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P. Renée Foste Reggae, Rastafari, and the Rhetoric of (Paperback) (UK IMPORT)
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Item specifics
- Condition
- Book Title
- Reggae, Rastafari, and the Rhetoric of Social Control
- Publication Name
- Reggae, Rastafari, and the Rhetoric of Social Control
- Title
- Reggae, Rastafari, and the Rhetoric of Social Control
- Contributor
- Barry T. Bays III (Contributions by)
- Format
- Perfect
- EAN
- 9781604730036
- ISBN
- 9781604730036
- Publisher
- University Press of Mississippi
- Genre
- Music, Language Arts & Disciplines
- Subject
- Society & Culture
- Release Date
- 30/11/2007
- Release Year
- 2007
- Language
- English
- Country/Region of Manufacture
- US
- Item Height
- 0.4in
- Item Length
- 9in
- Item Width
- 6in
- Item Weight
- 0 Oz
- Publication Year
- 2007
- Topic
- History & Criticism, Ethnomusicology, Genres & Styles / Reggae, Rhetoric, Ethnic
- Number of Pages
- 200 Pages
About this product
Product Information
Who changed Bob Marley's famous peace-and-love anthem into ""Come to Jamaica and feel all right""? When did the Rastafarian fighting white colonial power become the smiling Rastaman spreading beach towels for American tourists? Drawing on research in social movement theory and protest music, Reggae, Rastafari, and the Rhetoric of Social Control traces the history and rise of reggae and the story of how an island nation commandeered the music to fashion an image and entice tourists. Visitors to Jamaica are often unaware that reggae was a revolutionary music rooted in the suffering of Jamaica's poor. Rastafarians were once a target of police harassment and public condemnation. Now the music is a marketing tool, and the Rastafarians are no longer a ""violent counterculture"" but an important symbol of Jamaica's new cultural heritage. This book attempts to explain how the Jamaican establishment's strategies of social control influenced the evolutionary direction of both the music and the Rastafarian movement. From 1959 to 1971, Jamaica's popular music became identified with the Rastafarians, a social movement that gave voice to the country's poor black communities. In response to this challenge, the Jamaican government banned politically controversial reggae songs from the airwaves and jailed or deported Rastafarian leaders. Yet when reggae became internationally popular in the 1970s, divisions among Rastafarians grew wider, spawning a number of pseudo-Rastafarians who embraced only the external symbolism of this worldwide religion. Exploiting this opportunity, Jamaica's new Prime Minister, Michael Manley, brought Rastafarian political imagery and themes into the mainstream. Eventually, reggae and Rastafari evolved into Jamaica's chief cultural commodities and tourist attractions. Stephen A. King is associate professor of speech communication at Delta State University. His work has been published in the Howard Journal of Communications, Popular Music and Society, and The Journal of Popular Culture.
Product Identifiers
Publisher
University Press of Mississippi
ISBN-10
160473003x
ISBN-13
9781604730036
eBay Product ID (ePID)
11038374916
Product Key Features
Book Title
Reggae, Rastafari, and the Rhetoric of Social Control
Format
Perfect
Language
English
Topic
History & Criticism, Ethnomusicology, Genres & Styles / Reggae, Rhetoric, Ethnic
Publication Year
2007
Genre
Music, Language Arts & Disciplines
Number of Pages
200 Pages
Dimensions
Item Length
9in
Item Height
0.4in
Item Width
6in
Item Weight
0 Oz
Additional Product Features
Lc Classification Number
Ml3532.K55 2002
Reviews
Stephen King's work deftly brings together a variety of source material including scholarly articles, short-lived and obscure Black Power and Rasta magazines, articles in mainstream newspapers and the lyrics of a wealth of reggae songs. The net result is a carefully reasoned, wonderfully illustrated, and engaging analysis of the success and failures in the ongoing dialectic between middle-class Jamaicans and the Rastafarians. Highly Recommended., Reggae, Rastafari, and the Rhetoric of Social Control is an extremely well-written, well-researched study of a significant and unique social movement that used music as a recruitment tool and as a means of solidifying membership. This book provides great insights into social movements, particularly those who use music as their primary tool of persuasion, and how establishments can effectively challenge them., Stephen King's excellent examination and analysis of Rastafarian protest makes an important contribution to the study of social movements, perceptively illuminating the manner in which music operated rhetorically to combat the neocolonial mechanisms of social control. This is a fascinating book that cuts across several disciplines. Those interested in rhetoric, cultural studies, and ethnomusicology, for example, will learn much by reading it.
Copyright Date
2002
Dewey Decimal
781.646/097292
Intended Audience
Trade
Dewey Edition
21
Illustrated
Yes
Item description from the seller
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eBay item number:276367171526
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Product is 95% alike picture but a little more blurry. Controller play well but had a notice from psn that my joypad wasn't authentic and could by problematic🤷♂️ no trouble so far! Shipping was fast but no tracking and worst packaging ever.. like the box came banged up... send a question to seller never had a reply 😅.... Good product overall, excellent price, fast shipping, wrapped only on 4 sides out of 6, no tracking and never reply... 4★ product / 2★ seller ✌️
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The book is in perfect condition, brand new, and is exactly as described. This item is difficult to find here, and the seller priced it very reasonably. It shipped from the UK to Canada, and unfortunately took a little longer to arrive than the seller hoped, but it was shipped less than 24 hours after I purchased. When I contacted the seller, they were very responsive and helpful. I would not hesitate to purchase from this seller again. Definitely recommend!
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AAA seller. Item came as described and within the due date. Great communication. Well packed and no damage to the case.