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Commies, Cowboys, and Jungle Queens: Comic Books and America, 1945–1954 by Sava

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Item specifics

Condition
Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
ISBN
9780819563385

About this product

Product Identifiers

Publisher
Wesleyan University Press
ISBN-10
0819563382
ISBN-13
9780819563385
eBay Product ID (ePID)
258826

Product Key Features

Book Title
Commies, Cowboys, and Jungle Queens : Comic Books and America, 1945-1954
Number of Pages
165 Pages
Language
English
Publication Year
1998
Topic
Popular Culture, Anthropology / Cultural & Social, Comics & Graphic Novels
Features
Reprint
Illustrator
Yes
Genre
Literary Criticism, Social Science
Author
William W. Savage
Format
Trade Paperback

Dimensions

Item Height
0.5 in
Item Weight
8 Oz
Item Length
8.5 in
Item Width
5.5 in

Additional Product Features

Intended Audience
Trade
LCCN
9744-000596
Dewey Edition
21
Reviews
"An extremely charming, informative, and funny work. The book is entertaining and scholarly at the same time. Rather than couch these now-amusing texts in dry analysis, Savage uses a playful style that helps to communicate the absurdity of both era and context." -American Journalism, "An extremely charming, informative, and funny work. The book is entertaining and scholarly at the same time. Rather than couch these now-amusing texts in dry analysis, Savage uses a playful style that helps to communicate the absurdity of both era and context."-- American Journalism "All right! At last! Those splendid hours of my youth when I lay absorbed in reading comic books were not misspent. The injunctions of my parents against those purveyors of unspecified evil have been proven wrong. William W. Savage has salvaged comic books as primary documents for those trying to understand the mindset of post-World War II society."-- South Dakota History "Using a straightforward, uncluttered style and incorporating primary source materials rarely used by anyone -- including enthusiasts -- Savage has made a valuable contribution to the study of the genre."-- The Library Quarterly "An extremely charming, informative, and funny work. The book is entertaining and scholarly at the same time. Rather than couch these now-amusing texts in dry analysis, Savage uses a playful style that helps to communicate the absurdity of both era and context."-- American Journalism "Savage has helped break ground with this work. The style of writing employed is often acidic, but witty. The insights are clearly stated. The relationships are definitely drawn. Comic Books and America is not reading material for the faint-hearted. The author states his position and then draws the line ready for challenge. His leanings are liberal, and the text flows from that perspective. The work is a positive contribution to the study of popular culture and its role in American history."-- Social Science Quarterly, "Savage has helped break ground with this work. The style of writing employed is often acidic, but witty. The insights are clearly stated. The relationships are definitely drawn. Comic Books and America is not reading material for the faint-hearted. The author states his position and then draws the line ready for challenge. His leanings are liberal, and the text flows from that perspective. The work is a positive contribution to the study of popular culture and its role in American history."ÑSocial Science Quarterly, "Using a straightforward, uncluttered style and incorporating primary source materials rarely used by anyone -- including enthusiasts -- Savage has made a valuable contribution to the study of the genre."ÑThe Library Quarterly, Using a straightforward, uncluttered style and incorporating primary source materials rarely used by anyone -- including enthusiasts -- Savage has made a valuable contribution to the study of the genre., Savage has helped break ground with this work. The style of writing employed is often acidic, but witty. The insights are clearly stated. The relationships are definitely drawn. Comic Books and America is not reading material for the faint-hearted. The author states his position and then draws the line ready for challenge. His leanings are liberal, and the text flows from that perspective. The work is a positive contribution to the study of popular culture and its role in American history., "Using a straightforward, uncluttered style and incorporating primary source materials rarely used by anyone -- including enthusiasts -- Savage has made a valuable contribution to the study of the genre."- The Library Quarterly, "All right! At last! Those splendid hours of my youth when I lay absorbed in reading comic books were not misspent. The injunctions of my parents against those purveyors of unspecified evil have been proven wrong. William W. Savage has salvaged comic books as primary documents for those trying to understand the mindset of post-World War II society."--South Dakota History, "An extremely charming, informative, and funny work. The book is entertaining and scholarly at the same time. Rather than couch these now-amusing texts in dry analysis, Savage uses a playful style that helps to communicate the absurdity of both era and context." -- American Journalism, "Savage has helped break ground with this work. The style of writing employed is often acidic, but witty. The insights are clearly stated. The relationships are definitely drawn. Comic Books and America is not reading material for the faint-hearted. The author states his position and then draws the line ready for challenge. His leanings are liberal, and the text flows from that perspective. The work is a positive contribution to the study of popular culture and its role in American history."-Social Science Quarterly, "Using a straightforward, uncluttered style and incorporating primary source materials rarely used by anyone -- including enthusiasts -- Savage has made a valuable contribution to the study of the genre."-The Library Quarterly, "An extremely charming, informative, and funny work. The book is entertaining and scholarly at the same time. Rather than couch these now-amusing texts in dry analysis, Savage uses a playful style that helps to communicate the absurdity of both era and context." --American Journalism, "All right! At last! Those splendid hours of my youth when I lay absorbed in reading comic books were not misspent. The injunctions of my parents against those purveyors of unspecified evil have been proven wrong. William W. Savage has salvaged comic books as primary documents for those trying to understand the mindset of post-World War II society."