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Details about  Glassjaw "Worship and Tribute"LP RSD OOP Deftones Thrice Circa Survive Movielife

Glassjaw "Worship and Tribute"LP RSD OOP Deftones Thrice Circa Survive Movielife
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Item Information

Item condition:
Used
Price:
US $89.99
Approximately C $101.04(including shipping)
 
 
 
Located in United States
Shipping:
US $11.95 (approx. C $13.42) USPS First Class Mail Intl / First Class Package Intl Service | See details
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Item location:
Mesa, Arizona, United States
 
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International shipping and import charges paid to Pitney Bowes Inc. Learn More- opens in a new window or tab
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eBay item number:
351073899943
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Item specifics

Condition:
Used: An item that has been used previously. See the seller’s listing for full details and description of ... Read moreabout the condition
Genre: Rock
Record Grading: Near Mint (NM or M-) Style: Post Hardcore
Sleeve Grading: Generic Record Size: 12"
Special Attributes: Colored Vinyl Duration: LP
Speed: 33 RPM
Glassjaw "Worship and Tribute" LP Warner Bros. Records (US)

Never Played...  Vinyl is NM/MT, Jacket is NM/MT

Pressed on Black Wax

Out of Print!

Track Listing:

A1
Tip Your Bartender

A2
Mu Empire

A3
Cosmopolitan Bloodloss

A4
Ape Dos Mil

A5
Pink Roses

A6
Must've Run All Day

B1
Stuck Pig

B2
Radio Cambodia

B3
The Gillette Cavalcade Of Sports

B4
Trailer Park Jesus

B5
Two Tabs Of Mescaline

Glassjaw (sometimes stylized glassJAw or GlassJAw) is a four-piece rock band from Long Island, New York. The band is fronted by vocalist Daryl Palumbo and guitarist Justin Beck, and have undergone numerous line-up changes since their inception. The band has been influential in the progression of the underground music scene in the eastern United States and United Kingdom and on the post-hardcore genre, and are known for their intense live shows and constant line-up changes.

Biography

Early years (1993–1998)

The band formed in the summer of 1993 after Palumbo and Beck met each other at camp. Of the band name, Beck has said: "We had a list of names, and we were just like, let's pick one of these band names which ones the coolest. At the time there were a bunch of bands coming out with two names in one like that, like mouthpiece, curbjaw, stuff like that. We were going down the list, and the first name that I liked was Swiftkick. I'm all like, that’s a sick name. But for some reason Glassjaw stuck. There's really no reason behind it; it just sounded cool." The band played their first show in 1994 in Oceanside, NY. In the early days, Beck and Weinstock were also playing with Jewish straight edge metalcore band, Sons of Abraham. Sons of Abraham constitute an important influence on Glassjaw, songs such as Hurting and Shoving (She Should Have Let Me Sleep) by Glassjaw drawing particularly on earlier Sons of Abraham releases. Palumbo was in his own straight-edge band called XbustedX. The group's line-up changed constantly in their early years while they played in the local New York hardcore scene. Beck's primary instrument throughout this time was drums, but switched to bass guitar when Ariel Telford left the band in 1998, and then switched to lead guitar when Kris Baldwin left and Manuel Carrero joined the band in 1999. From 1994-1999 the band did several demo recordings of some songs that would eventually appear on their official releases, as well as several other compositions that would not see official release. The band recorded the five-song Kiss Kiss Bang Bang EP in 1997. The record was released independently on the label 2 Cents a Pop, and saw a re-release in 2001 without label affiliation. The line-up on this record was Daryl Palumbo, Justin Beck, Todd Weinstock, Kris Baldwin and Ariel Telford. "Star Above My Bed", from the EP, is still in the band's set lists to this day. A significant recording came in 1999 working with Don Fury (Quicksand, Snapcase, Orange 9mm), showcasing songs that appeared on their debut LP Everything You Ever Wanted to Know About Silence.

