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Image on the Edge: the Margins by Michael Camille- LOOKS LIKE PAGES NEVER TURNED
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Image on the Edge: the Margins by Michael Camille- LOOKS LIKE PAGES NEVER TURNED
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Thu, Jul 17, 03:40 PMThu, Jul 17, 03:40 PM
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Image on the Edge: the Margins by Michael Camille- LOOKS LIKE PAGES NEVER TURNED

US $15.99
ApproximatelyC $22.09
Condition:
Very Good
I don't know what to choose for condition...Good/Very Good..Plase decide for yourself....It looks ... Read moreabout condition
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    eBay item number:267292235769

    Item specifics

    Condition
    Very Good
    A book that does not look new and has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
    Seller Notes
    “I don't know what to choose for condition...Good/Very Good..Plase decide for yourself....It looks ...
    Book Title
    Image on the Edge: the Margins
    MPN
    Does not apply
    ISBN
    9780948462283

    About this product

    Product Identifiers

    Publisher
    Reaktion Books, The Limited
    ISBN-10
    0948462280
    ISBN-13
    9780948462283
    eBay Product ID (ePID)
    1981956

    Product Key Features

    Number of Pages
    176 Pages
    Publication Name
    Image on the Edge : the Margins of Medieval Art
    Language
    English
    Publication Year
    2004
    Subject
    General, History / General
    Type
    Textbook
    Author
    Michael Camille
    Subject Area
    Art
    Series
    Essays in Art and Culture Ser.
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.6 in
    Item Weight
    15.4 Oz
    Item Length
    9 in
    Item Width
    6 in

    Additional Product Features

    Intended Audience
    Scholarly & Professional
    Reviews
    If the study of medieval art is not to remain an esoteric and elitist discipline then more books like this must be written., Looking at medieval manuscripts more and more closely, peering with pleasure into the borders of bunnies and monkeys, whether we seek deliberate smut or idle whimsy, it makes Image on the Edge well worth reading. It is an entirely diverting and unusual book., Camille's polymathic essays undoubtedly will provoke such studies and will expand the field of questions we ask . . . and in this he will have made a valuable contribution., This is an interesting book that will make the reader examine manuscripts and sculpture more carefully and understand the Middle Ages more comprehensively. . . . It is a book that will broaden your idea of medieval art in an enjoyable way., A handsome, entertaining account of the peculiar fashion for grotesque, obscene, and humorous presences on the margins of medieval illuminated manuscripts.
    Dewey Edition
    20
    Illustrated
    Yes
    Dewey Decimal
    709.02
    Table Of Content
    Acknowledgments Preface 1. Making Margins 2. In the Margins of the Monastery 3. In the Margins of the Cathedral 4. In the Margins of the Court 5. In the Margins of the City 6. The End of the Edge References Bibliography List of Illustrations
    Synopsis
    What do they all mean - the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protruding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished. Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive, and amazing the art of the time could be., What do they all mean - the lascivious ape, autophagic dragons, pot-bellied heads, harp-playing asses, arse-kissing priests and somersaulting jongleurs to be found protuding from the edges of medieval buildings and in the margins of illuminated manuscripts? Michael Camille explores that riotous realm of marginal art, so often explained away as mere decoration or zany doodles, where resistance to social constraints flourished. Medieval image-makers focused attention on the underside of society, the excluded and the ejected. Peasants, servants, prostitutes and beggars all found their place, along with knights and clerics, engaged in impudent antics in the margins of prayer-books or, as gargoyles, on the outsides of churches. Camille brings us to an understanding of how marginality functioned in medieval culture and shows us just how scandalous, subversive and amazing the art of the time could be., Explores the riotous realm of marginal art to be found protuding from the edges of medieval buildings and in the margins of manuscripts.

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