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1966 blow-up (Snap case usa dvd 2004 NTSC 1) (French/english audio) Brand New!

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Located in: Kirkland, Quebec, Canada

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wellben (1848)
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eBay item number:166457790410

Last updated on Mar 27, 2024 09:17:20 EDTView all revisionsView all revisions

Item specifics

Condition: Brand New: An item that has never been opened or removed from the manufacturer’s sealing (if ...

Type: Movie

Region Code: DVD: 1 (US, Canada...)

Release Year: 2004

Language: English, French

Video Format: NTSC

Rating: NR

Subtitle Language: English, French

Actor: David Hemmings, Vanessa Redgrave

Sub-Genre: romance

Country/Region of Manufacture: United States

Studio: Warner Bros

Edition: Standard Edition

UPC: 0012569513525

Format: DVD

Director: Michelangelo Antonioni

Genre: Drama

Movie/TV Title: Blow-Up

About this product

Product Information

Michelangelo Antonioni delivers yet another masterful cinematic expose with BLOW UP, a provocative mystery set in the seamy mod culture of London. The film follows a photographer (David Hemmings) who captures evidence of a murder when he takes some innocent snapshots of a couple in the park. As he digs deeper and deeper into the photograph's actual negative in order to unravel the mystery, he also must contend with a seemingly dangerous woman (Vanessa Redgrave) who knows more than she is letting on. Atmospheric, tense, with a refreshing jolt of humor, Antonioni's stylish thriller influenced the work of many of cinema's most celebrated directors, including Francis Ford Coppola's THE CONVERSATION, Brian De Palma's BLOW OUT, and David Lynch's BLUE VELVET.

Product Identifiers

UPC

0012569513525

eBay Product ID (ePID)

6471770

Product Key Features

Actor

David Hemmings, Vanessa Redgrave

Director

Michelangelo Antonioni

Rating

Format

DVD

Release Year

2004

Movie/TV Title

Blow-Up

Genre

Drama

Additional Product Features

Region Code

Region 1

Number of Discs

Country/Region of Manufacture

USA

LeafCats

617

Film Country

USA

Signal Standard

Dvd

Leading Role

David Hemmings, Vanessa Redgrave

Release Date

20040217

Item description from the seller

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eBay item number:166457790410

Last updated on Mar 27, 2024 09:17:20 EDTView all revisionsView all revisions

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Shipping and handling	To	Service	Delivery*See Delivery notes
C $10.97	United States	Canada Post Tracked Packet - USA	Estimated between Mon, May 6 and Mon, May 13 to 43230
C $25.21	United States	Canada Post Expedited Parcel - USA	Estimated between Mon, May 6 and Mon, May 13 to 43230

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4.8

25 product ratings

21 users rated this 5 out of 5 stars
3 users rated this 4 out of 5 stars
1 users rated this 3 out of 5 stars
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See all 19 reviews

