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Rebecca Paller Julius Rudel First and Lasting Impressions (Hardback) (UK IMPORT)

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Book Title
First and Lasting Impressions
Publication Name
First and Lasting Impressions
Title
First and Lasting Impressions
Subtitle
Julius Rudel Looks Back on a Life in Music
Author
Julius Julius Rudel, Rebecca Paller
Format
Hardcover
ISBN-10
1580464343
EAN
9781580464345
ISBN
9781580464345
Publisher
University of Rochester Press
Genre
Biography & Autobiography, Music, Performing Arts
Topic
History & Criticism, Composers & Musicians, General
Release Date
01/03/2013
Release Year
2013
Language
English
Country/Region of Manufacture
US
Item Height
1in
Item Length
9.4in
Item Weight
1g
Original Language
English
Publication Year
2013
Type
Textbook
Item Width
6.4in
Number of Pages
241 Pages

About this product

Product Information

The long-awaited memoir of Julius Rudel, the legendary opera conductor and arts administrator, gives insight into his ground-breaking repertory choices and his collaborations with Beverly Sills, Plácido Domingo, and others. As a seventeen-year-old Jewish boy, Julius Rudel escaped from Austria after the Nazi invasion and moved to New York, where he began his career as an unpaid musical assistant and worked his way up through the ranks of the newly formed New York City Opera, being named in 1957 as the company's general director and principal conductor. Later, he became the first artistic director of the Kennedy Center in Washington, DC. In his twenty-two-year leadership of New York City Opera, Rudel challenged audiences with new and unusual repertoire -- including fifteen world premieres and three seasons consisting entirely of American operas -- turning the popularly priced "People's Opera" intothe most influential and daring opera company in the United States. Rudel writes in detail of his unusual repertoire choices and of the political battles behind New York City Opera's move to Lincoln Center in 1966, and hereminisces about his legendary collaborations with Beverly Sills (on Handel's Giulio Cesare and Donizetti's "Three Queens") and Plácido Domingo (on Ginastera's Don Rodrigo) -- and about his work with other extraordinary talents including Norman Treigle, Phyllis Curtin, William Ball, Frank Corsaro, Tito Capobianco, Leopold Stokowski, Leonard Bernstein, Harold Prince, and Gian Carlo Menotti. First and Lasting Impressions givesa rare personal look into Julius Rudel's career as a conductor and administrator during the glory years of New York City Opera. Julius Rudel was general director and principal conductor of New York City Opera from 1957to 1979, and since that time has been a frequent guest conductor at the Metropolitan Opera and many of the world's other great opera houses. Rebecca Paller, a curator at the Paley Center for Media in New York, has written about the arts for publications including Opera News, Opera, Vogue, Playbill, Symphony, and American Theatre.

Product Identifiers

Publisher
University of Rochester Press
ISBN-10
1580464343
ISBN-13
9781580464345
eBay Product ID (ePID)
114224237

Product Key Features

Author
Julius Julius Rudel, Rebecca Paller
Original Language
English
Format
Hardcover
Language
English
Topic
History & Criticism, Composers & Musicians, General
Publication Year
2013
Type
Textbook
Genre
Biography & Autobiography, Music, Performing Arts
Number of Pages
241 Pages

