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School of Udhra by Mackey, Nathaniel
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School of Udhra by Mackey, Nathaniel
US $9.61US $9.61
Tue, Jul 01, 06:53 PMTue, Jul 01, 06:53 PM
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School of Udhra by Mackey, Nathaniel

by Mackey, Nathaniel | PB | Acceptable
US $9.61
ApproximatelyC $13.37
Condition:
Acceptable
Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend ... Read moreabout condition
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    eBay item number:197172361230
    Last updated on May 31, 2025 04:03:14 EDTView all revisionsView all revisions

    Item specifics

    Condition
    Acceptable
    A book with obvious wear. May have some damage to the cover but integrity still intact. The binding may be slightly damaged but integrity is still intact. Possible writing in margins, possible underlining and highlighting of text, but no missing pages or anything that would compromise the legibility or understanding of the text. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
    Seller Notes
    “Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend ...
    Binding
    Paperback
    Weight
    0 lbs
    Product Group
    Book
    IsTextBook
    No
    ISBN
    9780872862784

    About this product

    Product Identifiers

    Publisher
    City Lights
    ISBN-10
    087286278X
    ISBN-13
    9780872862784
    eBay Product ID (ePID)
    10038489798

    Product Key Features

    Book Title
    School of Udhra
    Number of Pages
    144 Pages
    Language
    English
    Publication Year
    1993
    Topic
    American / African American, General
    Genre
    Poetry
    Author
    Nathaniel Mackey
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.3 in
    Item Weight
    5.6 Oz
    Item Length
    9 in
    Item Width
    5.5 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    93-021774
    Reviews
    Nathaniel Mackey has said that in language we inherit the voices of the dead. In School of Udhra he transcribes immeasurable spaces of the dispossessed who call him runaway. This writing increasingly unleashes each skittish letter into the risk of syllabic stutter 'vatic scat' stagger. How else ever re-trace or re-member the speaker of a ghost in sentences we step across. Words, or segments of lines, stab, cut, rift, rend, relate, blaspheme, and bless., 'Purgatorial stealth' (as School of Udhra puts it), within a startling progression, I find of imageries, becomes the poem's enigmatic, seductive, sometimes wavering, sliding traverse of a spiritual wilderness. I have no doubt that the book is a remarkable and daring testament that needs to be read and re-read for the unpredictable measure of involved enchantment it unfolds... A book of haunted pleasure., "'Purgatorial stealth' (as School of Udhra puts it), within a startling progression, I find, of imageries, becomes the poem's enigmatic seductive, sometimes wavering, sliding traverse of a spiritual wilderness. I have no doubt that the book is a remarkable and daring testament that needs to be read and re-read for the unpredictable measure of involved enchantment it unfolds . . . A book of haunted pleasure."--Wilson Harris, Palace of the Peacock "Nathaniel Mackey has said that in language we inherit the voices of the dead. In School of Udhra he transcribes immeasurable spaces of the dispossessed who call him runaway. This writing increasingly unleashes each skittish letter into the risk of syllabic stutter 'vatic scat' stagger. How else ever re-trace or re-member the speaker of a ghost in sentences we step across. Words or segments of lines, stab, cut, rift, rend, relate, blaspheme, and bless."--Susan Howe, My Emily Dickinson
    Dewey Decimal
    811/.54
    Synopsis
    School of Udhra takes its title from the Bedouin poetic tradition associated with the seventh-century Arab poet Djamil, the Udhrite school of poets who, "when loving die." Bedouin tradition, however, is only one of the strands of world revery these poems have recourse to. They obey a "bedouin" impulse of their own--fugitive, moving on, nomadic. Ogo the fox, the Dogon avatar of singleness and unrest, runs throughout, crossing and recrossing divided ground, primal isolate, insistent within the book's cross-cultural weave. The poems track variances of union and disunion--social, sexual, mystic, mythic--both formally and in their content. They return rhapsody to its root sense: stitching together. Threads ranging through ancient Egypt, shamanic Siberia, Rastafarian Jamaica and elsewhere figure in, inflected by conjunctive and disjunctive cadences inspired by jazz, Gnaoua trance-chant, cante jando and other musics. "'Purgatorial stealth' (as School of Udhra puts it), within a startling progression, I find, of imageries, becomes the poem's enigmatic seductive, sometimes wavering, sliding traverse of a spiritual wilderness. I have no doubt that the book is a remarkable and daring testament that needs to be read and re-read for the unpredictable measure of involved enchantment it unfolds . . . A book of haunted pleasure."--Wilson Harris, Palace of the Peacock "Nathaniel Mackey has said that in language we inherit the voices of the dead. In School of Udhra he transcribes immeasurable spaces of the dispossessed who call him runaway. This writing increasingly unleashes each skittish letter into the risk of syllabic stutter 'vatic scat' stagger. How else ever re-trace or re-member the speaker of a ghost in sentences we step across. Words or segments of lines, stab, cut, rift, rend, relate, blaspheme, and bless."