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A Heart at Fire's Center: The Life and Music of Bernard Herrmann

by Smith, Steven C. | HC | VeryGood
US $19.55
ApproximatelyC $27.02
Condition:
Very Good
Former library book; Missing dust jacket; May have limited writing in cover pages. Pages are ... Read moreabout condition
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Last updated on Aug 08, 2025 20:03:52 EDTView all revisionsView all revisions

Item specifics

Condition
Very Good
A book that does not look new and has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
Seller Notes
“Former library book; Missing dust jacket; May have limited writing in cover pages. Pages are ...
Binding
Hardcover
Weight
2 lbs
Product Group
Book
IsTextBook
No
ISBN
9780520071230

About this product

Product Identifiers

Publisher
University of California Press
ISBN-10
0520071239
ISBN-13
9780520071230
eBay Product ID (ePID)
314697

Product Key Features

Book Title
Heart at Fire's Center : the Life and Music of Bernard Herrmann
Number of Pages
400 Pages
Language
English
Topic
Film / General, Composers & Musicians, General
Publication Year
1991
Illustrator
Yes
Genre
Music, Performing Arts, Biography & Autobiography
Author
Steven C. Smith
Format
Hardcover

Dimensions

Item Height
1.3 in
Item Weight
28.9 Oz
Item Length
9.2 in
Item Width
6.2 in

Additional Product Features

LCCN
90-036861
TitleLeading
A
Dewey Edition
20
Dewey Decimal
780/.92 B
Synopsis
No composer contributed more to film than Bernard Herrmann, who in over 40 scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, FranÇois Truffaut, and Martin Scorsese. In this first major biography of the composer, Steven C. Smith explores the interrelationships between Herrmann's music and his turbulent personal life, using much previously unpublished information to illustrate Herrmann's often outrageous behavior, his working methods, and why his music has had such lasting impact. From his first film (Citizen Kane) to his last (Taxi Driver), Herrmann was a master of evoking psychological nuance and dramatic tension through music, often using unheard-of instrumental combinations to suit the dramatic needs of a film. His scores are among the most distinguished ever written, ranging from the fantastic (Fahrenheit 451,The Day the Earth Stood Still) to the romantic (Obsession,The Ghost and Mrs. Muir) to the terrifying (Psycho). Film was not the only medium in which Herrmann made a powerful mark. His radio broadcasts included Orson Welles's Mercury Theatre on the Air andThe War of the Worlds. His concert music was commissioned and performed by the New York Philharmonic, and he was chief conductor of the CBS Symphony. Almost as celebrated as these achievements are the enduring legends of Herrmann's combativeness and volatility. Smith separates myth from fact and draws upon heretofore unpublished material to illuminate Herrmann's life and influence. Herrmann remains as complex as any character in the films he scored--a creative genius, an indefatigable musicologist, an explosive bully, a generous and compassionate man who desperately sought friendship and love., No composer contributed more to film than Bernard Herrmann, who in over 40 scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, François Truffaut, and Martin Scorsese. In this first major biography of the composer, Steven C. Smith explores the interrelationships between Herrmann's music and his turbulent personal life, using much previously unpublished information to illustrate Herrmann's often outrageous behavior, his working methods, and why his music has had such lasting impact. From his first film ( Citizen Kane ) to his last ( Taxi Driver ), Herrmann was a master of evoking psychological nuance and dramatic tension through music, often using unheard-of instrumental combinations to suit the dramatic needs of a film. His scores are among the most distinguished ever written, ranging from the fantastic ( Fahrenheit 451 , The Day the Earth Stood Still ) to the romantic ( Obsession , The Ghost and Mrs. Muir ) to the terrifying ( Psycho ). Film was not the only medium in which Herrmann made a powerful mark. His radio broadcasts included Orson Welles's Mercury Theatre of the Air and The War of the Worlds . His concert music was commissioned and performed by the New York Philharmonic, and he was chief conductor of the CBS Symphony. Almost as celebrated as these achievements are the enduring legends of Herrmann's combativeness and volatility. Smith separates myth from fact and draws upon heretofore unpublished material to illuminate Herrmann's life and influence. Herrmann remains as complex as any character in the films he scored-a creative genius, an indefatigable musicologist, an explosive bully, a generous and compassionate man who desperately sought friendship and love., No composer contributed more to film than Bernard Herrmann, who in over 40 scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, Fran ois Truffaut, and Martin Scorsese. In this first major biography of the composer, Steven C. Smith explores the interrelationships between Herrmann's music and his turbulent personal life, using much previously unpublished information to illustrate Herrmann's often outrageous behavior, his working methods, and why his music has had such lasting impact. From his first film ( Citizen Kane ) to his last ( Taxi Driver ), Herrmann was a master of evoking psychological nuance and dramatic tension through music, often using unheard-of instrumental combinations to suit the dramatic needs of a film. His scores are among the most distinguished ever written, ranging from the fantastic ( Fahrenheit 451 , The Day the Earth Stood Still ) to the romantic ( Obsession , The Ghost and Mrs. Muir ) to the terrifying ( Psycho ). Film was not the only medium in which Herrmann made a powerful mark. His radio broadcasts included Orson Welles's Mercury Theatre of the Air and The War of the Worlds . His concert music was commissioned and performed by the New York Philharmonic, and he was chief conductor of the CBS Symphony. Almost as celebrated as these achievements are the enduring legends of Herrmann's combativeness and volatility. Smith separates myth from fact and draws upon heretofore unpublished material to illuminate Herrmann's life and influence. Herrmann remains as complex as any character in the films he scored-a creative genius, an indefatigable musicologist, an explosive bully, a generous and compassionate man who desperately sought friendship and love., No composer contributed more to film than Bernard Herrmann, who in over 40 scores enriched the work of such directors as Orson Welles, Alfred Hitchcock, François Truffaut, and Martin Scorsese. In this first major biography of the composer, Steven C. Smith explores the interrelationships between Herrmann's music and his turbulent personal life, using much previously unpublished information to illustrate Herrmann's often outrageous behavior, his working methods, and why his music has had such lasting impact. From his first film ( Citizen Kane ) to his last ( Taxi Driver ), Herrmann was a master of evoking psychological nuance and dramatic tension through music, often using unheard-of instrumental combinations to suit the dramatic needs of a film. His scores are among the most distinguished ever written, ranging from the fantastic ( Fahrenheit 451 , The Day the Earth Stood Still ) to the romantic ( Obsession , The Ghost and Mrs. Muir ) to the terrifying ( Psycho ). Film was not the only medium in which Herrmann made a powerful mark. His radio broadcasts included Orson Welles's Mercury Theatre of the Air and The War of the Worlds . His concert music was commissioned and performed by the New York Philharmonic, and he was chief conductor of the CBS Symphony. Almost as celebrated as these achievements are the enduring legends of Herrmann's combativeness and volatility. Smith separates myth from fact and draws upon heretofore unpublished material to illuminate Herrmann's life and influence. Herrmann remains as complex as any character in the films he scored--a creative genius, an indefatigable musicologist, an explosive bully, a generous and compassionate man who desperately sought friendship and love.
LC Classification Number
ML410.H562S6 1991

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    • Very important composer for film scores

      Herrmann's story is a powerful backdrop to the business of film scoring. Truly a great contribution to the literature on this business.

      Verified purchase: YesCondition: Pre-OwnedSold by: thrift.books