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Native American Music in Eastern North America: Experiencing Music,...
by Diamond, Beverley | PB | VeryGood
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eBay item number:195308314818
Item specifics
- Condition
- Very Good
- Seller Notes
- Binding
- Paperback
- Weight
- 0 lbs
- Product Group
- Book
- IsTextBook
- Yes
- ISBN
- 0195301048
- Subject Area
- Music, Social Science
- Publication Name
- Native American Music in Eastern North America : Experiencing Music, Expressing Cultureincludes CD, Native American Music in Eastern North America : Experiencing Music, Expressing Culture Includes CD
- Publisher
- Oxford University Press, Incorporated
- Item Length
- 5.6 in
- Subject
- History & Criticism, Philosophy & Social Aspects, Ethnomusicology, Ethnic Studies / Native American Studies
- Publication Year
- 2007
- Series
- Global Music Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.4 in
- Item Weight
- 9.1 Oz
- Item Width
- 8.2 in
- Number of Pages
- 208 Pages
About this product
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0195301048
ISBN-13
9780195301045
eBay Product ID (ePID)
62395196
Product Key Features
Number of Pages
208 Pages
Language
English
Publication Name
Native American Music in Eastern North America : Experiencing Music, Expressing Cultureincludes CD, Native American Music in Eastern North America : Experiencing Music, Expressing Culture Includes CD
Subject
History & Criticism, Philosophy & Social Aspects, Ethnomusicology, Ethnic Studies / Native American Studies
Publication Year
2007
Type
Textbook
Subject Area
Music, Social Science
Series
Global Music Ser.
Format
Trade Paperback
Dimensions
Item Height
0.4 in
Item Weight
9.1 Oz
Item Length
5.6 in
Item Width
8.2 in
Additional Product Features
Intended Audience
College Audience
LCCN
2007-014405
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
781.62/97074
Table Of Content
ForewordPrefaceCD Track List1: Traditions of Knowledge: Indigenous Knowledge and the Western Music School2: Music and Historical Encounter: Inuit Communities3: Music and Historical Encounter: The Wabenaki and Other Eastern Algonquian Nations4: Music and Historical Encounter: Haudenosaunee Music Culture with Occasional5: Contemporary Inter-Tribal and Cross-Cultural Native American MusicEpilogueGlossaryReferencesResourcesIndex, , Foreword, Preface, CD Track List1. Traditions of Knowledge: Indigenous Knowledge and the Western Music SchoolNames Matter!Writing this Book as an EncounterTraditional Ways of KnowingTraditional Indigenous KnowledgeThe Great Texts of Native American Communities as TIK?Language, Oral Transmission, and WorldviewPlace and Attention to the EnvironmentThe Inseparability of Traditional Indigenous Knowledge, Oral Transmission, and ExperienceRelationalityWhat Ethnomusicology Brings to the Study2. Music and Historical Encounter: Inuit CommunitiesTraditional Genres of SongInuit Musical as Historical Record and Judicial SystemInuit Music as PlayNew Throat Singing Encounters: Local-Global Tensions3. Music and Historical Encounter: The Wabenaki and Other Eastern AlgonquianNationsRetaining Pre-Contact Forms of Traditional Knowledge, Spaces Beyond Colonial Control, Rituals of Renewal, Narratives and Performances that Relate to EncounterIndigenous Uses of New Performance Traditions, Christian Hymns, Secular Repertoires and ContextsContemporary Wabenaki Social Dance and Song TraditionsIntroducing the Haudenosaunee4. Music and Historical Encounter: Haudenosaunee Music Culture with Occasional References to Cherokee TraditionsAttending a SingTraditional Knowledge and Modernity: Contemporary Adaptations of Social Dance SongsHaudenosaunee Singers and Social Dance SongsIroquois HymnsTraditional Knowledge and Encounter5. Contemporary Inter-Tribal and Cross-Cultural Native American MusicPowwows in Eastern North AmericaPowwow FundamentalsThe Commodification of Powwow MusicContemporary Popular Music and TheatreContemporary Native American Music and Identity, Epilogue, Glossary, References, Resources, Index
Synopsis
Native American Music in Eastern North America is one of the first books to explore the contemporary musical landscape of indigenous North Americans in the north and east., Native American Music in Eastern North America is one of many case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study. Native American Music in Eastern North America is one of the first books to explore the contemporary musical landscape of indigenous North Americans in the north and east. It shows how performance traditions of Native North Americans have been influenced by traditional social values and cultural histories, as well as by encounters and exchanges with other indigenous groups and with newcomers from Europe and Africa. Drawing on her extensive fieldwork and on case studies from several communities--including the Iroquois, the Algonquian-speaking nations of the Atlantic seaboard, and the Inuit of the far north--author Beverley Diamond discusses intertribal celebrations, popular music projects, dance, art, and film. She also considers how technology has mediated present-day cultural communication and how traditional ideas about social roles and gender identities have been negotiated through music. Enhanced by accounts of local performances, interviews with tribal elders and First Nations performers, vivid illustrations, and hands-on listening activities, Native American Music in Eastern North America provides a captivating introduction to this under-examined topic. It is packaged with an 80-minute audio CD containing twenty-six examples of the music discussed in the book, including several rare recordings. The author has also