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Pastiche, Culture Memory in Art, Film, Literature, Ingeborg Hoesterey, 1st Print

US $18.70
ApproximatelyC $25.39
Condition:
Very Good
The book does not appear to have been read, but it is a first printing so it's been on a shelf so ... Read moreabout condition
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Located in: Spring Hill, Tennessee, United States
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eBay item number:285806348010
Last updated on Jul 08, 2024 18:05:50 EDTView all revisionsView all revisions

Item specifics

Condition
Very Good
A book that does not look new and has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
Seller Notes
“The book does not appear to have been read, but it is a first printing so it's been on a shelf so ...
Features
1st Edition, Illustrated
ISBN
9780253214454
Subject Area
Literary Criticism, Art, Philosophy, Social Science
Publication Name
Pastiche : Cultural Memory in Art, Film, Literature
Publisher
Indiana University Press
Item Length
9.2 in
Subject
Criticism & Theory, History & Surveys / Modern, Anthropology / Cultural & Social, Semiotics & Theory, History / General, Subjects & Themes / General
Publication Year
2001
Type
Textbook
Format
Trade Paperback
Language
English
Item Height
0.6 in
Author
Ingeborg Hoesterey
Item Weight
8.4 Oz
Item Width
6.1 in
Number of Pages
160 Pages

About this product

Product Identifiers

Publisher
Indiana University Press
ISBN-10
0253214459
ISBN-13
9780253214454
eBay Product ID (ePID)
1785031

