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A Great Big Girl Like Me: The Films of Marie Dressler (Women’s Media History No
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A Great Big Girl Like Me: The Films of Marie Dressler (Women’s Media History No
US $15.24US $15.24
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A Great Big Girl Like Me: The Films of Marie Dressler (Women’s Media History No

US $15.24
ApproximatelyC $21.13
Condition:
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    eBay item number:126713546076
    Last updated on Jan 15, 2025 09:43:40 ESTView all revisionsView all revisions

    Item specifics

    Condition
    Very Good: A book that does not look new and has been read but is in excellent condition. No obvious ...
    Book Title
    A Great Big Girl Like Me: The Films of Marie Dressler (Women’s Me
    ISBN
    9780252076220

    About this product

    Product Identifiers

    Publisher
    University of Illinois Press
    ISBN-10
    0252076222
    ISBN-13
    9780252076220
    eBay Product ID (ePID)
    70961017

    Product Key Features

    Number of Pages
    208 Pages
    Language
    English
    Publication Name
    Great Big Girl like Me : the Films of Marie Dressler
    Subject
    Screenplays, Entertainment & Performing Arts, Women's Studies, Film / History & Criticism
    Publication Year
    2009
    Type
    Textbook
    Subject Area
    Performing Arts, Social Science, Biography & Autobiography
    Author
    Victoria Sturtevant
    Series
    Women's Media History Now! Ser.
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.7 in
    Item Weight
    10.1 Oz
    Item Length
    9 in
    Item Width
    6 in

    Additional Product Features

    Intended Audience
    Scholarly & Professional
    LCCN
    2008-034986
    Dewey Edition
    22
    TitleLeading
    A
    Reviews
    "Rich with archival materials, this marvelous study of Marie Dressler's film career deranges the norm, questions critical assumptions, and challenges our historical comprehension of the period."--Jennifer M. Bean, coeditor of A Feminist Reader in Early Cinema, "An important, groundbreaking work. In reminding us of the stardom of Marie Dressler--the most significant female box-office star of the early sound era in Hollywood--Sturtevant not only tells the definitive story of this unjustly forgotten figure, but calls into question the very idea that stardom is simply an 'industry of desire.'" David Desser, co-editor ofHollywood Goes Shopping"Rich with archival materials, this marvelous study of Marie Dressler's film career deranges the norm, questions critical assumptions, and challenges our historical comprehension of the period." Jennifer M. Bean, co-editor ofA Feminist Reader in Early Cinema, "An important, groundbreaking work. In reminding us of the stardom of Marie Dressler--the most significant female box-office star of the early sound era in Hollywood--Sturtevant not only tells the definitive story of this unjustly forgotten figure, but calls into question the very idea that stardom is simply an 'industry of desire.'"--David Desser, coeditor of Hollywood Goes Shopping
    Illustrated
    Yes
    Dewey Decimal
    792.0/28092
    Table Of Content
    Acknowledgments ix 1. Tillie's Punctured Romance: Genre and the Body 1 2. Breaking Boundaries: The Unruly Body 30 3. Politics and Prosperity: The Body Politic 60 4. Min and Bill and Tugboat Annie: The Mythic Body 93 5. Emma and Christopher Bean: The Sexual Body 126 Conclusion Dinner at Eight: The Unclosed Body 161 Notes 173 Filmography: Dressler's Feature Films 185 Index 187
    Synopsis
    A captivating study of one of classic Hollywood's most fascinating bodies. In this study of Marie Dressler, MGM's most profitable movie star in the early 1930s, Victoria Sturtevant analyzes Dressler's use of her body to challenge Hollywood's standards for leading ladies. At five feet seven inches tall and two hundred pounds, Dressler was never considered the popular ''delicate beauty,'' often playing ugly ducklings, old maids, doting mothers, and imperious dowagers. However, Dressler's body, her fearless physicality, and her athletic slapstick routines commanded the screen. Although an unlikely movie star, Dressler represented for Depression-era audiences a sign of abundance and generosity in a time of scarcity. This premier analysis of her body of work explores how Dressler refocused the generic frame of her films beyond the shallow problems of the rich and beautiful, instead dignifying the marginalized, the elderly, women, and the poor. Sturtevant inteprets the meanings of Dressler's body through different genres, venues, and historical periods by looking at her vaudeville career, her transgressive representation of an ''unruly'' yet sexual body in Emma and Christopher Bean, ideas of the body politic in the films Politics and Prosperity, and Dressler as a mythic body in Min and Bill and Tugboat Annie."An eminently good read.--The Bay Area Reporter "[An] excellent, superbly detailed and illustrated book. . . . Highly recommended.--Choice''An important, groundbreaking work. In reminding us of the stardom of Marie Dressler--the most significant female box-office star of the early sound era in Hollywood--Sturtevant not only tells the definitive story of this unjustly forgotten figure, but calls into question the very idea that stardom is simply an 'industry of desire.'''--David Desser, coeditor of Hollywood Goes Shopping ''Rich with archival materials, this marvelous study of Marie Dressler's film career deranges the norm, questions critical assumptions, and challenges our historical comprehension of the period.''--Jennifer M. Bean, coeditor of A Feminist Reader in Early Cinema, In this study of Marie Dressler, MGM's most profitable movie star in the early 1930s, Victoria Sturtevant analyzes Dressler's use of her body to challenge Hollywood's standards for leading ladies. At five feet seven inches tall and two hundred pounds, Dressler was never considered the popular "delicate beauty," often playing ugly ducklings, old maids, doting mothers, and imperious dowagers. However, Dressler's body, her fearless physicality, and her athletic slapstick routines commanded the screen. Although an unlikely movie star, Dressler represented for Depression-era audiences a sign of abundance and generosity in a time of scarcity. This premier analysis of her body of work explores how Dressler refocused the generic frame of her films beyond the shallow problems of the rich and beautiful, instead dignifying the marginalized, the elderly, women, and the poor. Sturtevant inteprets the meanings of Dressler's body through different genres, venues, and historical periods by looking at her vaudeville career, her transgressive representation of an "unruly" yet sexual body in Emma and Christopher Bean, ideas of the body politic in the films Politics and Prosperity, and Dressler as a mythic body in Min and Bill and Tugboat Annie., In the first book-length study of Marie Dressler, MGM's most profitable movie star in the early 1930s, Victoria Sturtevant analyzes Dressler's use of her body to challenge Hollywood's standards for leading ladies. At five feet seven inches tall and two hundred pounds, Dressler often played ugly ducklings, old maids, doting mothers, and imperious dowagers. However, her body, her fearless physicality, and her athletic slapstick routines commanded the screen. Sturtevant interprets the meanings of Dressler's body by looking at her vaudeville career, her transgressive representation of an "unruly" yet sexual body in Emma and Christopher Bean, ideas of the body politic in the films Politics and Prosperity, and Dressler as a mythic body in Min and Bill and Tugboat Annie.
    LC Classification Number
    PN2287.D55S78 2009

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