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Long Day's Journey into Night - Paperback By Eugene O'Neill - GOOD
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Located in: Montgomery, Illinois, United States
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eBay item number:254524849255
Item specifics
- Condition
- Brand
- Unbranded
- MPN
- Does not apply
- ISBN
- 0300093055
- Publication Year
- 2002
- Format
- Trade Paperback
- Language
- English
- Book Title
- Long Day's Journey Into Night
- Item Length
- 7.7in
- Publisher
- Yale University Press
- Genre
- Drama, Performing Arts
- Topic
- Theater / General, Theater / Playwriting, American / General
- Item Width
- 5in
- Item Weight
- 6.4 Oz
- Number of Pages
- 192 Pages
About this product
Product Information
Winner of the 1957 Pulitzer Prize in Drama "The definitive edition."-- Boston Globe Eugene O'Neill's autobiographical play Long Day's Journey into Night is regarded as his finest work. First published by Yale University Press in 1956, it won the Pulitzer Prize in 1957 and has since sold more than one million copies. This edition includes a Foreword by Harold Bloom, in which he writes: "By common consent, Long Day's Journey into Night is Eugene O'Neill's masterpiece. . . . The helplessness of family love to sustain, let alone heal, the wounds of marriage, of parenthood, and of sonship, have never been so remorselessly and so pathetically portrayed, and with a force of gesture too painful ever to be forgotten by any of us."
Product Identifiers
Publisher
Yale University Press
ISBN-10
0300093055
ISBN-13
9780300093056
eBay Product ID (ePID)
2572657
Product Key Features
Book Title
Long Day's Journey Into Night
Format
Trade Paperback
Language
English
Topic
Theater / General, Theater / Playwriting, American / General
Publication Year
2002
Genre
Drama, Performing Arts
Number of Pages
192 Pages
Dimensions
Item Length
7.7in
Item Width
5in
Item Weight
6.4 Oz
Additional Product Features
Lc Classification Number
Ps3529.N5
Edition Number
2
Reviews
"The restoration of several previously missing lines of dialogue and stage direction likely make this the definitive edition of a 'play of old sorrow, written in tears and blood,' as O'Neill described it in dedicating it to his wife, Carlotta."-- Boston Globe "Drawing upon recent textual scholarship, the sixty-first printing of the Yale edition incorporates missing lines of dialogue accidentally dropped by O'Neill's wife Carlotta as she retyped."-- American Literature "Attractive frontispiece. Recommended for all college and university libraries."-- Choice "No play Eugene O'Neill ever wrote speaks more eloquently to the reader. . . . Certainly no one, henceforth, will write of this other plays without remembering this, his most revealing of himself."--Lewis Gannett, New York Herald Tribune "I think he wrote it as an act of forgiveness. Not as a pontifical forgiveness, mind you, not as absolution for the harm that had been done to him. That he was damaged by his family is only a fact now, a piece of truth to be but down out of respect of the whole truth; there is no residual rancor. He seems to be asking forgiveness for his own failure to know his father, mother, and brother well enough at a time when the need for understanding was like an upstairs cry in the night; and to be reassuring their ghosts, wherever they may be, that he knows everything awful that they have done, and loves them."--Walter F. Kerr, New York Herald Tribune " Long Day's Journey Into Night has long since become a classic not only of the American stage, but of universal theater. And apart from its secure place in literature, the play is an invaluable key to its author's creative evolution. It serves as the Rosetta Stone of O'Neill's life and art."--Barbara Gelb "Only an artist of O'Neill's extraordinary skill and perception can draw the curtain on the secrets of his own family to make you peer into your own. Long Day's Journey Into Night is the most remarkable achievement of one of the world's greatest dramatists."--Jose Quintero " Long Day's Journey is O'Neill's last, most realized play, a grand act of mercy upon his family and his own life."--Arthus Miller "The helplessness of family love to sustain, let alone heal, the wounds of marriage, of parenthood, and of sonship, have never been so remorselessly and so pathetically portrayed, and with a force of gesture too painful ever to be forgotten by any of us."--Harold Bloom, from the Foreword, " Long Day's Journey Into Night has long since become a classic not only of the American stage, but of universal theater. And apart from its secure place in literature, the play is an invaluable key to its author's creative evolution. It serves as the Rosetta Stone of O'Neill's life and art."--Barbara Gelb "Only an artist of O'Neill's extraordinary skill and perception can draw the curtain on the secrets of his own family to make you peer into your own. Long Day's Journey Into Night is the most remarkable achievement of one of the world's greatest dramatists."