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Divas on Screen : Black Women in American Film by Mia Mask (2009, Trade...

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Good
Has a brown spot on the lower right corner and a crease(photo). Otherwise very clean and tight. ... Read moreabout condition
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Item specifics

Condition
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
Seller Notes
“Has a brown spot on the lower right corner and a crease(photo). Otherwise very clean and tight. ...
ISBN
9780252076190
Subject Area
Performing Arts, Social Science, Biography & Autobiography
Publication Name
Divas on Screen : Black Women in American Film
Publisher
University of Illinois Press
Item Length
9 in
Subject
General, Entertainment & Performing Arts, Film / History & Criticism, Ethnic Studies / African American Studies
Publication Year
2009
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.9 in
Author
Mia Mask
Item Weight
15 Oz
Item Width
6 in
Number of Pages
320 Pages

About this product

Product Identifiers

Publisher
University of Illinois Press
ISBN-10
0252076192
ISBN-13
9780252076190
eBay Product ID (ePID)
70942260

Product Key Features

Number of Pages
320 Pages
Publication Name
Divas on Screen : Black Women in American Film
Language
English
Subject
General, Entertainment & Performing Arts, Film / History & Criticism, Ethnic Studies / African American Studies
Publication Year
2009
Type
Textbook
Author
Mia Mask
Subject Area
Performing Arts, Social Science, Biography & Autobiography
Format
Trade Paperback

Dimensions

Item Height
0.9 in
Item Weight
15 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2008-041246
Dewey Edition
22
Reviews
"Mia Mask deftly weaves the lines of inquiry, theory, popular culture, and history while making the complex lives of these amazing, charismatic black women accessible and understandable in fresh conceptual ways."--Ed Guerrero, author of Framing Blackness: The African American Image in Film, "[A] remarkable, straightforward book. . . . Mask interrogates the star personae of each of her subjects with a rigor that is unique and as refreshing as it is accessible and well written.  Mask's cultural critique of her subjects and the world in which they operate resonates long after one has finished the volume. Highly recommended."-- Choice, A Choice Outstanding Academic Title, 2011. "[A] remarkable, straightforward book. . . . Mask interrogates the star personae of each of her subjects with a rigor that is unique and as refreshing as it is accessible and well written. Mask's cultural critique of her subjects and the world in which they operate resonates long after one has finished the volume. Highly recommended."-- Choice, "An original and imaginative work that is full of intellectual energy, insight, and engaged writing." Hazel V. Carby, author ofCultures in Babylon: Black Britain and African America"Mia Mask deftly weaves the lines of inquiry, theory, popular culture, and history while making the complex lives of these amazing, charismatic black women accessible and understandable in fresh conceptual ways." Ed Guerrero, author ofFraming Blackness: The African American Image in Film, "[A] remarkable, straightforward book. . . . Mask interrogates the star personae of each of her subjects with a rigor that is unique and as refreshing as it is accessible and well written. Mask's cultural critique of her subjects and the world in which they operate resonates long after one has finished the volume. Highly recommended."-- Choice, "An original and imaginative work that is full of intellectual energy, insight, and engaged writing."--Hazel V. Carby, author of Cultures in Babylon: Black Britain and African America, ''An original and imaginative work that is full of intellectual energy, insight, and engaged writing.'' Hazel V. Carby, author of Cultures in Babylon: Black Britain and African America ''Mia Mask deftly weaves the lines of inquiry, theory, popular culture, and history while making the complex lives of these amazing, charismatic black women accessible and understandable in fresh conceptual ways.'' Ed Guerrero, author of Framing Blackness: The African American Image in Film
Illustrated
Yes
Dewey Decimal
791.4302/8092396073
Table Of Content
ContentsAcknowledgmentsIntroduction1. Dorothy Dandridge's Erotic Charisma2. Pam Grier: A Phallic Idol of Perversity and Sexual Charisma3. Goldberg's Variations on Comedic Charisma4. Oprah Winfrey: The Cathartic, Charismatic Capitalist5. Halle Berry: Charismatic Beauty for a Multicultural AgeNotesBibliographyIndex
Synopsis
Accessible, theoretical readings of popular African American women film icons.This insightful study places African American women's stardom in historical and industrial contexts by examining the star personae of five African American women: Dorothy Dandridge, Pam Grier, Whoopi Goldberg, Oprah Winfrey, and Halle Berry. Interpreting each woman's ......, Accessible, theoretical readings of popular African American women film icons.This insightful study places African American women's stardom in historical and industrial contexts by examining the star personae of five African American women: Dorothy Dandridge, Pam Grier, Whoopi Goldberg, Oprah Winfrey, and Halle Berry. Interpreting each woman's celebrity as predicated on a brand of charismatic authority, Mia Mask shows how these female stars have deftly negotiated the uneven terrain of racial, gender, and class stereotypes. As international celebrities, these women have ultimately complicated the conventional discursive and industrial practices through which blackness and womanhood have been represented in commercial cinema, independent film, and network television. Mask examines the function of these stars in seminal yet underanalyzed films. She considers Dandridge's status as a sexual commodity in films such as Tamango, revealing the contradictory discourses regarding race and sexuality in segregation-era American culture. Grier's feminist-camp performances in sexploitation pictures Women in Cages and The Big Doll House and her subsequent blaxploitation vehicles Coffy and Foxy Brown highlight a similar tension between representing African American women as both objectified stereotypes and powerful, self-defining icons. Mask reads Goldberg's transforming habits in Sister Act and The Associate as representative of her unruly comedic routines, while Winfrey's daily television performance as self-made, self-help guru echoes Horatio Alger's narratives of success. Finally, Mask analyzes Berry's meteoric success by acknowledging the ways in which Dandridge's career made Berry's possible.''An original and imaginative work that is full of intellectual energy, insight, and engaged writing.''--Hazel V. Carby, author of Cultures in Babylon: Black Britain and African America ''Mia Mask deftly weaves the lines of inquiry, theory, popular culture, and history while making the complex lives of these amazing, charismatic black women accessible and understandable in fresh conceptual ways.''--Ed Guerrero, author of Framing Blackness: The African American Image in Film, This insightful study places African American women's stardom in historical and industrial contexts by examining the star personae of five African American women: Dorothy Dandridge, Pam Grier, Whoopi Goldberg, Oprah Winfrey, and Halle Berry. Interpreting each woman's celebrity as predicated on a brand of charismatic authority, Mia Mask shows how these female stars have ultimately complicated the conventional discursive practices through which blackness and womanhood have been represented in commercial cinema, independent film, and network television. Mask examines the function of these stars in seminal yet underanalyzed films. She considers Dandridge's status as a sexual commodity in films such as Tamango, revealing the contradictory discourses regarding race and sexuality in segregation-era American culture. Grier's feminist-camp performances in sexploitation pictures Women in Cages and The Big Doll House and her subsequent blaxploitation vehicles Coffy and Foxy Brown highlight a similar tension between representing African American women as both objectified stereotypes and powerful, self-defining icons. Mask reads Goldberg's transforming habits in Sister Act and The Associate as representative of her unruly comedic routines, while Winfrey's daily television performance as self-made, self-help guru echoes Horatio Alger narratives of success. Finally, Mask analyzes Berry's meteoric success by acknowledging the ways in which Dandridge's career made Berry's possible.
LC Classification Number
PN1995
Copyright Date
2008
ebay_catalog_id
4

Item description from the seller

ShadowLight Books

ShadowLight Books

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