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We Free Kings by Rahsaan Roland Kirk (CD...
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Only his third session as a leader, 1961's WE FREE KINGS finds multi-instrumentalist Roland Kirk (he added the Rahsaan in 1969) transplanted to New York from his native Midwes...Read more
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An Old Man Revisits a Young Man, who is now, sadly dead
After coming to know & love the work of a mature artist, it's almost always rewarding, albeit a trifle odd (maybe even artificial) to examine the youthful work of that art...Read more

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Album Features
UPC:042282645524
Artist:Rahsaan Roland Kirk
Format:CD
Release Year:1990
Record Label:Verve
Genre:Jazz Instrument, Saxophone

Track Listing
1. Three For the Festival
2. Moon Song
3. Sack Full of Soul, A
4. Haunted Melody, The
5. Blues For Alice - (alternate take)
6. Blues For Alice - (Master Take)
7. We Free Kings
8. You Did It, You Did It
9. Some Kind of Love
10. My Delight

Details
Playing Time:43 min.
Contributing Artists:Art Davis, Hank Jones, Richard Wyands, Charli Persip, Wendall Marshall, Wendell Marshall
Distributor:Universal Distribution
Recording Type:Studio
Recording Mode:Stereo
SPAR Code:AAD

Album Notes
Only his third session as a leader, 1961's WE FREE KINGS finds multi-instrumentalist Roland Kirk (he added the Rahsaan in 1969) transplanted to New York from his native Midwest and signed to Mercury Records, where he'd remain for the next seven years. With this classic album, Kirk shook off detractors who dismissed him as a novelty (for his revival of the vaudeville trick of playing up to three reeds at once) and established himself as a paragon of modern jazz.Beginning with a typically idiosyncratic reworking of Coltrane's "Blues for Alice," Kirk only occasionally steps into the free jazz style implied by the album's title, notably on the first recorded version of his legendary multi-horn showcase "Three for the Festival." Recorded in two different no-nonsense trio settings, WE FREE KINGS showcases Kirk's astonishingly varied brilliance in a suitably stripped-down context. Different CD editions of this album contain various outtakes and alternate takes.

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We Free Kings by Rahsaan Roland Kirk (CD, Oct-1990, Verve)
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An Old Man Revisits a Young Man, who is now, sadly dead

Created: 26/11/08
After coming to know & love the work of a mature artist, it's almost always rewarding, albeit a trifle odd (maybe even artificial) to examine the youthful work of that artist, to look for hints of the greatness to come. The CD re-issue WE FREE KINGS, despite its publication date, actually represents a very young RR Kirk, before he added the Rahsaan to his name for public consumption. What was he then? Very competent, tonally way ahead of many of reed-men, never dull, and yet -- well, those are hardly characteristics to engage most people's attention decades after the recording was made. It's not until Track Seven (out of a total of ten), the title tune, that there's any real sample of the wondrous goofiness & freedom that grew & grew as the years passed. What a great spirit, what a great talent! And what a surprise to the larger world! At the time of these early recordings (1961), Kirk was under contract to Mercury, a good, but hardly pioneering company; around the same time, he was getting the occasional mention in super-square publications like TIME. I was in high-school then, and I remember those things, though it was only years later that I came to admire Kirk. In 1961, I would have thought of this as glorified Lounge Music. Well, meanwhile I'm sure he was glad of the money, & the good press -- but how much more was waiting, already known to an inner circle, but virtually unknown to that larger world which would subsequently have so few years to enjoy him live. Rejoice that his recorded legacy survives, and for those who have to have it all, there's this little collection.
It's well-known that Kirk could poke all sorts of instruments into his mouth & seem to play an entire reed-section all at-once. In that spirit, I want to say two things which may seem contradictory yet certainly aren't: every recording by Rahsaan Roland Kirk is interesting, yet those who seek the later, poetic, swinging visions could easily live without this one. And yet I'm glad to have it . . . To use one of his own favourite phrases, there are bright moments here -- and hey, we can all use as many of those as we can get, right? -- Second Baron
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