--Jose Quintero " Long Day's Journey is O'Neill's last, most realized play, a grand act of mercy upon his family and his own life." - Arthus Miller "The helplessness of family love to sustain, let alone heal, the wounds of marriage, of parenthood, and of sonship, have never been so remorselessly and so pathetically portrayed, and with a force of gesture too painful ever to be forgotten by any of us." - Harold Bloom, from the Foreword, "The restoration of several previously missing lines of dialogue and stage direction likely make this the definitive edition of a 'play of old sorrow, written in tears and blood,' as O'Neill described it in dedicating it to his wife, Carlotta."-- Boston Globe "Drawing upon recent textual scholarship, the sixty-first printing of the Yale edition incorporates missing lines of dialogue accidentally dropped by O'Neill's wife Carlotta as she retyped."-- American Literature "Attractive frontispiece. Recommended for all college and university libraries."-- Choice "No play Eugene O'Neill ever wrote speaks more eloquently to the reader. . . . Certainly no one, henceforth, will write of this other plays without remembering this, his most revealing of himself."--Lewis Gannett, New York Herald Tribune "I think he wrote it as an act of forgiveness. Not as a pontifical forgiveness, mind you, not as absolution for the harm that had been done to him. That he was damaged by his family is only a fact now. . . . He seems to be asking forgiveness for his own failure to know his father, mother, and brother well enough at a time when the need for understanding was like an upstairs cry in the night; and to be reassuring their ghosts, wherever they may be, that he knows everything awful that they have done, and loves them."--Walter F. Kerr, New York Herald Tribune Winner of the 1957 New York Drama Critics' Circle Award Winner of the 1957 Pulitzer Prize in Drama " Long Day's Journey into Night has long since become a classic not only of the American stage, but of universal theater. And apart from its secure place in literature, the play is an invaluable key to its author's creative evolution. It serves as the Rosetta Stone of O'Neill's life and art."--Barbara Gelb "Only an artist of O'Neill's extraordinary skill and perception can draw the curtain on the secrets of his own family to make you peer into your own. Long Day's Journey into Night is the most remarkable achievement of one of the world's greatest dramatists."--Jose Quintero " Long Day's Journey is O'Neill's last, most realized play, a grand act of mercy upon his family and his own life."--Arthur Miller "The helplessness of family love to sustain, let alone heal, the wounds of marriage, of parenthood, and of sonship, have never been so remorselessly and so pathetically portrayed, and with a force of gesture too painful ever to be forgotten by any of us."--Harold Bloom, from the Foreword, "The restoration of several previously missing lines of dialogue and stage direction likely make this the definitive edition of a 'play of old sorrow, written in tears and blood,' as O'Neill described it in dedicating it to his wife, Carlotta."-- Boston Globe "Drawing upon recent textual scholarship, the sixty-first printing of the Yale edition incorporates missing lines of dialogue accidentally dropped by O'Neill's wife Carlotta as she retyped."-- American Literature "Attractive frontispiece. Recommended for all college and university libraries."-- Choice "No play Eugene O'Neill ever wrote speaks more eloquently to the reader. . . . Certainly no one, henceforth, will write of this other plays without remembering this, his most revealing of himself."--Lewis Gannett, New York Herald Tribune "I think he wrote it as an act of forgiveness. Not as a pontifical forgiveness, mind you, not as absolution for the harm that had been done to him. That he was damaged by his family is only a fact now, a piece of truth to be but down out of respect of the whole truth; there is no residual rancor. He seems to be asking forgiveness for his own failure to know his father, mother, and brother well enough at a time when the need for understanding was like an upstairs cry in the night; and to be reassuring their ghosts, wherever they may be, that he knows everything awful that they have done, and loves them."--Walter F. Kerr, New York Herald Tribune Winner of the 1957 New York Drama Critics Circle Award given by the New York Drama Critics' Circle Winner of the 1957 Pulitzer Prize in Drama " Long Day's Journey Into Night has long since become a classic not only of the American stage, but of universal theater. And apart from its secure place in literature, the play is an invaluable key to its author's creative evolution. It serves as the Rosetta Stone of O'Neill's life and art."--Barbara Gelb "Only an artist of O'Neill's extraordinary skill and perception can draw the curtain on the secrets of his own family to make you peer into your own. Long Day's Journey Into Night is the most remarkable achievement of one of the world's greatest dramatists."--Jose Quintero " Long Day's Journey is O'Neill's last, most realized play, a grand act of mercy upon his family and his own life."--Arthur Miller "The helplessness of family love to sustain, let alone heal, the wounds of marriage, of parenthood, and of sonship, have never been so remorselessly and so pathetically portrayed, and with a force of gesture too painful ever to be forgotten by any of us."--Harold Bloom, from the Foreword
Target Audience
Trade
Dewey Decimal
812.5
Dewey Edition
21
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