-South Dakota History, "Savage has helped break ground with this work. The style of writing employed is often acidic, but witty. The insights are clearly stated. The relationships are definitely drawn. Comic Books and America is not reading material for the faint-hearted. The author states his position and then draws the line ready for challenge. His leanings are liberal, and the text flows from that perspective. The work is a positive contribution to the study of popular culture and its role in American history."- Social Science Quarterly, All right! At last! Those splendid hours of my youth when I lay absorbed in reading comic books were not misspent. The injunctions of my parents against those purveyors of unspecified evil have been proven wrong. William W. Savage has salvaged comic books as primary documents for those trying to understand the mindset of post-World War II society., "An extremely charming, informative, and funny work. The book is entertaining and scholarly at the same time. Rather than couch these now-amusing texts in dry analysis, Savage uses a playful style that helps to communicate the absurdity of both era and context." ÑAmerican Journalism, An extremely charming, informative, and funny work. The book is entertaining and scholarly at the same time. Rather than couch these now-amusing texts in dry analysis, Savage uses a playful style that helps to communicate the absurdity of both era and context., "An extremely charming, informative, and funny work. The book is entertaining and scholarly at the same time. Rather than couch these now-amusing texts in dry analysis, Savage uses a playful style that helps to communicate the absurdity of both era and context." -- American Journalism "Savage has helped break ground with this work. The style of writing employed is often acidic, but witty. The insights are clearly stated. The relationships are definitely drawn. Comic Books and America is not reading material for the faint-hearted. The author states his position and then draws the line ready for challenge. His leanings are liberal, and the text flows from that perspective. The work is a positive contribution to the study of popular culture and its role in American history."-- Social Science Quarterly "Using a straightforward, uncluttered style and incorporating primary source materials rarely used by anyone -- including enthusiasts -- Savage has made a valuable contribution to the study of the genre."-- The Library Quarterly "All right! At last! Those splendid hours of my youth when I lay absorbed in reading comic books were not misspent. The injunctions of my parents against those purveyors of unspecified evil have been proven wrong. William W. Savage has salvaged comic books as primary documents for those trying to understand the mindset of post-World War II society." -- South Dakota History, "All right! At last! Those splendid hours of my youth when I lay absorbed in reading comic books were not misspent. The injunctions of my parents against those purveyors of unspecified evil have been proven wrong. William W. Savage has salvaged comic books as primary documents for those trying to understand the mindset of post-World War II society."ÑSouth Dakota History, "All right! At last! Those splendid hours of my youth when I lay absorbed in reading comic books were not misspent. The injunctions of my parents against those purveyors of unspecified evil have been proven wrong. William W. Savage has salvaged comic books as primary documents for those trying to understand the mindset of post-World War II society."- South Dakota History, All right! At last! Those splendid hours of my youth when I lay absorbed in reading comic books were not misspent. The injunctions of my parents against those purveyors of unspecified evil have been proven wrong. William W. Savage has salvaged comic books as primary documents for those trying to understand the mindset of post-World War II society."\R--South Dakota History9780819563385|, "An extremely charming, informative, and funny work. The book is entertaining and scholarly at the same time. Rather than couch these now-amusing texts in dry analysis, Savage uses a playful style that helps to communicate the absurdity of both era and context." - American Journalism
Dewey Decimal
306.0973
Edition Description
Reprint
Table Of Content
1. Introduction: The Rise and Decline of Escapism 1929-1945 2. The Bomb 3. The Red Menace 4. Korea 5. The Cowboy Crusade 6. Society and Change 7. Blaming Comic Books: The Wertman Assault 8. Terminus Ad Quem
Synopsis
In addition to their entertainment value, comic books offered a unique world-view to a large segment of the American public in the confusing decade following World War II. Millions were distributed to service personnel during the war years, and by 1945, adults as well as children were reading an astounding 60 million comic books per month. These books treated such contemporary concerns as the atomic and hydrogen bombs, growth of international Communism, and the Korean War, and they offered heroes and heroines to deal with such problems. In response to moral criticism, the industry established a Comics Code that specified acceptable content. The code prohibited most of what had appeared in the medium prior to 1954, thus ending what has since come to be known as the "golden age" of comic books. With reproductions of five representative stories supplementing the text, William Savage's book (first published in 1990), will appeal to social historians and others interested in this vivid expression of American culture., Comic books crystallize the social and political problems of a troubled period in American culture. In addition to their entertainment value, comic books offered a unique world-view to a large segment of the American public in the confusing decade following World War II. Millions were distributed to service personnel during the war years, and by 1945, adults as well as children were reading an astounding 60 million comic books per month. These books treated such contemporary concerns as the atomic and hydrogen bombs, growth of international Communism, and the Korean War, and they offered heroes and heroines to deal with such problems. In response to moral criticism, the industry established a Comics Code that specified acceptable content. The code prohibited most of what had appeared in the medium prior to 1954, thus ending what has since come to be known as the "golden age" of comic books. With reproductions of five representative stories supplementing the text, William Savage's book (first published in 1990), will appeal to social historians and others interested in this vivid expression of American culture.

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