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Sabotage 2009 Remastered Version [VINYL]

Condition:
New
2 available
Price:
AU $47.29
ApproximatelyC $43.01
Breathe easy. Returns accepted.
Shipping:
AU $15.00 (approx C $13.64) Australia Post International Economy Air. See detailsfor shipping
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Located in: Priority Airmail from England, United Kingdom
Delivery:
Estimated between Wed, Jul 17 and Fri, Jul 26 to 43230
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eBay item number:184768191094
Last updated on Jun 24, 2024 05:55:41 EDTView all revisionsView all revisions

Item specifics

Condition
New: A brand-new, unused, unopened, undamaged item (including handmade items). See the seller's ...
Brand
Pias Music
MPN
BMGRM058LP
UPC
5414939920837
Artist
Black Sabbath
Type
LP
Format
Vinyl
Release Year
1975
Record Label
Sanctuary (USA)
Release Title
Sabotage
Genre
Metal

About this product

Product Identifiers

Record Label
Sanctuary (USA)
UPC
5414939920837
eBay Product ID (ePID)
21050176695

Product Key Features

Release Year
1975
Format
Vinyl
Genre
Metal
Type
LP
Artist
Black Sabbath
Release Title
Sabotage

Additional Product Features

Country/Region of Manufacture
USA
Reviews
Q (1/01, p.122) - 4 out of 5 stars - "...Highly underrated..." Uncut - 4 stars out of 5 -- "'75's SABOTAGE delivers an exhaustive clobbering...achieving a heaviness born of growing studio mastery." Record Collector (magazine) (p.81) - 3 stars out of 5 -- "Tony Iommi's idea bank was overflowing and, as the band improved, he became more inventive, pushing the metal envelope with every new song."
Additional information
Black Sabbath: Ozzy Osbourne (vocals); Tony Iommi (guitar); Geezer Butler (bass); Bill Ward (drums). Additional personnel: English Chamber Choir (background vocals). Principally recorded at Morgan Studios, London, England. Sabotage is the final release of Black Sabbath's legendary First Six, and it's also the least celebrated of the bunch, though most die-hard fans would consider it criminally underrated. Sabotage came at a time when Sabbath was turning in one platinum record after the next, and critics were finally starting to appreciate the band as much as their fans. It also came during a lengthy and bitter legal battle between the band and their former management, which no doubt informed lyrical themes of betrayal and paranoia as well as the pervasive overall feeling of life itself unraveling. Musically, the band continues further down the proto-prog metal road of Sabbath Bloody Sabbath, and this time around, the synthesizers feel more organically integrated into the arrangements. What's more, the song structures generally feel less conventional and more challenging. There's one significant exception in the blatant pop tune "Am I Going Insane (Radio)," which rivals "Changes" as the most fan-loathed song of the glory years, thanks to its synth-driven arrangement (there isn't even a guitar riff) and oft-repeated one-line chorus. But other than that song and the terrific album-opener "Hole in the Sky," the band largely eschews the standard verse-chorus format, sticking to one or two melody lines per riffed section and changing up the feel before things get too repetitive. The prevalence of this writing approach means that Sabotage rivals Vol. 4 as the least accessible record of Sabbath's early material. However, given time, the compositional logic reveals itself, and most of the record will burn itself into the listener's brain just fine. The faster than usual "Symptom of the Universe" is a stone-cold classic, its sinister main riff sounding like the first seed from which the New Wave of British Heavy Metal would sprout (not to mention an obvious blueprint for Diamond Head's "Am I Evil?"). Like several songs on the record, "Symptom" features unexpected acoustic breaks and softer dynamics, yet never loses its drive or focus, and always feels like Sabbath. Less immediate but still rewarding are "Thrill of It All," with its triumphant final section, and the murky, sullen "Megalomania," which never feels as long as its nearly nine-and-a-half minutes. But more than the compositions, the real revelation on Sabotage is Ozzy Osbourne, who turns in his finest vocal performance as a member of Black Sabbath. Really for the first time, this is the Ozzy we all know, displaying enough range, power, and confidence to foreshadow his hugely successful solo career. He saves the best for last with album-closer "The Writ," one of the few Sabbath songs where his vocal lines are more memorable than Tony Iommi's guitar parts; running through several moods over the cou
Number of discs
1

Item description from the seller

Business seller information

Value Added Tax Number:
  • GB 186198659
The Pom Shop

The Pom Shop

97.4% positive feedback
382K items sold

Detailed seller ratings

Average for the last 12 months

Accurate description
4.9
Reasonable shipping cost
5.0
Shipping speed
4.8
Communication
4.9

Seller feedback (108,780)

t***a (275)- Feedback left by buyer.
Past 6 months
Verified purchase
Super quick delivery time from UK to Melbourne, Australia. Safe delivery and well-packaged item. Brand-new item as per listing. Free lmternational Shipping is always attractive and great value as this Seller provides. Very Happy customer ! Recommended. 5 Stars from me ! ⭐⭐⭐⭐⭐
e***g (248)- Feedback left by buyer.
Past month
Verified purchase
Excellent seller, excellent communication, well packaged, fast delivery. Item as described, would recommend purchasing from them.
o***e (57)- Feedback left by buyer.
Past 6 months
Verified purchase
Great product as advertised. Didn’t realise it was coded to UK, but seller helped me out.. with thanks.. Price great. Fast postage. Highly recommend seller! Thanks heaps!!

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