provided a list of eighteen songs representing a wide variety of styles--from traditional Native American chants to an Inuit collaboration with Björk--that are referenced in the book and available as an iMix at www.oup.com/us/globalmusic., Native American Music in Eastern North America is one of many case-study volumes that can be used along with Thinking Musically , the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study. Native American Music in Eastern North America is one of the first books to explore the contemporary musical landscape of indigenous North Americans in the north and east. It shows how performance traditions of Native North Americans have been influenced by traditional social values and cultural histories, as well as by encounters and exchanges with other indigenous groups and with newcomers from Europe and Africa. Drawing on her extensive fieldwork and on case studies from several communities--including the Iroquois, the Algonquian-speaking nations of the Atlantic seaboard, and the Inuit of the far north--author Beverley Diamond discusses intertribal celebrations, popular music projects, dance, art, and film. She also considers how technology has mediated present-day cultural communication and how traditional ideas about social roles and gender identities have been negotiated through music. Enhanced by accounts of local performances, interviews with tribal elders and First Nations performers, vivid illustrations, and hands-on listening activities, Native American Music in Eastern North America provides a captivating introduction to this under-examined topic. It is packaged with an 80-minute audio CD containing twenty-six examples of the music discussed in the book, including several rare recordings. The author has also provided a list of eighteen songs representing a wide variety of styles--from traditional Native American chants to an Inuit collaboration with Bj rk--that are referenced in the book and available as an iMix at www.oup.com/us/globalmusic., Native American Music in Eastern North America, a case study in the Global Music Series edited by Bonnie Wade and Patricia Shehan Campbell, is one of the first books to explore the contemporary musical landscape of indigenous North Americans. This volume looks at how performance traditions of Native North Americans have been influenced by traditional social values and cultural histories, as well as by encounters with other indigenous groups and newcomers from Europe and Africa. Drawing on case studies from communities in eastern North America such as the Iroquois, the Algonquian -speaking nations of the Northeast, and the Inuit of the far north, this book discusses the specific histories and locations of Native North American musical practices including intertribal celebrations, contemporary popular music projects, and other expressive domains such as dance, art, and film. The author also looks at how performance contexts and styles have responded to economic, social, and environmental changes brought about by the arrival of non-natives, how technology has mediated contemporary cultural communication, and how traditional ideas about social roles and gender identities have been altered through music. Designed to be used as one of several short and inexpensive case study volumes in the Global Music Series, this volume is appropriate for undergraduate courses in world music or ethnomusicology and Native American anthropology. Based on the author's own fieldwork, the text features interviews with tribal elders and First Nations performers, eyewitness accounts of performances, and vivid illustrations. The included 70-minute CD contains examples of music discussed in the text; these include unique and rare recordings., Native American Music in Eastern North America is one of many case-study volumes that can be used along with Thinking Musically , the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusic for a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study. Native American Music in Eastern North America is one of the first books to explore the contemporary musical landscape of indigenous North Americans in the north and east. It shows how performance traditions of Native North Americans have been influenced by traditional social values and cultural histories, as well as by encounters and exchanges with other indigenous groups and with newcomers from Europe and Africa. Drawing on her extensive fieldwork and on case studies from several communities--including the Iroquois, the Algonquian-speaking nations of the Atlantic seaboard, and the Inuit of the far north--author Beverley Diamond discusses intertribal celebrations, popular music projects, dance, art, and film. She also considers how technology has mediated present-day cultural communication and how traditional ideas about social roles and gender identities have been negotiated through music. Enhanced by accounts of local performances, interviews with tribal elders and First Nations performers, vivid illustrations, and hands-on listening activities, Native American Music in Eastern North America provides a captivating introduction to this under-examined topic. It is packaged with an 80-minute audio CD containing twenty-six examples of the music discussed in the book, including several rare recordings. The author has also provided a list of eighteen songs representing a wide variety of styles--from traditional Native American chants to an Inuit collaboration with Björk--that are referenced in the book and available as an iMix at www.oup.com/us/globalmusic.
LC Classification Number
ML3550.D53 2008
ebay_catalog_id
4
Copyright Date
2008
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