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Oxford Music/Media: Theories of the Soundtrack by James Buhler (2018)
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- Buy It NowOxford Music/Media: Theories of the Soundtrack by James Buhler (2018)
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eBay item number:134707620927
Item specifics
- Condition
- Subject
- Music
- ISBN
- 9780199371082
- Publication Name
- Theories of the Soundtrack
- Item Length
- 6.1in
- Publisher
- Oxford University Press, Incorporated
- Publication Year
- 2018
- Series
- Oxford Music/Media Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.8in
- Item Width
- 9.1in
- Item Weight
- 16.8 Oz
- Number of Pages
- 336 Pages
About this product
Product Information
Theories of the Soundtrack presents a comprehensive account of speculative thinking about film music and sound from major classical and contemporary theorists. The basic theoretical framework of each approach is presented, taking into account the explicit and implicit claims about the soundtrack and its relation to other theories.
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199371083
ISBN-13
9780199371082
eBay Product ID (ePID)
5038277066
Product Key Features
Publication Name
Theories of the Soundtrack
Format
Trade Paperback
Language
English
Publication Year
2018
Series
Oxford Music/Media Ser.
Type
Textbook
Number of Pages
336 Pages
Dimensions
Item Length
6.1in
Item Height
0.8in
Item Width
9.1in
Item Weight
16.8 Oz
Additional Product Features
Lc Classification Number
Ml2075.B844 2018
Reviews
"This is a useful presentation of past and current theories about the soundtrack and the role sound plays in film." -- K. George, CHOICE, "This is a useful presentation of past and current theories about the soundtrack and the role sound plays in film." -- K. George, CHOICE"This study is astonishing for the amount of film theory it traverses and makes compelling. Its methodology is remarkable, especially in the way it moves both chronologically and topically through film theory while carefully keeping the discussion of film sound and film music completely grounded within the larger theoretical frameworks in which they appear. Buhler's mastery of the subject allows him to explain complex theories with clarity and precision, butalso to make sophisticated and illuminating comparisons between them. This book makes film theory not only immanently approachable for film sound and music scholars alike, but also absolutely essential.""James Buhler provides an excellent overview of Anglo-American, Soviet, German, and French accounts of the film soundtrack. He cuts through the jargon, with clear and sophisticated explanations that also allow us to see each theory in a wider intellectual context. For those interested in screen music, this will surely become a must-read.", This study is astonishing for the amount of film theory it traverses and makes compelling. Its methodology is remarkable, especially in the way it moves both chronologically and topically through film theory while carefully keeping the discussion of film sound and film music completely grounded within the larger theoretical frameworks in which they appear. Buhlers mastery of the subject allows him to explain complex theories with clarity and precision, but also tomake sophisticated and illuminating comparisons between them. This book makes film theory not only immanently approachable for film sound and music scholars alike, but also absolutely essential.
Copyright Date
2018
Topic
History & Criticism, Printed Music / Musicals, Film & TV, General
Lccn
2018-006090
Dewey Decimal
781.5/4201
Intended Audience
Scholarly & Professional
Dewey Edition
23
Genre
Music
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