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Inhuman Traffick: The International Struggle against the Trans... by Clarke, Liz

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Artist
Clarke, Liz
Date of Publication
20150212
Tradition
US Comics
Book Title
Inhuman Traffick: The International Struggle against the Trans...
Release Title
Inhuman Traffick: The International Struggle against the Trans...
City of Publication
New York
Series Title
Inhuman
Colour
N/A
Brand
N/A
EAN
9780199334070
ISBN
0199334072
Superhero Team
Inhumans
Country of Publication
United States
Subject Area
Biography & Autobiography, History
Publication Name
Inhuman Traffick : The International Struggle Against the Transatlantic Slave Trade: a Graphic History
Publisher
Oxford University Press, Incorporated
Item Length
7.4 in
Subject
Africa / General, General, Historical
Publication Year
2014
Series
Graphic History Ser.
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.7 in
Author
Rafe Blaufarb
Item Weight
23.2 Oz
Item Width
10 in
Number of Pages
240 Pages

About this product

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0199334072
ISBN-13
9780199334070
eBay Product ID (ePID)
201701248

Product Key Features

Number of Pages
240 Pages
Language
English
Publication Name
Inhuman Traffick : The International Struggle Against the Transatlantic Slave Trade: a Graphic History
Subject
Africa / General, General, Historical
Publication Year
2014
Type
Textbook
Subject Area
Biography & Autobiography, History
Author
Rafe Blaufarb
Series
Graphic History Ser.
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
23.2 Oz
Item Length
7.4 in
Item Width
10 in

