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Various Artists - That'll Flat Git It, Vol. 14 [New CD]
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Out of Stock / 2 sold
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Located in: Shepherdsville, Kentucky, United States, United States
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Estimated between Mon, May 20 and Tue, May 21 to 43230
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eBay item number:141929656141
Item specifics
- Condition
- Custom Bundle
- No
- Duration
- Album
- Modified Item
- No
- Title
- That'll Flat Git It, Vol. 14
- Album Name
- That'll Flat Git It, Vol. 14
- Type
- Album
- Brand
- Bear Family
- UPC
- 4000127162106
- Artist
- Various Artists
- Format
- CD
- Record Label
- Bear Family Records (Germany)
- Producer
- Sam Phillips; Stanley A. Kesler; Dave Booth (Compilation) ; Richard Weize (Reissue)
- Release Year
- 1997
- Release Title
- That'll Flat Git It!, Vol. 14
- Genre
- Rock 'n' Roll, Oldies
- Run Time
- 67 Mins 56 Seconds
About this product
Product Identifiers
Producer
Sam Phillips; Stanley A. Kesler; Dave Booth (Compilation) ; Richard Weize (Reissue)
Record Label
Bear Family Records (Germany)
UPC
4000127162106
eBay Product ID (ePID)
11050194258
Product Key Features
Artist
Various Artists
Format
CD
Release Year
1997
Release Title
That'll Flat Git It!, Vol. 14
Genre
Rock 'n' Roll, Oldies
Run Time
67 Mins 56 Seconds
Additional Product Features
Distribution
MSI Music Distribution
Number of Discs
1
Country/Region of Manufacture
Germany
Additional information
This collection of '50s and '60s Rockabilly contains rare tracks from the vaults of Sun Records. Liner Note Author: Colin Escott. Illustrators: Colin Escott; Dave Travis; Hans Peter Zdrenka; R.A. Andreas; Bo Berglind; William Pittman. Photographers: Colin Escott; Dave Travis; Hans Peter Zdrenka; R.A. Andreas; Bo Berglind; William Pittman. Among reissue and archival labels, only Bear Family Records could get to Volume 14 of a series and not have purchasers begin to feel like the concept was getting milked a bit, along with their wallets. This particular collection, indeed, will prove nothing less than essential for fans of rockabilly or early rock & roll, as well as devotees of Sun Records, though the reasons may be a little more complicated than the title of this volume suggests at first glance. "Rockabilly from the Vaults of Sun Records" might prove deceptively unappealing to the casual purchaser, as there is no shortage of rockabilly sides from Sun Records to choose from on CD, and from perfectly respectable reissue labels apart fromBear Family -- but this 31-song CD is very different from those. And the key can be found in the wording -- the music is "from" the vaults of Sun Records, but much of it was never actually issued by the label. Rather, the songs here mostly represent material found in the Sun vaults that Sam Phillips never released, and demos by people who he never signed, for whatever reasons. So what we have is truly an alternate universe of artists and sounds, in the context of Sun -- people and music that mostly never made the cut but which, in theory, might have. And some should have -- Glenn Honeycutt, whose "Rock All Night" opens this CD, was obviously a serious talent with at least one song to match; and Dick Penner, who co-wrote "Ooby Dooby," very obviously had something more than enthusiasm and energy to offer, as proved by "Move Baby, Move." Jumpin' Gene Simmons is substantially less impressive here with "Pop and Mama," but Jimmy Haggett's "Rock Me Baby" could easily have charted in 1955 or 1956. Jimmy Wages' "Take Me (Garden of Evil)" is downright bizarre, a river of words and strangely contradictory sentiments running like rapids -- rapids that Wages barely traverses safely in his frantic tempo and accompaniment. Smokey Joe Baugh's "Hula Bop," by contrast, is rockabilly with a smooth country element -- though those tom-toms over the break run counter to the almost elegant steel guitar, and his raspy reading of the last verse and the honky tonk piano on the second break is a great surprise. Based on "Drive In," Mack Vickery could have been Sun's successor to Carl Perkins after the latter left the label, but it wasn't to be -- nor were most of Vickery's later opportunities to pan out. Not everyone represented here was exactly comfortable with rock & roll, much less rockabilly -- Roger Fakes was clearly more of a balladeer, than a rock & roll balladeer, based on "Somehow We'll Find a Way," but it's still worth hearing what
Number of Audio Channels
Stereo
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eBay item number:141929656141
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