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S. Shannon D. Williams August Wilson and Black Aesthetics (Hardback) (UK IMPORT)

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Book Title
August Wilson and Black Aesthetics
Publication Name
August Wilson and Black Aesthetics
Title
August Wilson and Black Aesthetics
Author
Sandra Shannon, Dana Williams
Format
Hardcover
ISBN-10
1403964068
EAN
9781403964069
ISBN
9781403964069
Edition
2004 ed.
Publisher
Palgrave Macmillan
Genre
History
Topic
Social Sciences
Release Year
2004
Release Date
21/08/2004
Language
English
Country/Region of Manufacture
US
Item Height
0.9in
Item Length
9.3in
Item Weight
18.3 Oz
Type
Textbook
Publication Year
2004
Item Width
6.2in
Number of Pages
VI, 225 Pages

About this product

Product Information

This book offers new essays and interviews addressing Wilson's work, ranging from examinations of the presence of Wilson's politics in his plays to the limitations of these politics on contemporary interpretations of Black aesthetics. Also includes an updated introduction assessing Wilson's legacy since his death in 2005.

Product Identifiers

Publisher
Palgrave Macmillan
ISBN-10
1403964068
ISBN-13
9781403964069
eBay Product ID (ePID)
30228139

Product Key Features

Author
Sandra Shannon, Dana Williams
Publication Name
August Wilson and Black Aesthetics
Format
Hardcover
Language
English
Publication Year
2004
Type
Textbook
Number of Pages
VI, 225 Pages

Dimensions

Item Length
9.3in
Item Height
0.9in
Item Width
6.2in
Item Weight
18.3 Oz

Additional Product Features

Number of Volumes
1 Vol.
Lc Classification Number
E16-18.85
Reviews
"A cogent and timely reminder of the tacit assumptions and invisible inflections that critics and audiences bring to theatrical experience. In this nuanced and richly variegated collection of perspectives on Wilson s importantly controversial The Ground on Which I Stand speech, Williams and Shannon have produced a dynamic exploration of black aesthetics and contemporary theater, which provides a fitting tribute to Wilson s memory and to his spirit." - Alan Nadel, author of May All Your Fences Have Gates: Essays on the Drama of August Wilson and August Wilson, Completing the Twentieth-Century Cycle"Registers the continuing significance of the playwright s 1996 speech that shocked American theatre critics with its echoes of a 1960s Black Arts militancy. In addition to analysis of specific Wilson texts and his construction of black female characters, this lively collection includes two previously unpublished interviews, one with Charles Dutton, who played the male lead in three Wilson plays, and a second with Wilson himself in which he muses about projects he will pursue once the ten-play cycle is completed. Capping the volume is a play that demonstrates how Wilson s spirituality and activism inspires a generation of younger black women playwrights." - Sandra L. Richards, Professor, Northwestern University
Table of Content
Introduction - Dana A. Williams * Black Aesthetics as Theory, Art, and Ideology * The Development of African-American Dramatic Theory: W.E.B. DuBois to August Wilson - Hand to Hand! - Mikell Pinkney * Rita Dove's Mother Love: Revising the Black Aesthetic through the Lens of Western Discourse - Tracey L. Walters * The Ifa Paradigm: Reading the Spirit in Tina McElroy Ansa's Baby of the Family - Georgene Bess Montgomery * Just 'Cause (or Just Cause): On August Wilson's Case for a Black Theater - by John V. White * Black Aesthetics and Interdisciplinary Black Arts * "Keeping It Real": August Wilson and Hip Hop - Harry J. Elam, Jr. * Giving Voice and Vent to African American Culture: August Wilson's Black Aesthetics and Katherine Dunham's Fight for Cultural Ownership in Mambo - Dorothea Fischer-Hornung * The Mumia Project: Theatre Activism at Howard University - Sybil J. Roberts * August Wilson's Plays and Black Aesthetics * Phantom Limbs Dancing Juba Rites in August Wilson's Joe Turner's Come and Gone and The Piano Lesson - Reggie Young * Speaking of Voice and August Wilson's Women - Tara T. Green * Using Black Rage to Elucidate African and African-American Identity in August Wilson's Joe Turner's Come and Gone - C. Patrick Tyndall * Current, Unpublished Interviews That Speak to Aesthetic Issues Raised in "The Ground on Which I Stand" * The Ground on Which He Stands: Charles S. Dutton on August Wilson - Yolanda Williams Page * Interview with Wilson conducted by Sandra Shannon * A Liberating Prayer: A Lovesong for Mumia - Sybil J. Roberts * Afterword - Sandra G. Shannon
Copyright Date
2004
Target Audience
Scholarly & Professional
Topic
American / African American, Drama, Theater / History & Criticism, American / General, Aesthetics, Americas (North, Central, South, West Indies)
Lccn
2003-068822
Dewey Decimal
812/.54
Dewey Edition
22
Illustrated
Yes
Genre
Literary Criticism, History, Philosophy, Performing Arts

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