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HISTORICAL GRAMMAR OF THE VISUAL ARTS By Alois Riegl - Hardcover

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Book is in typical used-Good Condition.  Will show signs of wear to cover and/or pages. There may be ... Read moreabout condition
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Item specifics

Condition
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
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“Book is in typical used-Good Condition.  Will show signs of wear to cover and/or pages. There may ...
ISBN-10
1890951455
Publication Name
Zone Books
Type
Hardcover
ISBN
9781890951450
Book Title
Historical Grammar of the Visual Arts
Item Length
9.2 in
Publisher
Zone Books
Publication Year
2004
Format
Hardcover
Language
English
Illustrator
Yes
Item Height
1.7 in
Author
Alois Riegl
Genre
Art
Topic
Criticism & Theory, History / General
Item Width
6.2 in
Item Weight
31 Oz
Number of Pages
496 Pages

About this product

Product Information

Alo s Riegl is one of the greatest of all modern art historians. The most important member of the so-called "Vienna School," Riegl developed a highly refined technique of visual or formal analysis, as opposed to the iconological method, with its emphasis on decoding motifs through recourse to texts. Riegl also pioneered understanding of the changing role of the viewer, the significance of non-high art objects or what would now be called visual or material culture, and theories of art and art history, including his much-debated neologism Kunstwollen (the will of art). At last, his Historical Grammar of the Visual Arts , which brings together the diverse threads of his thought, is available to an English-language audience, in a superlative translation by Jacqueline E. Jung. In one of the earliest and perhaps the most brilliant of all art historical "surveys," Riegl addresses the different visual arts within a sweeping conception of the history of culture. His account derives from Hegelian models but decisively opens onto alternative pathways that continue to complicate attempts to reduce art merely to the artist's intentions or its social and historical functions. "The intelligence, originality, and range of Riegl's writings remain unsurpassed in the history of art-historical scholarship. He occupies a singular position as a founder of his discipline and one of its most radical thinkers, and represents a crucial precedent for the current reevaluation of the theory and practice of art history today... . If you are interested in art history, you should read this book, and keep it, if not on a lectern in your study, on your shelf."-- from the foreword by Benjamin Binstock

Product Identifiers

Publisher
Zone Books
ISBN-10
1890951455
ISBN-13
9781890951450
eBay Product ID (ePID)
5938860

Product Key Features

Book Title
Historical Grammar of the Visual Arts
Author
Alois Riegl
Format
Hardcover
Language
English
Topic
Criticism & Theory, History / General
Publication Year
2004
Illustrator
Yes
Genre
Art
Number of Pages
496 Pages

Dimensions

Item Length
9.2 in
Item Height
1.7 in
Item Width
6.2 in
Item Weight
31 Oz

Additional Product Features

Lc Classification Number
N5303.R513 2004
Grade from
College Graduate Student
Reviews
The intelligence, originality, and range of Riegl's writings remain unsurpassed inthe history of art-historical scholarship., The intelligence, originality, and range of Riegl's writings remain unsurpassed in the history of art-historical scholarship.
Table of Content
Foreword: Alois Riegl, Monumental Ruin p.11Why We Still Need to Read Historical Grammar of the Visual ArtsBenjamin BinstockTranslator's Preface: Ubersetzungsfragen p.37Form, Communication, and Questions of Translating RieglJacqueline E. JungFirst Version: Book Manuscript of 1897-1898Introductory Remarks p.51Part One WorldviewI First Period: Art as Improvement of Nature Through Physical Beauty p.57II Second Period: Art as Improvement of Nature Through Spiritual Beauty p.67III Third Period: Art as Reproduction of Transitory Nature p.95Part Two Elements of the Work of ArtIV Purpose p.109V Motifs p.123VI Form and Surface p.187Draft of the Missing Conclusion p.269Second Version: Lecture Notes of 1899Introduction p.287Part One WorldviewI First Period: Antique Anthropomorphic Polytheism to the Third Century C.E. p.307II Second Period: Christian Monotheism, 313-1520 p.323III Third Period: Natural-Scientific Worldview p.337Part Two ElementsIV Motifs and Purposes p.343V Form and Surface p.395Notes p.435Illustrations p.445Index p.477
Copyright Date
2004
Target Audience
Trade
Lccn
2003-053821
Dewey Decimal
709
Dewey Edition
21

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Description of item was very accurate. Price and shipping costs were reasonable. Book was minimally packaged but arrived promptly in very good condition . Communication is clear and prompt. Would buy from this seller again.
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This is the new cover not the old cover (was planning on buying both sets anyways). Fast shipping, nice packaging, reasonably priced, excellent communication. Zuber offered to have the item returned if I was unsatisfied with it. Highly recommend this seller.

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