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Donald Preziosi The Art of Art History (Paperback) Oxford History of Art
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Item specifics
- Condition
- Book Title
- Art of Art History : a Critical Anthology
- Publication Name
- The Art of Art History
- Title
- The Art of Art History
- Subtitle
- A Critical Anthology
- Format
- Uk-Trade Paper
- ISBN-10
- 0199229848
- EAN
- 9780199229840
- ISBN
- 9780199229840
- Publisher
- Oxford University Press, Incorporated
- Genre
- Art
- Release Year
- 2009
- Release Date
- 26/02/2009
- Language
- English
- Country/Region of Manufacture
- GB
- Item Height
- 1.4in
- Item Length
- 9.4in
- Item Width
- 6.6in
- Item Weight
- 49.8 Oz
- Series
- Oxford History of Art
- Publication Year
- 2009
- Features
- New Edition
- Topic
- Criticism & Theory, History / Modern (Late 19th Century to 1945), History / General
- Number of Pages
- 600 Pages
About this product
Product Information
Here is a new edition of Donald Preziosi's masterful selection of the most influential and innovative writing on art history of the past two centuries. The book includes over thirty pieces by seminal thinkers and writers from Winckelmann, Kant, and Hegel to Foucault, Carol Duncan, and Mary Kelly on such subjects as aesthetics and anthropology, postmodern automatons, semiotics and iconography, performative acts, the museum as ritual, digital art, and many others. Each of the book's eight thematic sections offers an introduction providing background information, further reading, and critical commentary on the issues at stake. This edition has been updated and expanded to include sixteen new selections by key figures from Giorgio Vasari to Walter Benjamin and Satya Mohanty, a new concluding essay from Donald Preziosi on the tasks of the art historian today, and an entirely new section on Globalization and Its Discontents. For students and teachers, artists and historians, and anyone interested in the evolution and purpose of art history, this anthology offers many fascinating insights.
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199229848
ISBN-13
9780199229840
eBay Product ID (ePID)
69566835
Product Key Features
Book Title
Art of Art History : a Critical Anthology
Format
Uk-Trade Paper
Language
English
Features
New Edition
Topic
Criticism & Theory, History / Modern (Late 19th Century to 1945), History / General
Publication Year
2009
Genre
Art
Number of Pages
600 Pages
Dimensions
Item Length
9.4in
Item Height
1.4in
Item Width
6.6in
Item Weight
49.8 Oz
Additional Product Features
Lc Classification Number
N5300
Edition Description
New Edition
Edition Number
2
Reviews
'Review from previous edition vivid and inspiring... a flamboyant book'Johanne Lamoureux, University of Montreal, 'Review from previous edition vivid and inspiring... a flamboyant book 'Johanne Lamoureux, University of Montreal'Definitely the best introduction to art history currently available'Norman Bryson, Havard University'Inspires productive debate and contemplation. What makes this anthology more than an arresting assemblage is the author's critical stance toward what he has wrought. Robert S. Nelson, Yale 'Robert S. Nelson, Yale, "Definitely the best introduction to art history currently available" --Norman Bryson, Havard University, 'Inspires productive debate and contemplation. What makes this anthology more than an arresting assemblage is the author's critical stance toward what he has wrought.Robert S. Nelson, Yale'Robert S. Nelson, Yale, "Definitely the best introduction to art history currently available."--Professor Norman Bryson, University of San Diego"What makes this anthology more than an arresting assemblage is the author's critical stance towards what he has wrought."--Professor Robert S. Nelson, Yale University"Vivid and inspiring...a flamboyant book."--Professor Johanne Lamoureux, University of Montreal, "Inspires productive debate and contemplation. What makes this anthology more than an arresting assemblage is the author's critical stance toward what he has wrought." --Robert S. Nelson, Yale, "Definitely the best introduction to art history currently available."--Professor Norman Bryson, University of San Diego "What makes this anthology more than an arresting assemblage is the author's critical stance towards what he has wrought."--Professor Robert S. Nelson, Yale University "Vivid and inspiring...a flamboyant book."--Professor Johanne Lamoureux, University of Montreal, Review from previous edition: "vivid and inspiring... a flamboyant book" --Johanne Lamoureux, University of Montreal, 'Definitely the best introduction to art history currently available'Norman Bryson, Havard University
Table of Content
Introduction Donald Preziosi, Art History: Making the Visible Legible Chapter 1: Art as History Introduction Giorgio Vasari, Lives of the Painters, Sculptors and Architects Johann Joachim Winckelmann, Reflections on the Imitation of Greek Works in Painting and Sculpture Whitney Davis, Winckelmann Divided: Mourning the Death of Art History Chapter 2: Aesthetics Introduction Immanuel Kant, The Critique of Judgement Georg Wilhelm Friedrich Hegel, Philosophy of Fine Art D.N. Rodowick, Impure Mimesis, or the Ends of the Aesthetic William Pietz, Fetish Chapter 3: Form, Content, Style Introduction Heinrich Wölfflin, Principles of Art History Ernst Gombrich, Style David Summers, 'Form', Nineteenth-Century Metaphysics, and the problem of Art Historical Description David Summers, Style Chapter 4: Anthropology and/as Art History Introduction Alois Riegl, Leading Characteristics of the Late Roman Kunstwollen Aby Warburg, Images from the Region of the Pueblo Indians of North America Edgar Wind, Warburg's Concept of Kulturwissenschaft and its Meaning for Aesthetics Claire Farago, Silent Moves: On Excluding the Ethnographic Subject from the Discourse of Art History Chapter 5: Mechanisms of Meaning Introduction Erwin Panofsky, Iconography and Iconology: An Introduction to the Study of Renaissance Art Hubert Damisch, Semiotics and Iconography Mieke Bal and Norman Bryson, Semiotics and Art History: A Discussion of Context and Senders Stephen Bann, Meaning/Interpretation Chapter 6: Deconstruction and the Limits of Interpretation Introduction Stephen Melville, The Temptation of New Perspectives Martin Heidegger, The Origin of the Work of Art Meyer Schapiro, The Still Life as a Personal Object: A Note on Heidegger and Van Gogh Jacques Derrida, Restitutions of the Truth in Pointing [Pointure] Chapter 7: Authorship and Identity Introduction Michael Foucault, What is an Author? Craig Owens, The Discourse of Others: Feminists and Postmodernism Mary Kelly, Re-Viewing Modernist Criticism Judith Butler, Performative Acts and Gender Constitution: An Essay in Phenomenology and Feminist Theory Rey Chow, Postmodern Automatons Jennifer Doyle, Queer Wallpaper Chapter 8: Globalization and its Discontents Introduction Timothy Mitchell, Orientalism and the Exhibitionary Order Carol Duncan, The Art Museum as Ritual Walter Benjamin, The Work of Art in the Age of its Technological Reproducibility Satya P. Mohanty, Can Our Values be Objective? On Ethics, Aesthetics, and Progressive Politics Marquard Smith, Visual Culture Studies: Questions of History, Theory, and Practice María Fernández, 'Life-like': Historicizing Process and Responsiveness in Digital Art Donald Preziosi, Epilogue: The Art of Art History Coda, Plato's Dilemma and the Tasks of the Art Historian Today Notes List of Texts List of Illustrations Biographical Notes Glossary Index
Copyright Date
2009
Dewey Decimal
701/.18
Intended Audience
Trade
Series
Oxford History of Art Ser.
Dewey Edition
21
Illustrated
Yes
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