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Figures of Speech: Men and Maidens in Ancient Greece - Ferrari, Gloria - Har...

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Item specifics

Condition
Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
Release Year
2002
ISBN
9780226244365
Book Title
Figures of Speech : Men and Maidens in Ancient Greece
Item Length
9.3 in
Publisher
University of Chicago Press
Publication Year
2002
Type
Textbook
Format
Hardcover
Language
English
Illustrator
Yes
Item Height
1.2 in
Author
Gloria. Ferrari
Genre
Art, History, Social Science
Topic
Archaeology, Ancient / Greece, General, Subjects & Themes / Human Figure
Item Width
6.4 in
Item Weight
26.8 Oz
Number of Pages
360 Pages

About this product

Product Information

Over the past two hundred years, thousands of ancient Greek vases have been unearthed. Yet debate continues about what the images depicted on these vases actually meant to ancient Greek viewers.

Product Identifiers

Publisher
University of Chicago Press
ISBN-10
0226244369
ISBN-13
9780226244365
eBay Product ID (ePID)
2200155

Product Key Features

Author
Gloria. Ferrari
Book Title
Figures of Speech : Men and Maidens in Ancient Greece
Format
Hardcover
Language
English
Topic
Archaeology, Ancient / Greece, General, Subjects & Themes / Human Figure
Publication Year
2002
Type
Textbook
Illustrator
Yes
Genre
Art, History, Social Science
Number of Pages
360 Pages

Dimensions

Item Length
9.3 in
Item Height
1.2 in
Item Width
6.4 in
Item Weight
26.8 Oz

Additional Product Features

Intended Audience
Scholarly & Professional
Lc Classification Number
Nk4645.F47 2002
Reviews
Ferrari has given us an ambitious, compelling book that will challenge its readers to rethink some of the prevailing contemporary views of gender and sexuality in ancient Greece., [Ferrari] directs readers' attention to the imagery of women's prenuptial, marital, and domestic activities, to the representation of manliness and physical beauty as positive concepts, the meaning of the discrepancy between clothed females and nude males, and to the definition of gender roles . . . Her ambitious, subtle argument relies on her close analysis of artistic figuration, complemented by contemporary texts., Ferrari [presents] a detailed and serious study of the science of communication as applied to the visual representation of the masculine and feminine.  In doing so, she makes a valuable contribution not only to gender studies, but also to art history as well. . . . Ferrari's book is perhaps the most explicit and comprehensive utilization of language theory to art analysis.  She offers a refreshing re-ordering of the scholarly agenda way from connoisseurship towards a sociological understanding of art. . . . Emblematic of the failure to recognize the richness of domestic imagery is the scholarly treatment of the 'spinning woman' motif on Greek vases. . . . Ferrari demonstrates the unrecognized richness of the imagery and its component elements (footed chest, wool basket, spindle, mantle, etc.).  Anchoring each element within its respective nest of associations, allusions, and connotations, she shows the way in which the images play with the central constituent elements of the feminine., "Ferrari [presents] a detailed and serious study of the science of communication as applied to the visual representation of the masculine and feminine. In doing so, she makes a valuable contribution not only to gender studies, but also to art history as well. . . . Ferrari's book is perhaps the most explicit and comprehensive utilization of language theory to art analysis. She offers a refreshing re-ordering of the scholarly agenda way from connoisseurship towards a sociological understanding of art. . . . Emblematic of the failure to recognize the richness of domestic imagery is the scholarly treatment of the 'spinning woman' motif on Greek vases. . . . Ferrari demonstrates the unrecognized richness of the imagery and its component elements (footed chest, wool basket, spindle, mantle, etc.). Anchoring each element within its respective nest of associations, allusions, and connotations, she shows the way in which the images play with the central constituent elements of the feminine."-Alastair J. L. Blanshard, Bryn Mawr Classical Review, Ferrari [presents] a detailed and serious study of the science of communication as applied to the visual representation of the masculine and feminine. In doing so, she makes a valuable contribution not only to gender studies, but also to art history as well. . . . Ferrari's book is perhaps the most explicit and comprehensive utilization of language theory to art analysis. She offers a refreshing re-ordering of the scholarly agenda way from connoisseurship towards a sociological understanding of art. . . . Emblematic of the failure to recognize the richness of domestic imagery is the scholarly treatment of the 'spinning woman' motif on Greek vases. . . . Ferrari demonstrates the unrecognized richness of the imagery and its component elements (footed chest, wool basket, spindle, mantle, etc.). Anchoring each element within its respective nest of associations, allusions, and connotations, she shows the way in which the images play with the central constituent elements of the feminine.
Table of Content
Acknowledgments Introduction 1. The Thread of Ariadne 2. The Spinners 3. Figures of Speech 4. The Manly Aphrodite 5. Perikalles Agalma 6. The Body Politic 7. Fugitive Nudes 8. Between Men Appendix 1 Appendix 2 Abbreviations Notes Bibliography Index of Monuments Index of Ancient Sources General Index Index of Authors
Copyright Date
2002
Lccn
2002-002849
Dewey Decimal
738.3/82/0938
Dewey Edition
21

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