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Garbage - No Gods No Masters [New Vinyl LP] Explicit, Colored Vinyl, Green

Condition:
New
5 available
Price:
AU $56.11
ApproximatelyC $50.14
Breathe easy. Returns accepted.
Shipping:
Free International Economy : tracked-no signature (11 to 35 business days). See detailsfor shipping
Located in: Shepherdsville, KY, United States
Delivery:
Estimated between Mon, May 6 and Wed, May 8 to 43230
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Seller information

Registered as a Business Seller
Seller assumes all responsibility for this listing.
eBay item number:144712924081
Last updated on Mar 28, 2024 11:55:42 EDTView all revisionsView all revisions

Item specifics

Condition
New: A brand-new, unused, unopened, undamaged item (including handmade items). See the seller's ...
Custom Bundle
No
Duration
Album
Language
English
Modified Item
No
Record Grading
Mint(M)
Record Size
12"
Sleeve Grading
Mint(M)
Features
Explicit, Colored Vinyl, Green
Speed
33 RPM
Title
No Gods No Masters
Album Name
No Gods No Masters
Brand
Infectious Music
UPC
4050538662887
Artist
Garbage
Type
LP
Format
Vinyl
Record Label
Infectious Music
Release Year
2021
Release Title
No Gods No Masters *
Run Time
46 mins 7 seconds
Genre
Rock

About this product

Product Identifiers

Record Label
Infectious Music
UPC
4050538662887
eBay Product ID (ePID)
11050157813

Product Key Features

Artist
Garbage
Format
Vinyl
Release Year
2021
Release Title
No Gods No Masters *
Type
LP
Run Time
46 mins 7 seconds
Genre
Rock

Additional Product Features

Additional information
Decrying injustice in a chaotic world, alt-rock mainstays Garbage blazed into the 2020s revitalized and pissed off with their seventh set, No Gods No Masters. Their most overtly political effort to date, the album takes a bold sociopolitical stance in the wake of global events from the years preceding its release, tackling everything from systemic racism and gender inequality to corporate greed and the struggles of the marginalized. From the outset, it's clear that the quartet are fed up, switching off their 2010s autopilot mode and cranking up the aggression for the throbbing digital-funk of "The Men Who Rule the World," a biting indictment that aims to smash the patriarchy. The pulsing "Godhead" takes a more explicit approach, venting frustration over society's centering on the male ego with colorful phallic imagery, which is then twisted through a Depeche Mode-meets-Peaches lens. "A Woman Destroyed" carries that fury to a logical conclusion with a theatrical revenge fantasy, which is layered with ominous atmospheric production and a pulsing industrial beat. Later, the rage morphs into hopeless desperation on the somber "Waiting for God," a haunting dirge that finds vocalist Shirley Manson praying for those affected by police brutality and discrimination. Wading through these tough topics, Manson -- her inimitable vocals as alluring, commanding, and threatening as ever -- is sure to tap into the personal side of things, offering unguarded moments of hard-earned wisdom that deal with self-doubt and failure (the frenetic, biographical "The Creeps"), atoning for past ills (the quintessentially "Garbage" standout "Wolves"), and being an eternal misfit (the sweeping, midtempo "Uncomfortably Me"). As No Gods No Masters draws to a close, Garbage deliver a hopeful anthem to the masses with the sparkling title track, a driving pop gem that echoes Missing Persons and Blondie. Atop the ever-reliable backing of Butch Vig, Duke Erikson, and Steve Marker, Manson defiantly declares, "The future is mine just the same/No master or gods to obey." As a unit, Garbage haven't sounded this hungry and vital in over a decade; the fact that they've delivered such a statement nearly three decades into their careers makes it all the more impressive. No Gods No Masters is a highlight in their discography and one of their best works to date, a potent and outspoken dose of genre-blending artistry that confidently returns Garbage to their position as a band perpetually ahead of the curve. ~ Neil Z. Yeung
Reviews
Billboard - "Shirley Manson's still-commanding voice sounds delightful layered atop pounding drums and frenzied riffs." Pitchfork (Website) - "'Godhead' opens with programmed swooshes and vaguely Indian melodic swirls before settling on the whispery-whiskery dynamics Manson used to creepy effect on 1998's 'Hammering in My Head'..."
Distribution
ADA
Number of discs
1

Item description from the seller

importcds-au15

importcds-au15

98.8% positive feedback
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Detailed seller ratings

Average for the last 12 months

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Reasonable shipping cost
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Past month
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Received my item in very good time from USA to Melbourne, Safe delivery and well-packaged parcel with item in Brand-new condition as per listing. High quality item and excellent value for money. Trusted Seller. 5 Stars A+++
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Past 6 months
Verified purchase
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