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Gypsy by Jule Styne; Stephen Sondheim

by Jule Styne; Stephen Sondheim | PB | Good

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Good

“Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, ”... Read moreabout condition

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ApproximatelyC $24.45

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Located in: Aurora, Illinois, United States

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eBay item number:196354002762

Last updated on May 05, 2024 14:35:13 EDTView all revisionsView all revisions

Item specifics

Condition: Good

Seller Notes: “Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, ...

Binding: Paperback

Weight: 1 lbs

Product Group: Book

IsTextBook: No

ISBN: 9780881880243

Book Title: Gypsy

Item Length: 12in

Publisher: Leonard Corporation, Hal

Publication Year: 1981

Format: Trade Paperback

Language: English

Item Height: 0.5in

Author: Jule Styne

Genre: Music

Topic: Instruction & Study / Voice, Printed Music / Musicals, Film & TV

Item Width: 9in

Item Weight: 22.8 Oz

Number of Pages: 192 Pages

About this product

Product Information

(Vocal Score). The complete vocal score to the Broadway standard with 19 songs, including: Everything's Coming up Roses * If Momma Was Married * Let Me Entertain You * Rose's Turn * Together Wherever We Go * You'll Never Get Away from Me * and more.

Product Identifiers

Publisher

Leonard Corporation, Hal

ISBN-10

0881880248

ISBN-13

9780881880243

eBay Product ID (ePID)

942710

Product Key Features

Book Title

Gypsy

Author

Jule Styne

Format

Trade Paperback

Language

English

Topic

Instruction & Study / Voice, Printed Music / Musicals, Film & TV

Publication Year

1981

Genre

Music

Number of Pages

192 Pages

Dimensions

Item Length

12in

Item Height

0.5in

Item Width

9in

Item Weight

22.8 Oz

Additional Product Features

Composed by

Styne, Jule, Sondheim, Stephen

Intended Audience

Trade

Series

Vocal Score Ser.

Item description from the seller

Seller assumes all responsibility for this listing.

eBay item number:196354002762

Last updated on May 05, 2024 14:35:13 EDTView all revisionsView all revisions

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by daveseaman31362
Apr 06, 2010
A theatre classic
Jule Styne has written many songs that you know-you just don't know it. His name is pronouned Jul-ee, and he is credited with writing the music for the two greatest one woman vehicles in the history of musical theatre: "Funny Girl" which turned Barbra Streisand upon whom the entire show rested,into a household name, and then "Gypsy" which is again a vehicle for a woman, Mama Rose-the original stage stage mother. Both of these musicals-his most famous-are histgorical biographical about women in show business. Gypsy holds the record as most revived musical on Broadway though the star, Ethel Merman, was hired before the composer or lytricist was. Arthur Laurents, legendary creator of "West Side Story" wanted to hire Stephen Sondheim to write both the music and lyrics for "Gypsy" but Ethal ... Jule Styne has written many songs that you know-you just don't know it. His name is pronouned Jul-ee, and he is credited with writing the music for the two greatest one woman vehicles in the history of musical theatre: "Funny Girl" which turned Barbra Streisand upon whom the entire show rested,into a household name, and then "Gypsy" which is again a vehicle for a woman, Mama Rose-the original stage stage mother. Both of these musicals-his most famous-are histgorical biographical about women in show business. Gypsy holds the record as most revived musical on Broadway though the star, Ethel Merman, was hired before the composer or lytricist was. Arthur Laurents, legendary creator of "West Side Story" wanted to hire Stephen Sondheim to write both the music and lyrics for "Gypsy" but Ethal Merman refused, saying she wanted someone with more eperience. So the vocal score is created by Jule Styne and Stephen Sondheim. It contains some of the best music for theatre and where Laurents' and Styne's marks are all over this score, Sondheim's voice rings through and it's clear to see the ways in which he guided some of the music. This score opens with the classic song, "Let Me Entertain you" and contains other standard classics such as "Together wherever We Go" (with the brilliant inner rhyme: "No fits no fights no feuds and no egos; amigos forever") and these songs are developed and worked throughout more complex songs. The music is interwoven nicely with the book, "All I need is The Girl" is a remarkable piece of music containing a wonderful spoken and dance rpoutine within-this is a classic theatre audition song. "If Momma Was Married is hysterical and "Some People"-with the strong influence of Sondheim's powerful lyrics introduces Rose and brilliantly helps to develop her character.(Bernadette Peters, who revived this role among several others would record this at Carnegie Hall) Later she sings "Eve'rything's Comin' Up Roses" and unlike most Broadway musicals of that time, "Gypsy" has a sad ending, where we watch Rose sink into madness within the four minute song "Rose's Turn." Arthur Laurents did this with "West Side Story" in 1957, Sondheim would brilliantly duplicate it with "Live, Love, Laugh" in his 1970 "Follies" and again with "Epiphany" in "Sweeney Todd." This vocal score is one that will challenge the non-proffesional, since the score was created from the orchestration, so a pianist must make fast decisions about what to leave out of the accompaniment and what to slip in. Jule Styne often wrote music that indicated the vocal line, chord symbols and basic accompaniment rhythms and so it would be the prchestrator who filled in the rest. A professional pianist will sight read this score easily, but the score is so vital to the book and characters that it develops and becomes one single theatrical work. With today's budget cuts and smaller orchestras the pianist should be prepared to play any or all of the score. After Ethel Merman belted the score from down center, revivals included most of Broadway's female legeneds: Angela Lansbury, Bernadette Peters, Patti LuPone, Tyne Daly and Betty Buckley. Rosalind Russell and Bette Midler took the roles in film versions. Each production varied slighty from the next, not just in the obvious ways but also material that was re-writen. The published score, however, is the original that opened at the Broadway Theatre in May of 1959.

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A theatre classic

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