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Robyn by Robyn (CD, May-2005, Konichiwa)
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The fifth album from the Swedish blued eyed R&B sensation has rocked her homeland at the top of their charts.Read more
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Robyn
BMG tried to turn Robyn into Britney Spears, Jive didn't promote her work internationally and ultimately attempted to veto tracks she felt strongly about. She bought out her J...Read more
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Product description

Album Features
UPC:7320470055298
Artist:Robyn
Format:CD
Release Year:2005
Record Label:Konichiwa
Genre:Dance, Pop, R&B

Track Listing
1. Curriculum Vitae
2. Who's That Girl?
3. Handle Me
4. Robotboy
5. Be Mine!
6. Bionic Woman (Interlude)
7. Crash and Burn Girl
8. Tomteverkstan (Interlude)
9. Konichiwa Bitches
10. Bum Like You
11. Eclipse
12. Should Have Known
13. Anytime You Like

Details
Distributor:MSI Music Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:n/a

Album Notes
The fifth album from the Swedish blued eyed R&B sensation has rocked her homeland at the top of their charts.

This 13-track release by Swedish R&B singer, Robyn, features "Who's That Girl," "Bionic Woman," and "Konichiwa Bitches."Although best known in the United States for her 1997 dance hit "Show Me Love," Robyn has maintained a consistent and appealing career in Europe, balancing Kylie Minogue-style dance pop froth with a more assertive and intriguing set of influences. Highlights on ROBYN includes the first single "Who's That Girl?" cowritten and produced by the Swedish indie electronic duo the Knife, and the swirling, near-psychedelic "With Every Heartbeat." Not at all the pliant pop kitten a la Jessica Simpson that one might expect, Swedish singer-songwriter Robyn is more in keeping with Minogue or Madonna as a canny manipulator of her own image with a knack for musical reinvention. The U.S. edition of ROBYN features three tracks not on the original European version.

Editorial Reviews
[O]ne of the finest R&B releases of the decade, revealing a complex artist whose personality shines through not only in her performance but also in the music around her.
Paste

4 stars out of 5 -- Her self-titled, self-labeled return is heartsick and pissed off, with freezy electro beats and a poison purr light on sex kitten and heavy on avenging angel you can dance to.
Blender

Ranked #37 in Q's The 50 Best Albums Of 2007 -- Her fourth album mixed tearful melodrama with tongue-in-cheek throwdowns...
Q

[A] self-titled album that's a veritable parade of Songs of the Summer....Fantastic... -- Grade: A
Entertainment Weekly

3.5 stars out of 5 -- [A] shiny mainstream pop record with just enough wit and weirdness to impress....Sexy without being pandering, arty without being pretentious...
Rolling Stone

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Robyn by Robyn (CD, May-2005, Konichiwa)
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Robyn

Created: 27/10/09
BMG tried to turn Robyn into Britney Spears, Jive didn't promote her work internationally and ultimately attempted to veto tracks she felt strongly about. She bought out her Jive contract and started a record label. While watching Chappelle's Show she saw a sketch featuring Wu Tang Clan member The RZA in which he used the line "Konnichiwa Bitches." She cracked up and decided to not only record a song entitled "Konniciwa Bitches" but to call her new venture "Konichiwa Records."
In this self entitled effort Robyn collaborates with The Teddy Bears and Kleerup respectively on tracks "Cobrastyle" (Which the Teddy Bears released previously with Mad Cobra) and "With Every Heartbeat" which appeared on a previous Kleerup album. The entire album seems an ecclectic mix of funky hip hop beats and baselines and electronic synthesizers. It's a rich mix of dance music, soulful balads and tongue in cheek humor. Tracks like "Handle Me" and "Bum Like You" show Robyn's playful side while demonstrating that she's a serious musician. Balads like "Anytime you Like" and "Eclipse" show her range as an artist and prove her versitility and growth as an artist. By far the BEST track on the album has to be "Be Mine" Be Mine starts on (the one/an upbeat) the way all Funk does and the base line is supported by chellos, violas and violins and the vocal blending is simply masterful. It's no wonder that Robyn feels it's admittedly the best song she's ever written.
Robyn calls the self entitled effort an album of "singles" and insist that there "isn't a bad track on it" and this reviewer will have to agree. Robyn proves yet again why she remains Sweden's top selling female artist and why this album sold so well in England and the rest of Europe.
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