Product Key Features

Number of Pages
160 Pages
Language
English
Publication Name
Pastiche : Cultural Memory in Art, Film, Literature
Subject
Criticism & Theory, History & Surveys / Modern, Anthropology / Cultural & Social, Semiotics & Theory, History / General, Subjects & Themes / General
Publication Year
2001
Type
Textbook
Subject Area
Literary Criticism, Art, Philosophy, Social Science
Author
Ingeborg Hoesterey
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
8.4 Oz
Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
00-061397
Dewey Edition
21
Grade From
College Graduate Student
Illustrated
Yes
Dewey Decimal
700/.9/049
Table Of Content
Contents Introduction 1. A Discourse History of Pasticcio and Pastiche 2. Pastiche in the Visual Arts 3. Cinematic Pastiche 4. Literary Pastiche 5. Pastiche Culture Beyond High and Low Coda Notes Works Cited Index
Synopsis
Pastiche Cultural Memory in Art, Film, Literature Ingeborg Hoesterey Traces the rise of the pastiche in the arts and popular culture. In the last two decades cultural theorists and artists have redefined a genre of artistic expression that for centuries was regarded as both elusive and notorious: the pastiche, or pasticcio. Today, highly engaging manifestations of the genre minor can be found in architecture, painting, and mixed media installations; in film, literature, and performance modes ranging from the operatic to rock event; and in supposedly trivial discourses such as advertising. Postmodern pastiche is about cultural memory as a history of seeing and writing. One of the markers that sets aesthetic postmodernism apart from modernism is artistic practice that borrows ostentatiously from the archive of Western culture, which modernism, in its search for the unperformed, tended to dismiss. Contemporary artists are re-examining traditions that modernism eclipsed in its pursuit of the "Shock of the New" or?in the case of architects?the functionalism of the International style. Ingeborg Hoesterey, Professor of Comparative Literature and Germanic Studies at Indiana University, is author of Verschlungene Schriftzeichen: Intertextualität von Literatur und Kunst in der Moderne/Postmoderne; editor of Zeitgeist in Babel: The Postmodernist Controversy; and co-editor of Intertextuality: German Literature and Visual Art from the Renaissance to the Twentieth Century and Neverending Stories: Toward a Critical Narratology. March 2001 160 pages, 20 b&w photos, 6 1/8 x 9 1/4 cloth0-253-33880-8$45.95 L / £34.00 paper0-253-21445-9$19.95 s / £15.50 Contents A Discourse History of Pasticcio and Pastiche Pastiche in the Visual Arts Cinematic Pastiche Literary Pastiche Pastiche Culture beyond High and Low: Advertising Narratives, MTV, Performance Styles Coda, Pastiche Cultural Memory in Art, Film, Literature Ingeborg Hoesterey Traces the rise of the pastiche in the arts and popular culture. In the last two decades cultural theorists and artists have redefined a genre of artistic expression that for centuries was regarded as both elusive and notorious: the pastiche, or pasticcio. Today, highly engaging manifestations of the genre minor can be found in architecture, painting, and mixed media installations; in film, literature, and performance modes ranging from the operatic to rock event; and in supposedly trivial discourses such as advertising. Postmodern pastiche is about cultural memory as a history of seeing and writing. One of the markers that sets aesthetic postmodernism apart from modernism is artistic practice that borrows ostentatiously from the archive of Western culture, which modernism, in its search for the unperformed, tended to dismiss. Contemporary artists are re-examining traditions that modernism eclipsed in its pursuit of the "Shock of the New" or--in the case of architects--the functionalism of the International style. Ingeborg Hoesterey, Professor of Comparative Literature and Germanic Studies at Indiana University, is author of Verschlungene Schriftzeichen: Intertextualit t von Literatur und Kunst in der Moderne/Postmoderne; editor of Zeitgeist in Babel: The Postmodernist Controversy; and co-editor of Intertextuality: German Literature and Visual Art from the Renaissance to the Twentieth Century and Neverending Stories: Toward a Critical Narratology. March 2001 160 pages, 20 b&w photos, 6 1/8 x 9 1/4 cloth 0-253-33880-8 $45.95 L / 34.00 paper 0-253-21445-9 $19.95 s / 15.50 Contents A Discourse History of Pasticcio and Pastiche Pastiche in the Visual Arts Cinematic Pastiche Literary Pastiche Pastiche Culture beyond High and Low: Advertising Narratives, MTV, Performance Styles Coda, 95 s / £15.50 ContentsA Discourse History of Pasticcio and PastichePastiche in the Visual ArtsCinematic PasticheLiterary PastichePastiche Culture beyond High and Low: Advertising Narratives, MTV, Performance StylesCoda, Pastiche Cultural Memory in Art, Film, Literature Ingeborg Hoesterey Traces the rise of the pastiche in the arts and popular culture. In the last two decades cultural theorists and artists have redefined a genre of artistic expression that for centuries was regarded as both elusive and notorious: the pastiche, or pasticcio. Today, highly engaging manifestations of the genre minor can be found in architecture, painting, and mixed media installations; in film, literature, and performance modes ranging from the operatic to rock event; and in supposedly trivial discourses such as advertising. Postmodern pastiche is about cultural memory as a history of seeing and writing. One of the markers that sets aesthetic postmodernism apart from modernism is artistic practice that borrows ostentatiously from the archive of Western culture, which modernism, in its search for the unperformed, tended to dismiss. Contemporary artists are re-examining traditions that modernism eclipsed in its pursuit of the "Shock of the New" or--in the case of architects--the functionalism of the International style. Ingeborg Hoesterey, Professor of Comparative Literature and Germanic Studies at Indiana University, is author of Verschlungene Schriftzeichen: Intertextualität von Literatur und Kunst in der Moderne/Postmoderne; editor of Zeitgeist in Babel: The Postmodernist Controversy; and co-editor of Intertextuality: German Literature and Visual Art from the Renaissance to the Twentieth Century and Neverending Stories: Toward a Critical Narratology. March 2001 160 pages, 20 b&w photos, 6 1/8 x 9 1/4 cloth0-253-33880-8$45.95 L / 34.00 paper0-253-21445-9$19.95 s / 15.50 Contents A Discourse History of Pasticcio and Pastiche Pastiche in the Visual Arts Cinematic Pastiche Literary Pastiche Pastiche Culture beyond High and Low: Advertising Narratives, MTV, Performance Styles Coda
LC Classification Number
NX456.5.P66H63 2001

Item description from the seller

My Art Book Collection

My Art Book Collection

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901 items sold
Joined Jul 1999
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I will have ongoing submissions for sale as I am now releasing my large collection of unique art books. As an artist for over 3 decades I have an extensive collection of art books and ephemera. But ...
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Seller feedback (417)

  • a***m (150)- Feedback left by buyer.
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    Great service. Item arrived as described. It was carefully packaged. First class seller!
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    Blazing fast shipping of a book in the condition described. Packaged with great care. One of the best eBayers out there. Very cool myartbookcollection seller logo and stamp too btw!
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    Very much appreciated! Enjoy your book!
  • j***c (146)- Feedback left by buyer.
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    Verified purchase
    It’s clear this seller cares about providing a good experience for their customers. The package arrived quickly, packaged with care, and a kind ‘thank you’ note. Wonderful buying experience! ⭐️⭐️⭐️⭐️⭐️

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