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Film Manifestos and Global Cinema Cultures : A Critical Anthology by Scott...
US $44.99
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Condition:
“SOME NOTATIONS”
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages. See the seller’s listing for full details and description of any imperfections.
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Located in: Albany, Oregon, United States
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eBay item number:166362743295
Item specifics
- Condition
- Good
- Seller Notes
- “SOME NOTATIONS”
- Narrative Type
- Nonfiction
- Original Language
- English
- ISBN
- 9780520276741
About this product
Product Identifiers
Publisher
University of California Press
ISBN-10
0520276744
ISBN-13
9780520276741
eBay Product ID (ePID)
168586962
Product Key Features
Book Title
Film Manifestos and Global Cinema Cultures : a Critical Anthology
Number of Pages
680 Pages
Language
English
Publication Year
2014
Topic
Film / General, Digital
Genre
Art, Performing Arts
Format
Hardcover
Dimensions
Item Height
0.2 in
Item Weight
44.9 Oz
Item Length
1.1 in
Item Width
0.7 in
Additional Product Features
LCCN
2013-025528
Reviews
The most important film book of the year . . . required reading for both students and lovers of cinema.
Dewey Edition
23
Dewey Decimal
791.4301
Synopsis
Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focusing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European "waves" and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme '95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura , which nevertheless played a central role in film culture., Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focusing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European "waves" and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme '95); Latin American Third Cinemas (Birri, Sanjin s, Espinosa, Solanas); radical art and the avant-garde (Bu uel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bolla n, Debord, Hermosillo, Isou, Kieslowski, Painlev , Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura , which nevertheless played a central role in film culture.
LC Classification Number
PN1995.M2335 2014
Item description from the seller
Seller feedback (835)
- h***7 (30)- Feedback left by buyer.Past 6 monthsVerified purchaseItem was in great condition as described. Well packed for Transport and the seller sent a tracking number when dispatched. Very happy with purchase and would use this seller again.Sligo, The Light of Bygone Days Vol 1: Houses of Sligo and Associated Families (#167057380994)
- b***c (326)- Feedback left by buyer.Past 6 monthsVerified purchaseThank you. Good service and book but recommend shipping in box or heavy insert. Because it was a paperback, my mailperson rolled the book up to put it in the mailbox and unnecessarily stressed this collectible edition.
- u***s (1561)- Feedback left by buyer.Past 6 monthsVerified purchaseThe price was great for what I got, arrived on time and as described. Was packed perfectly.400 Day Clock; Repair Guide (Horolovar) 10th Edition (#167442310683)
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Seller feedback (835)
- h***7 (30)- Feedback left by buyer.Past 6 monthsVerified purchaseItem was in great condition as described. Well packed for Transport and the seller sent a tracking number when dispatched. Very happy with purchase and would use this seller again.Sligo, The Light of Bygone Days Vol 1: Houses of Sligo and Associated Families (#167057380994)
- b***c (326)- Feedback left by buyer.Past 6 monthsVerified purchaseThank you. Good service and book but recommend shipping in box or heavy insert. Because it was a paperback, my mailperson rolled the book up to put it in the mailbox and unnecessarily stressed this collectible edition.
- u***s (1561)- Feedback left by buyer.Past 6 monthsVerified purchaseThe price was great for what I got, arrived on time and as described. Was packed perfectly.400 Day Clock; Repair Guide (Horolovar) 10th Edition (#167442310683)