Additional Product Features

Intended Audience
College Audience
LCCN
2014-013436
Dewey Edition
23
Reviews
"A must read for all those interested in nineteenth-century Atlantic history."--Ugo Nwojeki, University of California, Berkeley "Rafe Blaufarb and Liz Clarke have created an innovative and engaging teaching tool for the transatlantic slave trade in the era of suppression. It combines exhaustive research with accessibility, offers a superb overview of the traffic, and provides extensive original documentation of one of the most dramatic and poignant incidents in nineteenth-century maritime history."--David Eltis, Emory University "Drawing together Kru sailors, Sierra Leonean craftsmen, illegal French slavers, British anti-slavery patrol ships, a corrupt Guadeloupe governor, and British and French politicians, Blaufarb weaves a remarkable tapestry of the historical forces that transformed the slave trade in the nineteenth century. Inhuman Traffick offers a beautifully illustrated panorama of the Atlantic World during the age of emancipation, one that will appeal to students and experts alike."--James Sweet, University of Wisconsin-Madison "The use of graphic histories in the classroom is becoming widespread, and Inhuman Traffick shows why they can work so effectively to engage students. Like all of the best examples of the genre, Inhuman Traffick tells a compelling story through a complex interplay of image and text--it will keep students reading, and learning, to the very end."--Randy Sparks, Tulane University "Inhuman Traffick is a tour de force."--Rebecca Hartkopf Schloss, Texas A&M University "We are treated to the historical equivalent of 3D cinema as Dr. Blaufarb hits us from all angles: a traditional narrative that is concise and accessible; an innovative graphic history that brings the struggle against the slave trade to life; and a selection of primary sources that underscores the painstaking process by which historians explore the past. This is a truly groundbreaking approach to history."--Philippe Girard, McNeese State University "My students will be delighted to have Inhuman Traffick added to their reading list."--Patrick Rael, Bowdoin College, "A must read for all those interested in nineteenth-century Atlantic history."--Ugo Nwojeki, University of California, Berkeley"Rafe Blaufarb and Liz Clarke have created an innovative and engaging teaching tool for the transatlantic slave trade in the era of suppression. It combines exhaustive research with accessibility, offers a superb overview of the traffic, and provides extensive original documentation of one of the most dramatic and poignant incidents in nineteenth-century maritime history."--David Eltis, Emory University"Drawing together Kru sailors, Sierra Leonean craftsmen, illegal French slavers, British anti-slavery patrol ships, a corrupt Guadeloupe governor, and British and French politicians, Blaufarb weaves a remarkable tapestry of the historical forces that transformed the slave trade in the nineteenth century. Inhuman Traffick offers a beautifully illustrated panorama of the Atlantic World during the age of emancipation, one that will appeal to students andexperts alike."--James Sweet, University of Wisconsin-Madison"The use of graphic histories in the classroom is becoming widespread, and Inhuman Traffick shows why they can work so effectively to engage students. Like all of the best examples of the genre, Inhuman Traffick tells a compelling story through a complex interplay of image and text--it will keep students reading, and learning, to the very end."--Randy Sparks, Tulane University"Inhuman Traffick is a tour de force."--Rebecca Hartkopf Schloss, Texas A&M University"We are treated to the historical equivalent of 3D cinema as Dr. Blaufarb hits us from all angles: a traditional narrative that is concise and accessible; an innovative graphic history that brings the struggle against the slave trade to life; and a selection of primary sources that underscores the painstaking process by which historians explore the past. This is a truly groundbreaking approach to history."--Philippe Girard, McNeese State University"My students will be delighted to have Inhuman Traffick added to their reading list."--Patrick Rael, Bowdoin College
Illustrated
Yes
Dewey Decimal
306.362
Table Of Content
Maps and FiguresPreface: The Making of Inhuman TraffickAbout the Author and IllustratorPart 1: Historical ContextThe Atlantic EnvironmentThe Slave Trades of AfricaWho Were the Captives?Temporalities of the TradeThe Middle PassageIn AmericaThe Origins of AbolitionismAbolition in 1807Internationalizing AbolitionismThe West African SquadronEffects of InterdictionBeyond the 1817 TreatiesResults of British AbolitionismHow the End of the Transatlantic Slave Trade Effected African SocietyEmancipation in America and AfricaThe Neirsée Incident in Atlantic ContextCast of CharactersPart 2: The Graphic History1. International Efforts Against the Transatlantic Slave Trade2. The Neirsée Incident3. Sold into Slavery4. An International Incident5. From Happening to HistoryPart 3: The Primary SourcesDocuments 1-4: West Africa: Seizure of the NeirséeDocuments 5-10: Caribbean: Enslaved on GuadeloupeDocuments 11-20: Caribbean: Colonial Authorities in ActionDocuments 21-37: Europe: A Diplomatic IncidentPart 4: The QuestionsTime, space, and technologyIdentitiesAgencySlave Trade DatabasePrimary Source DocumentsMaking of the Graphic HistoryValuesGaps and SilencesTimeline of the Atlantic-Slave TradeBibliographyGlossary, Maps and Figures Preface: The Making of Inhuman Traffick About the Author and Illustrator Part 1: Historical Context The Atlantic Environment The Slave Trades of Africa Who Were the Captives? Temporalities of the Trade The Middle Passage In America The Origins of Abolitionism Abolition in 1807 Internationalizing Abolitionism The West African