More of the Monkees by Monkees (The) (CD, Feb-2011, Rhino)

Album Features
UPC:	081227978020
Artist:	Monkees (The)
Format:	CD
Release Year:	2011
Record Label:	Rhino
Genre:	Bubble Gum, Oldies
Number Of Discs:	1 Disc

Track Listing
1. She
2. When Love Comes Knockin' (At Your Door)
3. Mary, Mary
4. Hold on Girl
5. Your Auntie Grizelda
6. (I'm Not Your) Steppin' Stone
7. Look Out (Here Comes Tomorrow)
8. Kind of Girl I Could Love, The
9. Day We Fall in Love, The
10. Sometime in the Morning
11. Laugh
12. I'm a Believer

Details
Playing Time:	29 min.
Contributing Artists:	Glen Campbell, Neil Sedaka, James Burton, Hal Blaine
Distributor:	Warner/Elektra/Atlantic
Recording Type:	Studio
Recording Mode:	Stereo
SPAR Code:	n/a

Album Notes
The Monkees: Peter Tork, Michael Nesmith (vocals, guitar); Davy Jones (vocals); Mickey Dolenz (drums).Additional personnel: James Burton, Glen Campbell, Wayne Erwin, Gerry McGee, Louie Shelton, Al Gafa, Al Casey, Michael Deasy, Don Peake (guitar); Jimmie Seals (saxophone); Neil Sedaka, Michael Cohen (piano); Bobby Hart (organ); Don Randi, Michael Rubini (harpsichord, organ); Larry Taylor, Russell Savakus, Larry Knechtel, Bob West, Carol Kaye, Ray Pohlman (bass); Hal Blaine, Billy Lewis, Herbert Lovell, Jim Gordon (drums); Norm Jeffries, Henry Lewy, Frank Capp, Julius Wechter, Gene Estes, David Walters (percussion); Tommy Boyce (background vocals).Producers include: Tommy Boyce, Bobby Hart, Michael Nesmith, Jeff Barry,Jack Keller.Reissue producers: Andrew Sandoval, Bill Inglot.Recorded in Hollywood, California and New York, New York in 1966. Originally released on Colgems (102). Includes liner notes by Andrew Sandoval.Recording information: American Studios, Studio City, CA (06/25/1966); New York, NY (06/25/1966); RCA Victor Studio, Hollywood (06/25/1966); RCA Victor Studio, New York (06/25/1966); Western Recorders, Hollywood (06/25/1966); American Studios, Studio City, CA (07/25/1966); New York, NY (07/25/1966); RCA Victor Studio, Hollywood (07/25/1966); RCA Victor Studio, New York (07/25/1966); Western Recorders, Hollywood (07/25/1966); American Studios, Studio City, CA (07/26/1966); New York, NY (07/26/1966); RCA Victor Studio, Hollywood (07/26/1966); RCA Victor Studio, New York (07/26/1966); Western Recorders, Hollywood (07/26/1966); American Studios, Studio City, CA (08/15/1966); New York, NY (08/15/1966); RCA Victor Studio, Hollywood (08/15/1966); RCA Victor Studio, New York (08/15/1966); Western Recorders, Hollywood (08/15/1966); American Studios, Studio City, CA (09/10/1966); New York, NY (09/10/1966); RCA Victor Studio, Hollywood (09/10/1966); RCA Victor Studio, New York (09/10/1966); Western Recorders, Hollywood (09/10/1966); American Studios, Studio City, CA (10/13/1966); New York, NY (10/13/1966); RCA Victor Studio, Hollywood (10/13/1966); RCA Victor Studio, New York (10/13/1966); Western Recorders, Hollywood (10/13/1966); American Studios, Studio City, CA (10/15/1966); New York, NY (10/15/1966); RCA Victor Studio, Hollywood (10/15/1966); RCA Victor Studio, New York (10/15/1966); Western Recorders, Hollywood (10/15/1966); American Studios, Studio City, CA (10/23/1966); New York, NY (10/23/1966); RCA Victor Studio, Hollywood (10/23/1966); RCA Victor Studio, New York (10/23/1966); Western Recorders, Hollywood (10/23/1966); American Studios, Studio City, CA (10/25/1966); New York, NY (10/25/1966); RCA Victor Studio, Hollywood (10/25/1966); RCA Victor Studio, New York (10/25/1966); Western Recorders, Hollywood (10/25/1966); American Studios, Studio City, CA (10/28/1966); New York, NY (10/28/1966); RCA Victor Studio, Hollywood (10/28/1966); RCA Victor Studio, New York (10/28/1966); Western Recorders, Hollywood (10/28/1966); American Studios, Studio City, CA (11/23/1966); New York, NY (11/23/1966); RCA Victor Studio, Hollywood (11/23/1966); RCA Victor Studio, New York (11/23/1966); Western Recorders, Hollywood (11/23/1966).Clearly they were not America's answer to the Beatles, even though at the time moptop fans seethed and decided to boycott them. They were the best manufactured pop group ever, and in Michael Nesmith had a musical semi-genius. Their second album, apart from the wretched "Your Auntie Grizelda," carries on from their debut. It contains the mantric "(I'm Not Your) Steppin' Stone," Neil Diamond's chunka-chunka-chunk "Look Out (Here Comes Tomorrow)," the funky "Mary Mary" and the paragon, "I'm A Believer," also written by Neil Diamond. Euphoric and nostalgic and completely marijuana-free.