Everything You Ever Wanted to Know About Silence (1999–2000)

In 1999, the band entered the studio at Indigo Ranch in Malibu, California with producer Ross Robinson (At the Drive-In, Korn, Limp Bizkit, Slipknot, among others) to record their first full-length album entitled Everything You Ever Wanted to Know About Silence, which saw release in 2000 through Roadrunner Records. On being signed: "Ross showed up at a practice," Beck recounts. "We start a song; 5-4-3-2-1. Ross stands up, waving his hands and he's like, 'It's over, it's done. I want to do this, you've got a deal!' The line-up on this record was Palumbo, Beck, Todd Weinstock, Manuel Carrero & Sammy Siegler (who left the band prior to the subsequent tour). Robinson has said of it: "Our goal at the time of that record was to destroy Adidas rock", a self-deprecating reference to the Adidas-sponsored bands (Korn, Limp Bizkit) Robinson had produced and championed as part of the nu-metal movement. The music was aggressive and unrelenting, but also included spacious songs like "When One Eight Becomes Two Zeros", "Her Middle Name is Boom", "Piano" and the epic "Everything You Ever Wanted to Know About Silence", the latter of which deals with Palumbo's problems with Crohn's disease. The music, accompanied with Palumbo's lyrics—which were often bitter and resentful towards particular characters he was discussing—and his singing style in itself—powerful and aggressive guttural screaming along with a melodic touch—created a unique dynamic. Although EYEWTKAS is often cited as a milestone post-hardcore album, it saw little push from Roadrunner, causing the band to garner an ill-will towards the label. Matters were somewhat worsened when Palumbo started to have bouts with his Crohn's disease on tour, as his aggressive performance style sometimes triggers a relapse, which has the potential to be fatal. It is alleged that Roadrunner would not allow Palumbo to leave the tour to rest.

Larry Gorman of Orange 9mm officially took over drumming duties part-way through touring, which saw dates with Deftones and a six-week European tour with Soulfly. The line-up continued to rotate following the conclusion of the tour when Manuel Carrero was kicked out by Roadrunner for being the only member to have date conflicts with touring.

Worship and Tribute (2001–2003)

In 2001, the band entered the studio in secret with Ross Robinson and began recording their follow-up album Worship and Tribute, which would see release the following year. The album was engineered and mixed by Mike Fraser. They left Roadrunner, finding them problematic, and shipped the album to other labels and ended up signing a deal with Warner Bros. Records. The line-up on this record was Palumbo, Beck (who also provided bass duties), Weinstock, and Shannon Larkin of Amen and later Godsmack, who provided drumming duties due to recording time constraints, as he had worked well with producer Ross Robinson in the past, although Larry Gorman was composing parts and officially the drummer of the band. Ross Robinson does not use a 'click track' (automated metronome) when recording drummers, as he believes "it takes away from the true essence of the music". This album showcased a more melodic and mature Glassjaw, as they started to further incorporate jazz and ambient influences, particularly in tracks like "Ape Dos Mil", "Must've Run All Day", "The Gillette Cavalcade of Sports", and "Convectuoso" (which did not appear on the official release due to a publishing dispute with Roadrunner). Palumbo said of it: "It's a mélange of influences, a collage is what this band is all about. This record pays tribute to everything from Bad Brains to Anthrax to The Cure to Squeeze and so much more." Lyrically, the more confrontational elements heard on 'Everything...' were reined in, with Palumbo taking a more cerebral approach.

Dave Allen joined the group as bassist following the recording of the album. The band then toured extensively throughout 2002-2003, playing all over the world, including festival tours such as Warped Tour, Ozzfest and Snocore. In October 2002, dates in Germany and the UK were cancelled when Palumbo was hospitalized in Paris after suffering a relapse of the Crohn's; he underwent intestinal surgery. The dates were rescheduled to December, but he suffered another relapse. On their return in April 2003 he was hospitalized again in Glasgow, Scotland, which led to cancellations including the Kerrang! Weekender and a date at the London Astoria.

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