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Lyn Hejinian My Life and My Life in the Nineties (Paperback)

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Book Title
My Life and My Life in the Nineties
Publication Name
My Life and My Life in the Nineties
Title
My Life and My Life in the Nineties
Author
Lyn Hejinian
Format
Trade Paperback
ISBN-10
0819573515
EAN
9780819573513
ISBN
9780819573513
Publisher
Wesleyan University Press
Genre
Poetry
Release Year
2013
Release Date
07/03/2013
Language
English
Country/Region of Manufacture
US
Item Height
0.5in
Item Length
8in
Publication Year
2013
Topic
General
Item Width
6in
Item Weight
8 Oz
Number of Pages
152 Pages

About this product

Product Information

Lyn Hejinian is among the most prominent of contemporary American poets. Her poem My Life has garnered accolades and fans inside and outside academia. First published in 1980, and revised in 1987 and 2002, My Life is now firmly established in the postmodern canon. This Wesleyan edition includes the 45-part prose poem sequence along with a closely related ten-part work titled My Life in the Nineties. An experimental intervention into the autobiographical genre, My Life explores the many ways in which language--the things people say and the ways they say them--shapes not only their identity, but also the very world around them.

Product Identifiers

Publisher
Wesleyan University Press
ISBN-10
0819573515
ISBN-13
9780819573513
eBay Product ID (ePID)
143593830

Product Key Features

Book Title
My Life and My Life in the Nineties
Author
Lyn Hejinian
Format
Trade Paperback
Language
English
Topic
General
Publication Year
2013
Genre
Poetry
Number of Pages
152 Pages

Dimensions

Item Length
8in
Item Height
0.5in
Item Width
6in
Item Weight
8 Oz

Additional Product Features

Lc Classification Number
Ps3558.E4735m93 2013
Reviews
Hejinian has for some time been noted for her love of rich textual surface effects, but never before has she found a method of construction so suited to its development., To read the twenty-first-century iteration of Hejinian's poetic autobiography is to experience anew a poem that conceives of a life as an ever-unfolding process of recapitulations and echoes, expansions and contractions, discontinuities, recontextualizations, and accumulations. It presents life as a whole that is at once more than its constituent parts and yet incomplete and ongoing., "Hejinian has for some time been noted for her love of rich textual surface effects, but never before has she found a method of construction so suited to its development."-Ron Silliman, San Francisco Review of Books, My Life has so many good lines in it, it's like a trot, it makes you want to steal from it or perhaps annotate it and make the compliment (or complement) of imitating it., One major source of joy in reading My Life comes from the collision of various sentences and subjects. In that very collision-vaguely cubist or collagist-lies the humor and pleasure of this text, which is a kind of super-collider, a site for high-energy linguistic experimentation., "One major source of joy in reading My Life comes from the collision of various sentences and subjects. In that very collision-vaguely cubist or collagist-lies the humor and pleasure of this text, which is a kind of super-collider, a site for high-energy linguistic experimentation."-Hank Lazer, Archive Newsletter, "One major source of joy in reading My Life comes from the collision of various sentences and subjects. In that very collisionÑvaguely cubist or collagistÑlies the humor and pleasure of this text, which is a kind of super-collider, a site for high-energy linguistic experimentation."ÑHank Lazer, Archive Newsletter, "One major source of joy in reading My Life comes from the collision of various sentences and subjects. In that very collision--vaguely cubist or collagist--lies the humor and pleasure of this text, which is a kind of super-collider, a site for high-energy linguistic experimentation."--Hank Lazer, Archive Newsletter, "Hejinian has for some time been noted for her love of rich textual surface effects, but never before has she found a method of construction so suited to its development."ÑRon Silliman, San Francisco Review of Books, "My Life has so many good lines in it, it's like a trot, it makes you want to steal from it or perhaps annotate it and make the compliment (or complement) of imitating it."-Bernadette Mayer, L=A=N=G=U=A=G=E, "To read the twenty-first-century iteration of Hejinian's poetic autobiography is to experience anew a poem that conceives of a life as an ever-unfolding process of recapitulations and echoes, expansions and contractions, discontinuities, recontextualizations, and accumulations. It presents life as a whole that is at once more than its constituent parts and yet incomplete and ongoing."-Tim Wood, Boston Review, "One major source of joy in reading My Life comes from the collision of various sentences and subjects. In that very collision--vaguely cubist or collagist--lies the humor and pleasure of this text, which is a kind of super-collider, a site for high-energy linguistic experimentation."--Hank Lazer, Archive Newsletter "My Life has so many good lines in it, it's like a trot, it makes you want to steal from it or perhaps annotate it and make the compliment (or complement) of imitating it."--Bernadette Mayer, L=A=N=G=U=A=G=E "Hejinian has for some time been noted for her love of rich textual surface effects, but never before has she found a method of construction so suited to its development."--Ron Silliman, San Francisco Review of Books "To read the twenty-first-century iteration of Hejinian's poetic autobiography is to experience anew a poem that conceives of a life as an ever-unfolding process of recapitulations and echoes, expansions and contractions, discontinuities, recontextualizations, and accumulations. It presents life as a whole that is at once more than its constituent parts and yet incomplete and ongoing." --Tim Wood, Boston Review, "One major source of joy in reading My Life comes from the collision of various sentences and subjects. In that very collision--vaguely cubist or collagist--lies the humor and pleasure of this text, which is a kind of super-collider, a site for high-energy linguistic experimentation."--Hank Lazer, Archive Newsletter "To read the twenty-first-century iteration of Hejinian's poetic autobiography is to experience anew a poem that conceives of a life as an ever-unfolding process of recapitulations and echoes, expansions and contractions, discontinuities, recontextualizations, and accumulations. It presents life as a whole that is at once more than its constituent parts and yet incomplete and ongoing."--Tim Wood, Boston Review "Hejinian has for some time been noted for her love of rich textual surface effects, but never before has she found a method of construction so suited to its development."--Ron Silliman, San Francisco Review of Books "One major source of joy in reading My Life comes from the collision of various sentences and subjects. In that very collision--vaguely cubist or collagist--lies the humor and pleasure of this text, which is a kind of super-collider, a site for high-energy linguistic experimentation."--Hank Lazer, Archive Newsletter "My Life has so many good lines in it, it's like a trot, it makes you want to steal from it or perhaps annotate it and make the compliment (or complement) of imitating it."--Bernadette Mayer, L=A=N=G=U=A=G=E, "My Life has so many good lines in it, it's like a trot, it makes you want to steal from it or perhaps annotate it and make the compliment (or complement) of imitating it."ÑBernadette Mayer, L=A=N=G=U=A=G=E
Copyright Date
2013
Lccn
2012-028825
Dewey Decimal
811/.54
Intended Audience
Trade
Series
Wesleyan Poetry Ser.
Dewey Edition
23

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