--Susan Howe, My Emily Dickinson Nathaniel Mackey, recipient of a 1993 Whiting Writers' Award, is the author of Eroding Witness (1985), Whatsaid Serif (City Lights, 1998), Atet A.D. (City Lights, 2001), Bedouin Hornbook (1986) and Djbot Baghosus's Run (1993), as well as Discrepant Engagement: Dissonance Cross-Culturality, and Experimental Writing (1993). He has taught at the University of California, Santa Cruz and Duke University., School of Udhra takes its title from the Bedouin poetic tradition associated with the seventh-century Arab poet Djamil, the Udhrite school of poets who, "when loving die." Bedouin tradition, however, is only one of the strands of world revery these poems have recourse to. They obey a "bedouin" impulse of their own--fugitive, moving on, nomadic. Ogo the fox, the Dogon avatar of singleness and unrest, runs throughout, crossing and recrossing divided ground, primal isolate, insistent within the book's cross-cultural weave. The poems track variances of union and disunion--social, sexual, mystic, mythic--both formally and in their content. They return rhapsody to its root sense: stitching together. Threads ranging through ancient Egypt, shamanic Siberia, Rastafarian Jamaica and elsewhere figure in, inflected by conjunctive and disjunctive cadences inspired by jazz, Gnaoua trance-chant, cante jando and other musics. "' Purgatorial stealth ' (as School of Udhra puts it), within a startling progression, I find, of imageries, becomes the poem's enigmatic seductive, sometimes wavering, sliding traverse of a spiritual wilderness. I have no doubt that the book is a remarkable and daring testament that needs to be read and re-read for the unpredictable measure of involved enchantment it unfolds . . . A book of haunted pleasure."--Wilson Harris, Palace of the Peacock "Nathaniel Mackey has said that in language we inherit the voices of the dead. In School of Udhra he transcribes immeasurable spaces of the dispossessed who call him runaway. This writing increasingly unleashes each skittish letter into the risk of syllabic stutter 'vatic scat' stagger. How else ever re-trace or re-member the speaker of a ghost in sentences we step across. Words or segments of lines, stab, cut, rift, rend, relate, blaspheme, and bless."--Susan Howe, My Emily Dickinson Nathaniel Mackey, recipient of a 1993 Whiting Writers' Award, is the author of Eroding Witness (1985), Whatsaid Serif (City Lights, 1998), Atet A.D. (City Lights, 2001), Bedouin Hornbook (1986) and Djbot Baghosus's Run (1993), as well as Discrepant Engagement: Dissonance Cross-Culturality, and Experimental Writing (1993). He has taught at the University of California, Santa Cruz and Duke University., School of Udhra takes its title from the Bedouin poetic tradition associated with the seventh-century Arab poet Djamil, the Udhrite school of poets who, "when loving die." Bedouin tradition, however, is only one of the strands of world revery these..., School of Udhra takes its title from the Bedouin poetic tradition associated with the seventh-century Arab poet Djamil, the Udhrite school of poets who, "when loving die." Bedouin tradition, however, is only one of the strands of world revery these poems have recourse to. They obey a "bedouin" impulse of their own--fugitive, moving on, nomadic. Ogo the fox, the Dogon avatar of singleness and unrest, runs throughout, crossing and recrossing divided ground, primal isolate, insistent within the book's cross-cultural weave. The poems track variances of union and disunion- social, sexual, mystic, mythic- both formally and in their content. They return rhapsody to its root sense: stitching together. Threads ranging through ancient Egypt, shamanic Siberia, Rastafarian Jamaica, and elsewhere figure in, inflected by conjunctive and disjunctive cadences inspired by jazz, Gnaoua trance-chant, cante jando , and other musics. "' Purgatorial stealth ' (as School of Udhra puts it), within a startling progression, I find, of imageries, becomes the poem's enigmatic seductive, sometimes wavering, sliding traverse of a spiritual wilderness. I have no doubt that the book is a remarkable and daring testament that needs to be read and re-read for the unpredictable measure of involved enchantment it unfolds . . . A book of haunted pleasure." --Wilson Harris, Palace of the Peacock "Nathaniel Mackey has said that in language we inherit the voices of the dead. In School of Udhra he transcribes immeasurable spaces of the dispossessed who call him runaway. This writing increasingly unleashes each skittish letter into the risk of syllabic stutter 'vatic scat' stagger. How else ever re-trace or re-member the speaker of a ghost in sentences we step across. Words or segments of lines, stab, cut, rift, rend, relate, blaspheme, and bless." --Susan Howe, My Emily Dickinson Nathaniel Mackey, recipient of a 1993 Whiting Writers' Award, is the author of Eroding Witness (1985), Whatsaid Serif (City Lights, 1998), Atet A.D. (City Lights, 2001), Bedouin Hornbook (1986), and Djbot Baghosus's Run (1993), as well as Discrepant Engagement: Dissonance Cross-Culturality, and Experimental Writing (1993). He has taught at the University of California, Santa Cruz and Duke University.
    LC Classification Number
    PS3563.A3166.S36

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