Squadron Effects of Interdiction Beyond the 1817 Treaties Results of British Abolitionism How the End of the Transatlantic Slave Trade Effected African Society Emancipation in America and Africa The Neirsée Incident in Atlantic Context Cast of Characters Part 2: The Graphic History Chapter 1: International Efforts Against the Transatlantic Slave Trade Chapter 2: The Neirsée Incident Chapter 3: Sold into Slavery Chapter 4: An International Incident Chapter 5: From Happening to History Part 3: The Primary Sources Documents 1-4: West Africa: Seizure of the Neirsée Documents 5-10: Caribbean: Enslaved on Guadeloupe Documents 11-20: Caribbean: Colonial Authorities in Action Documents 21-37: Europe: A Diplomatic Incident Part 4: The Questions Time, space, and technology Identities Agency Slave Trade Database Primary Source Documents Making of the Graphic History Values Gaps and Silences Timeline of the Atlantic-Slave Trade Bibliography Glossary
Synopsis
Inhuman Traffick tells for the first time a story of enslavement and freedom that spans the entire Atlantic world. Beginning in 1829 off the west coast of Africa with the recapture of the slave ship Neirsée --previously seized by the British Navy in its efforts to suppress the "inhuman traffick"--and ending with the liberation of the African passengers who had been sold into slavery in the French Caribbean, Rafe Blaufarb puts a human face on the history of the transatlantic slave trade and the efforts to suppress it. He addresses a neglected aspect of this tragic history in the wide geographical and thematic contexts in which it took place--Africa, the Caribbean, Europe, and the Atlantic Ocean--and situates the story in familial, social, economic, diplomatic, and military spheres. Inhuman Traffick shows how history is done by explaining how the documents on which it is based moved through time and space from the ships, African outposts, colonial buildings, and ministerial offices to the archives of present-day Britain and France. Blaufarb follows the ship, its crew, and its captives from the slave port of Old Calabar to the Caribbean and into the courts of Britain and France, where the history of the illegal slave trade, slavery in the Caribbean, and diplomatic history all come into focus. Students will be taken in by the vivid drawings and the rich narrative, but in Blaufarb's skilled hands, they will also find themselves immersed in a unique learning experience. Blaufarb not only presents the history of the ship and its captives, he takes the reader inside the project itself. He explains how he came upon the story, how he and his editor envisioned the project, and how he worked with illustrator Liz Clarke to craft more than 300 "cells" that comprise Part II of the book. He and Clarke even take the reader inside archives in France and Britain. This powerful combination of historical essay, graphics, primary-source documents, and discussion questions gives students insight into the Atlantic World plantation complex, the transatlantic slave trade, and the process of historical storytelling itself., Inhuman Traffick tells for the first time a story of enslavement and freedom that spans the entire Atlantic world. Beginning in 1829 off the west coast of Africa with the recapture of the slave ship Neirsée - previously seized by the British Navy in its efforts to suppress the "inhuman traffick" - and ending with the liberation of the African passengers who had been sold into slavery in the French Caribbean, Rafe Blaufarb puts a human face on the history of the transatlantic slave trade and the efforts to suppress it. He addresses a neglected aspect of this tragic history in the wide geographical and thematic contexts in which it took place -Africa, the Caribbean, Europe, and the Atlantic Ocean - and situates the story in familial, social, economic, diplomatic, and military spheres. Inhuman Traffick shows how history is done by explaining how the documents on which it is based moved through time and space from the ships, African outposts, colonial buildings, and ministerial offices to the archives of present-day Britain and France.Blaufarb follows the ship, its crew, and its captives from the slave port of Old Calabar to the Caribbean and into the courts of Britain and France, where the history of the illegal slave trade, slavery in the Caribbean, and diplomatic history all come into focus. Students will be taken in by the vivid drawings and the rich narrative, but in Blaufarb's skilled hands, they will also find themselves immersed in a unique learning experience. Blaufarb not only presents the history of the ship and its captives, he takes the reader inside the project itself. He explains how he came upon the story, how he and his editor envisioned the project, and how he worked with illustrator Liz Clarke to craft more than 300 "cells" that comprise Part II of the book. He and Clarke even take the reader inside archives in France and Britain.This powerful combination of historical essay, graphics, primary-source documents, and discussion questions gives students insight into the Atlantic World plantation complex, the transatlantic slave trade, and the process of historical storytelling itself., Inhuman Traffick tells for the first time a story of enslavement and freedom that spans the entire Atlantic world. Beginning in 1829 off the west coast of Africa with the recapture of the slave ship Neirsee --previously seized by the British Navy in its efforts to suppress the "inhuman traffick"--and ending with the liberation of the African passengers who had been sold into slavery in the French Caribbean, Rafe Blaufarb puts a human face on the history of the transatlantic slave trade and the efforts to suppress it. He addresses a neglected aspect of this tragic history in the wide geographical and thematic contexts in which it took place--Africa, the