Dimensions

Item Length
9.4in
Item Height
1in
Item Width
6.4in

Additional Product Features

Lc Classification Number
Ml422
Reviews
In his remarkable career at New York City Opera, Julius Rudel enriched and enlarged the lives of music-loving New Yorkers. This book, coauthored with Rebecca Paller, is a fascinating account of how his devotion to music -- music , not marketing -- helped shape an era. I am particularly happy to have Maestro Rudel's version of his long and complicated working relationship with Beverly Sills. --Brian Kellow, features editor, Opera News Julius Rudel offers us direct insight into his rise through the ranks to become the director of one of America's most vibrant cultural institutions in the twentieth century, the New York City Opera. Evident on nearly every page is that same abiding dedication, guiding spirit, and bold imagination that helped to transplant a largely foreign art form and root it deep in America's artistic soil. This book will prove fascinating to opera singers, lovers of opera, especially American opera, not to mention interested teachers, pianists, voice coaches, orchestra and choral conductors. --Michael V. Pisani, Vassar College He looks back at his career with a good humour which suggests how he survived. . . . He and his co-author write engagingly. . . . Interesting for most opera-lovers, and, for those with transatlantic [i.e., Americannd choral conductors. --Michael V. Pisani, Vassar College He looks back at his career with a good humour which suggests how he survived. . . . He and his co-author write engagingly. . . . Interesting for most opera-lovers, and, for those with transatlantic [i.e., Americannd choral conductors. --Michael V. Pisani, Vassar College He looks back at his career with a good humour which suggests how he survived. . . . He and his co-author write engagingly. . . . Interesting for most opera-lovers, and, for those with transatlantic [i.e., Americannd choral conductors. --Michael V. Pisani, Vassar College He looks back at his career with a good humour which suggests how he survived. . . . He and his co-author write engagingly. . . . Interesting for most opera-lovers, and, for those with transatlantic [i.e., American] viewpoints, fascinating. BBC MUSIC MAGAZINE [Michael Scott Rohan] Julius Rudel has a great tale to tell. . . . Any reader with an interest in Rudel, in New York City Opera, or in the running of an opera company will devour it cover to cover. OPERA NEWS [Fred Cohn] Highly informative, entertaining . . . autobiography by conductor Rudel and a biography in his words of the New York City Opera. . . . A loving memoir, brutally frank, but never vindictive. Powerful, even emotional working associations with great artists: Norman Treigle, Beverly Sills, Phyllis Curtin, John Alexander, Richard Cassilly, and dozens more. . . . A most humane gentleman. AMERICAN RECORD GUIDE [Charles H. Parsons], In his remarkable career at New York City Opera, Julius Rudel enriched and enlarged the lives of music-loving New Yorkers. This book, coauthored with Rebecca Paller, is a fascinating account of how his devotion to music -- music , not marketing -- helped shape an era. I am particularly happy to have Maestro Rudel's version of his long and complicated working relationship with Beverly Sills. --, In his remarkable career at New York City Opera, Julius Rudel enriched and enlarged the lives of music-loving New Yorkers. This book, coauthored with Rebecca Paller, is a fascinating account of how his devotion to music -- music , not marketing -- helped shape an era. I am particularly happy to have Maestro Rudel's version of his long and complicated working relationship with Beverly Sills. --Brian Kellow, features editor, Opera News Julius Rudel offers us direct insight into his rise through the ranks to become the director of one of America's most vibrant cultural institutions in the twentieth century, the New York City Opera. Evident on nearly every page is that same abiding dedication, guiding spirit, and bold imagination that helped to transplant a largely foreign art form and root it deep in America's artistic soil. This book will prove fascinating to opera singers, lovers of opera, especially American opera, not to mention interested teachers, pianists, voice coaches, orchestra and choral conductors. --Michael V. Pisani, Vassar College He looks back at his career with a good humour which suggests how he survived. . . . He and his co-author write engagingly. . . . Interesting for most opera-lovers, and, for those with transatlantic [i.e., American] viewpoints, fascinating. BBC MUSIC MAGAZINE [Michael Scott Rohan] Julius Rudel has a great tale to tell. . . . Any reader with an interest in Rudel, in New York City Opera, or in the running of an opera company will devour it cover to cover. OPERA NEWS [Fred Cohn] Highly informative, entertaining . . . autobiography by conductor Rudel and a biography in his words of the New York City Opera. . . . A loving memoir, brutally frank, but never vindictive. Powerful, even emotional working associations with great artists: Norman Treigle, Beverly Sills, Phyllis Curtin, John Alexander, Richard Cassilly, and dozens more. . . . A most humane gentleman. AMERICAN RECORD GUIDE [Charles H. Parsons]
Publication Name
First and Lasting Impressions : Julius Rudel Looks Back on Alife in Music
Table of Content
IntroductionEarly Life in Vienna and the Shadow of the Swastika"The People's Opera" Takes Flight: The Early Years of New York City OperaThe Flying Baton: A Company in TransitionA Lighter Muse: Broadway MusicalsBrush Up Your Shakespeare and Return to ViennaInheriting the WindAll-AmericanIntermezzo: The Company WayPolitics and Acoustics: The Move to Lincoln CenterTintinnabulation: Don Rodrigo and a Young Star Named DomingoA Summer Idyll: The Magic of CaramoorGiulio Cesare and the Sills PhenomenonThe Kennedy Center: From Concept to OpeningGlory DaysJon Vickers: The Third Time Was Not the CharmReversal of FortuneLife after New York City OperaAppendix: The Three American Seasons of New York City OperaIndex
Copyright Date
2013
Target Audience
Scholarly & Professional
Lccn
2012-046694
Dewey Decimal
782.1092 B
Dewey Edition
23
Illustrated
Yes

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