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Bryon C. Andreasen Errata (Paperback) Crab Orchard Series in poetry (UK IMPORT)
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eBay item number:305360503318
Item specifics
- Condition
- Book Title
- Errata
- Publication Name
- Errata
- Title
- Errata
- Subtitle
- Poems by Lisa Fay Coutley
- Format
- Trade Paperback
- EAN
- 9780809334483
- ISBN
- 9780809334483
- Publisher
- Southern Illinois University Press
- Genre
- Poetry
- Release Date
- 30/09/2015
- Release Year
- 2015
- Country/Region of Manufacture
- US
- Item Height
- 0.4in
- Item Length
- 9in
- Item Width
- 6in
- Item Weight
- 1.3 Oz
- Series
- Crab Orchard Series in poetry
- Language
- English
- Publication Year
- 2015
- Topic
- General, American / General
- