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HERMANN MAX / RHEINISCHE KANTOREI GEORG PHILIPP TELEMANN: MARKUS-PASSION 1759 NE
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ApproximatelyC $61.13
- Buy It NowHERMANN MAX / RHEINISCHE KANTOREI GEORG PHILIPP TELEMANN: MARKUS-PASSION 1759 NE
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Located in: North Carolina, United States
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Estimated between Thu, Jun 20 and Tue, Jun 25 to 43230
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eBay item number:195915358827
Item specifics
- Condition
- UPC
- 0761203534722
- Artist
- Telemann / Rheinische Kantorei / Max
- Format
- CD
- Release Year
- 2020
- Record Label
- CPO Records, CPO
- Release Title
- Passion 1759
- Genre
- Classical Artists
About this product
Product Identifiers
Record Label
CPO Records, CPO
UPC
0761203534722
eBay Product ID (ePID)
22046063786
Product Key Features
Release Year
2020
Format
CD
Genre
Classical Artists
Artist
Telemann / Rheinische Kantorei / Max
Release Title
Passion 1759
Dimensions
Item Height
0.41 in
Item Weight
0.27 lb
Item Length
5.91 in
Item Width
4.88 in
Additional Product Features
Number of Discs
2
Country/Region of Manufacture
United States
Notes
A previously unknown contemporary score of the St. Mark Passion falsely ascribed to the Magdeburg music director and composer Johann Heinrich Rolle recently came to light in the Library of the Royal Conservatory in Brussels. On the basis of the new identification of the copyist's hand, a largely original version of Georg Philipp Telemann's St. Mark's Passion of 1759 is now available today, and it is on this version that this recording draws. Freshly penned "poetical reflections" were added to the Evangelist's text. The anonymous, theologically educated author of these reflective arias and accompagnati, who in consultation with the composer also chose the selection of church songs and designed the overall structure of the libretto, coordinated the sacred message of the text with a finely calculated affective dramaturgy. The various affective areas developed by the composer are in each case modeled on the situations depicted in the recitatives. Here extremely harsh affective contrasts could exist side by side within a single aria. Moreover, in Telemann's accompagnati his dramatic depictive artistry is even more apparent than in the arias. Remarkably, for the Evangelist's part the recently discovered source prescribes a male alto, not the otherwise customary tenor. This is not a unique case; in his other Passions composed between 1758 and 1766 Telemann also uses voices other than the tenor for the narrator's part. The reasons for this departure from the norm are uncertain. All that we know is that during this period Telemann experienced some difficulties with his new tenor Wilhelm Jacob Credius (1724-78). However, it is also known that Carl Philipp Emanuel Bach, Telemann's successor as music director, assigned the Evangelist's part to various voice registers. For the present recording Hermann Max decided to transpose the alto part down by an octave into the baritone range, as Georg Michael Telemann, the composer's grandson, had done in his version of the work.
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| Shipping and handling | Each additional item | To | Service | Delivery*See Delivery notes |
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| Free shipping | Free | United States | Standard Shipping | Estimated between Thu, Jun 20 and Tue, Jun 25 to 43230 |
| US $5.95 (approx C $8.15) | US $5.95 (approx C $8.15) | United States | Expedited Shipping | Estimated between Thu, Jun 20 and Tue, Jun 25 to 43230 |
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