Caribbean, Europe, and the Atlantic Ocean--and situates the story in familial, social, economic, diplomatic, and military spheres. Inhuman Traffick shows how history is done by explaining how the documents on which it is based moved through time and space from the ships, African outposts, colonial buildings, and ministerial offices to the archives of present-day Britain and France. Blaufarb follows the ship, its crew, and its captives from the slave port of Old Calabar to the Caribbean and into the courts of Britain and France, where the history of the illegal slave trade, slavery in the Caribbean, and diplomatic history all come into focus. Students will be taken in by the vivid drawings and the rich narrative, but in Blaufarb's skilled hands, they will also find themselves immersed in a unique learning experience. Blaufarb not only presents the history of the ship and its captives, he takes the reader inside the project itself. He explains how he came upon the story, how he and his editor envisioned the project, and how he worked with illustrator Liz Clarke to craft more than 300 "cells" that comprise Part II of the book. He and Clarke even take the reader inside archives in France and Britain. This powerful combination of historical essay, graphics, primary-source documents, and discussion questions gives students insight into the Atlantic World plantation complex, the transatlantic slave trade, and the process of historical storytelling itself., The dramatic story of the slave ship Neirsee springs vividly to life in Rafe Blaufarb's graphic mircohistory, Inhuman Traffic. The story, set in the early nineteenth century, moves from the slave port of Old Calabar to the Caribbean and to the courts of Britain and France where the history of the illegal slave trade, slavery in the Caribbean, and diplomatic history all come into focus as Blaufarb follows the ship, its crew, and its captives. Students will be taken in by the vivid drawings and the rich narrative, but they will also find themselves immersed in an unusual learning experience. Blaufarb not only presents the history of the ship and captives, he takes the reader inside the project itself. He explains how he came upon the story, how he and his editor envisioned the project, and how he worked with the illustrator Liz Clarke to craft the 350 "cells" that compose the book., The dramatic story of the slave ship Neirsee springs vividly to life in Rafe Blaufarb's graphic mircohistory, Inhuman Traffic. The story, set in the early nineteenth century, moves from the slave port of Old Calabar to the Caribbean and to the courts of Britain and France where the history of the illegal slave trade, slavery in the Caribbean, and diplomatic history all come into focus as Blaufarb follows the ship, its crew, and its captives. Students will be taken in by the vivid drawings and the rich narrative, but they will also find themselves immersed in an unusual learning experience. Blaufarb not only presents the history of the ship and captives, he takes the reader inside the project itself. He explains how he came upon the story, how he and his editor envisioned the project, and how he worked with the illustrator Liz Clarke to craft the 350 "cells" that compose the book. He and Clarke even take the reader inside archives in Britain and France which are themselves illustrated and their histories explained. Like all the best examples of the genre, Inhuman Traffic tells a compelling story through a complex interplay of image and text -- it will keep students reading, and learning, to the very end., Inhuman Traffick tells for the first time a story of enslavement and freedom that spans the entire Atlantic world. Beginning in 1829 off the west coast of Africa with the recapture of the slave ship Neirsée--previously seized by the British Navy in its efforts to suppress the "inhuman traffick"--and ending with the liberation of the African passengers who had been sold into slavery in the French Caribbean, Rafe Blaufarb puts a human face on the history of the transatlantic slave trade and the efforts to suppress it. He addresses a neglected aspect of this tragic history in the wide geographical and thematic contexts in which it took place--Africa, the Caribbean, Europe, and the Atlantic Ocean--and situates the story in familial, social, economic, diplomatic, and military spheres. Inhuman Traffick shows how history is done by explaining how the documents on which it is based moved through time and space from the ships, African outposts, colonial buildings, and ministerial offices to the archives of present-day Britain and France. Blaufarb follows the ship, its crew, and its captives from the slave port of Old Calabar to the Caribbean and into the courts of Britain and France, where the history of the illegal slave trade, slavery in the Caribbean, and diplomatic history all come into focus. Students will be taken in by the vivid drawings and the rich narrative, but in Blaufarb's skilled hands, they will also find themselves immersed in a unique learning experience. Blaufarb not only presents the history of the ship and its captives, he takes the reader inside the project itself. He explains how he came upon the story, how he and his editor envisioned the project, and how he worked with illustrator Liz Clarke to craft more than 300 "cells" that comprise Part II of the book. He and Clarke even take the reader inside archives in France and Britain. This powerful combination of historical essay, graphics, primary-source documents, and discussion questions gives students insight into the Atlantic World plantation complex, the transatlantic slave trade, and the process of historical storytelling itself.
Illustrated by
Clarke, Liz
LC Classification Number
HT1332.B56 2015
Copyright Date
2015
ebay_catalog_id
4

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