by track!
Jan 14, 2023Top favourable review
Disappointed
Product was good. I seen this movie in 1966 or 67. I didn’t understand or get it then. So I thought I would watch it again to see if it made more since to me since I was older. It didn’t.
Verified purchase: YesCondition: Pre-OwnedSold by: underthebed
by lonycsharon
Jun 05, 2006
Blow Up
I bought the movie Blow Up because it was not being shown on t.v. and I could not rent it. When the lead actor in the movie, David Hemmings, passed away recently, there was much written about the film that made him so popular. He plays a fashion photographer who takes photos of a couple in a park and later realizes as he develops and enlarges his photos that he has captured a murder. It was one of Venessa Redgrave's earliest parts. Most would consider it an art film and silimar to today's independent movies. I enjoyed it more as a period piece of London's Swinging 60's and was amused by how shocking the movie was in it's day.I bought the movie Blow Up because it was not being shown on t.v. and I could not rent it. When the lead actor in the movie, David Hemmings, passed away recently, there was much written about the film that made him so popular. He plays a fashion photographer who takes photos of a couple in a park and later realizes as he develops and enlarges his photos that he has captured a murder. It was one of Venessa Redgrave's earliest parts. Most would consider it an art film and silimar to today's independent movies. I enjoyed it more as a period piece of London's Swinging 60's and was amused by how shocking the movie was in it's day.
by steve2018
May 31, 2009
Blow-Up portrays photographic processes correctly
One might say that to young, impassioned, London photographer Thomas (David Hemmings), "Blow-Up" is like "24" is for Jack Bauer--a day in the life, albeit one of extraordinary events. Michelangelo Antonioni's first English language film covers roughly a 24 hour period in a photographer's life in 1966, amid the same mod England surrounding the Beatles during their peak. The day starts off with a couple of model shoots (he is demanding with his subjects), and a visit to an antique shop. As the day progresses, we learn he is also working with his agent as a contributor to an upcoming artsy photo book. Shooting for this project, he stumbles across an intriguing couple in a park and captures them on film from a distance. The mysterious woman (Vanessa ... One might say that to young, impassioned, London photographer Thomas (David Hemmings), "Blow-Up" is like "24" is for Jack Bauer--a day in the life, albeit one of extraordinary events. Michelangelo Antonioni's first English language film covers roughly a 24 hour period in a photographer's life in 1966, amid the same mod England surrounding the Beatles during their peak. The day starts off with a couple of model shoots (he is demanding with his subjects), and a visit to an antique shop. As the day progresses, we learn he is also working with his agent as a contributor to an upcoming artsy photo book. Shooting for this project, he stumbles across an intriguing couple in a park and captures them on film from a distance. The mysterious woman (Vanessa Redgrave), upon spotting Thomas demands the pictures, but he says this is a public place and he has a right to photograph them. She tracks him down to his studio later in the day and makes every plea imaginable to get the film, including offering to pose nude and even have sex with him. To get rid of her, he pulls the old film switcheroo. He then enters his lavishly equipped darkroom, processes the real roll, and blows all frames up to 16 x 20. Thinking there is more to be seen he consequently uses a 4 x 5 view camera to re-photograph a small portion of one print, and then enlarges the resulting negative. This evokes fond memories for the pre-digital era. He spots what looks like a dead body and a man with a gun. To tell more would be to spoil. What I like most about Blow-Up is, that while many movies have photographers as protagonists, Thomas actually gets the photo processes right: safelights, chemicals, using the enlarger, a film drying cabinet (sure could have used one when we did the high school yearbook!),a freezer for storing unexposed film and paper; and when using the view camera, proper insertion of the film carrier, and removal and replacement of the dark slide. This was only the second feature for Hemmings, a great start to a career of over 30 more films up to his death in 2003. One of the lighter moments with Redgrave (we never learn her name) is when Thomas is playing a jazz LP and she is grooving, first with, then against, the beat. Blow-Up has a Hitchcock feel to it, but also the slower pace and sparce sound of a foreign film. I don't know that I would recommend Blow-Up to everyone, but if you've ever been serious enough about photography to have used a darkroom, this is one movie you shouldn't miss.
by fsafranek
Feb 07, 2008
Blow-Up Review
The first time I saw this movie was in a film appreciation class as a freshman in college (1977). I've always been a fan of the 60's so I thought it was interesting. Later that year I became very involved in black and white photography and made a point of watching the film again. It had a completely different feel to me then. Not as a story against a 60s background but as the art form that photography and film is. And as I had matured I could better appreciate the pursuit of something that you have convinced yourself is out there but you just can't find it. But in the final scene I think he finds that what you see, or don't see, in not what is important. But what you choose to do about it is. Great show by the Yardbirds, by the way. This movie has been on ... The first time I saw this movie was in a film appreciation class as a freshman in college (1977). I've always been a fan of the 60's so I thought it was interesting. Later that year I became very involved in black and white photography and made a point of watching the film again. It had a completely different feel to me then. Not as a story against a 60s background but as the art form that photography and film is. And as I had matured I could better appreciate the pursuit of something that you have convinced yourself is out there but you just can't find it. But in the final scene I think he finds that what you see, or don't see, in not what is important. But what you choose to do about it is. Great show by the Yardbirds, by the way. This movie has been on my top ten list for three decades now.
by fergus-63
Jun 10, 2020
"What Might or Might Not Be There."
This is a classic from Antonioni's body of work. It captures the essence of pop culture in the 60's - and mixes it with yet another existential set of questions this director and film maker embeds into the plot and narrative.
Verified purchase: YesCondition: Pre-OwnedSold by: decluttr_store

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1966 blow-up (Snap case usa dvd 2004 NTSC 1) (French/english audio) Brand New!

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Item specifics

About this product

Product Information

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Item description from the seller

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Wellben

Detailed seller ratings

Average for the last 12 months

Popular categories from this store

Seller feedback (1,868)

Product ratings and reviews

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Disappointed

Blow Up

Blow-Up portrays photographic processes correctly

Blow-Up Review

"What Might or Might Not Be There."

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