocals).Engineers include: Eddie Offord.Recorded live at The Orpheum, Boston, Massachussets in 1979, and at The Omni, Atlanta, Georgia in 1983.By the time The Police broke up in 1984, they'd already traveled the world and played before millions of people in hundreds of countries. Sting, Andy Summers and Stewart Copeland had come a long way from their first American visit, when they drove across the continent piled into a van and played in any dive that would have them.LIVE chronicles The Police at opposite ends of their career. Disc 1 was originally recorded for Boston's WBCN-FM in November of 1979; REGGATA DE BLANC had come out months before and the band was still raw, a full year away from cracking the American Top 10. The stripped down sound The Police displayed shows a group not far removed from the evolving new wave movement, which dominated the charts in their native England at the time. The versions of "Walking On The Moon" and "The Bed's Too Big Without You" point to the heavy reggae undertones--whether in the dub-like dynamics of Summers' guitar playing, or the rhythmic interplay that Sting and Copeland tease each other with--that made the band's sound so unique. Rare versions of the band's first two independent singles, "Fallout" and "Landlord," are part of a set that was as close to punk rock as The Police ever got.Disc 2 is from The Omni, a hockey rink in Atlanta, recorded four years to the month from when the WBCN show took place. By now The Police were huge, having graduated from clubs and theaters to arenas and stadiums; "Every Breath You Take" and SYNCHRONICITY, their first and only chart-toppers, ruled the airwaves. Any remnants of the first tour's gritty feel was gone in favor of a pristine sound, and a trio of back-up singers doubled the number of musicians on stage. Predictably, newer songs like "Tea In The Sahara" and "King Of Pain" dominated the set list, alongside older standards like "Roxanne." The upside of all this time spent playing together was that the unit could incorporate different textures into their music, attracting new fans without alienating die-hards.LIVE shows The Police as a band able to leap the chasm separating the studio and the stage, with a brand of genre-hopping music that spawned imitators while defying categorization.

Editorial Reviews
3 Stars - Good - ...a memento and a reminder of why The Police were one of the great performing acts of their day. LIVE is better late than never.
Q (19950601)

3 Stars - Good - ...In Boston, the Police made bracing music because they bristled at the constraints of punk; in Atlanta they were taking on the limitations of pop itself...
Rolling Stone (19950824)