
Image on the Edge: the Margins by Michael Camille- LOOKS LIKE PAGES NEVER TURNED
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Image on the Edge: the Margins by Michael Camille- LOOKS LIKE PAGES NEVER TURNED
US $15.99
ApproximatelyC $22.09
Condition:
“I don't know what to choose for condition...Good/Very Good..Plase decide for yourself....It looks ”... Read moreabout condition
Very Good
A book that does not look new and has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See the seller’s listing for full details and description of any imperfections.
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Pickup:
Free local pickup from Portland, Oregon, United States.
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Free USPS Media MailTM.
Located in: Portland, Oregon, United States
Delivery:
Estimated between Mon, Aug 18 and Thu, Aug 21 to 94104
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eBay item number:267292235769
Item specifics
- Condition
- Very Good
- Seller Notes
- Book Title
- Image on the Edge: the Margins
- MPN
- Does not apply
- ISBN
- 9780948462283
About this product
Product Identifiers
Publisher
Reaktion Books, The Limited
ISBN-10
0948462280
ISBN-13
9780948462283
eBay Product ID (ePID)
1981956
Product Key Features
Number of Pages
176 Pages
Publication Name
Image on the Edge : the Margins of Medieval Art
Language
English
Publication Year
2004
Subject
General, History / General
Type
Textbook
Subject Area
Art
Series
Essays in Art and Culture Ser.
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
15.4 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
Reviews
If the study of medieval art is not to remain an esoteric and elitist discipline then more books like this must be written., Looking at medieval manuscripts more and more closely, peering with pleasure into the borders of bunnies and monkeys, whether we seek deliberate smut or idle whimsy, it makes Image on the Edge well worth reading. It is an entirely diverting and unusual book., Camille's polymathic essays undoubtedly will provoke such studies and will expand the field of questions we ask . . . and in this he will have made a valuable contribution., This is an interesting book that will make the reader examine manuscripts and sculpture more carefully and understand the Middle Ages more comprehensively. . . . It is a book that will broaden your idea of medieval art in an enjoyable way., A handsome, entertaining account of the peculiar fashion for grotesque, obscene, and humorous presences on the margins of medieval illuminated manuscripts.
Dewey Edition
20
Illustrated
Yes
Dewey Decimal
709.02
Table Of Content
Acknowledgments Preface 1. Making Margins 2. In the Margins of the Monastery 3. In the Margins of the Cathedral 4. In the Margins of the Court 5. In the Margins of the City 6. The End of the Edge References Bibliography List of Illustrations
Synopsis
What do they all mean - the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protruding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished. Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive, and amazing the art of the time could be., What do they all mean - the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protuding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished. Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive and amazing the art of the time could be., Explores the riotous realm of marginal art to be found protuding from the edges of medieval buildings and in the margins of manuscripts.
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