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Art in the Cold War: From Vladivostok to Kalamazoo 1945-1962 Lindey, Christine
US $28.45
ApproximatelyC $38.93
Condition:
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages. See the seller’s listing for full details and description of any imperfections.
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Located in: Frederick, Maryland, United States
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Estimated between Fri, Jul 25 and Wed, Jul 30 to 94104
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eBay item number:276650610691
Item specifics
- Condition
- ISBN
- 9781561310104
About this product
Product Identifiers
Publisher
Dee Publisher, Ivan R.
ISBN-10
1561310107
ISBN-13
9781561310104
eBay Product ID (ePID)
786461
Product Key Features
Book Title
Art in the Cold War : from Vladivostok to Kalamazoo 1945-1962
Number of Pages
224 Pages
Language
English
Publication Year
1998
Topic
History / Contemporary (1945-), General, History / General
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
17.8 Oz
Item Length
9.5 in
Item Width
6.8 in
Additional Product Features
Intended Audience
Trade
Reviews
"Thoughtful and instructive." -- Times Higher Education "This contextual survey...is recommended for larger art collections." --Anne Schmitt, Booklist "The first title to survey the art of the Soviet Union during its Cold War period." -- The Bookwatch "Beautifully structured and involving.... Here is a writer who helps us experience both sensually and intellectually." -- West Coast Review Of Books, Beautifully structured and involving.... Here is a writer who helps us experience both sensually and intellectually.
Dewey Edition
20
Dewey Decimal
709.47
Synopsis
"This provacative and well-researched book addresses situations and questions of the post-WWII world that have long needed attention. Christine Lindey remedies the dearth of information available on the nature of modern Russian art about which all but a few dedicated professionals have only perfunctory or vaguely formulated ideas."-Choice, This book, which covers new ground, is a study of high and low art, official and unofficial, in the Soviet Union and the West in the Cold War years, 1945-62. It is a paradox that the Soviet Union, a nation born of revolution, should have encouraged 'official' art which was conservative and conformist, whereas Western Europe, and the USA in particular, should preach traditional values, but have a high art which spoke of dissent. Other curious contradictions and parallels emerge--Soviet 'official' art was predominantly realist in style and popular with the general public, as were popular prints in the West. Both have largely been ignored by the western art establishment. It is the unofficial art of the Soviet Union and the high art of the West--for example, Rothko, Pollock, Bacon and Dubuffet--which have always attracted critical attention. Christine Lindey's pioneering study examines these paradoxes and illustrates many artists, notably those from the Soviet Union, whose work has rarely been seen in the West. As glasnost changes our perceptions of the contemporary Soviet Union, here is the first history of all aspects of art there in the postwar years, set in the political context, and comparing it with developments in art in the West., This book, which covers new ground, is a study of high and low art, official and unofficial, in the Soviet Union and the West in the Cold War years, 1945-62. It is a paradox that the Soviet Union, a nation born of revolution, should have encouraged 'official' art which was conservative and conformist, whereas Western Europe, and the USA in particular, should preach traditional values, but have a high art which spoke of dissent. Other curious contradictions and parallels emerge-Soviet 'official' art was predominantly realist in style and popular with the general public, as were popular prints in the West. Both have largely been ignored by the western art establishment. It is the unofficial art of the Soviet Union and the high art of the West-for example, Rothko, Pollock, Bacon and Dubuffet-which have always attracted critical attention. Christine Lindey's pioneering study examines these paradoxes and illustrates many artists, notably those from the Soviet Union, whose work has rarely been seen in the West. As glasnost changes our perceptions of the contemporary Soviet Union, here is the first history of all aspects of art there in the postwar years, set in the political context, and comparing it with developments in art in the West.
Item description from the seller
Seller feedback (711,796)
- b***b (169)- Feedback left by buyer.Past 6 monthsVerified purchaseAfter two poor experiences with this seller, they exceeded my expectations with this order…hard to believe it was the same seller. The book purchased, identified in their listing as “Very Good”, was, in fact, “Like New”. The price was very fair. Shipping was slow, but that seems to be true with many things purchased in the internet. If I have a complaint, it is that the seller will not respond to specific questions about a listed item before the purchase..too many orders to do so! 🙁The Beginning or the End: How Hollywood―and America―Learned to Stop Worrying an (#387783000754)
- e***r (10)- Feedback left by buyer.Past 6 monthsVerified purchaseYou can’t always be sure when an item is listed “like new” but this seller delivered a book that is just that. I’m very pleased with the condition of the book and the pricing was excellent compared to other sellers online. It was packaged extremely well and arrived with no wrinkles or folded areas. I made a great purchase and I now look forward to purchasing additional items by this author from this seller. 10/10 satisfaction!The Power of A Praying Wife Omartian, Stormie paperback Used - Like New (#276668989218)
- b***. (51)- Feedback left by buyer.Past 6 monthsVerified purchaseGreat Service! Very quick shipping and book was sealed nicely in a protective envelope, which isn't common nowadays. Book in condition as described. Very satisfied with the value.
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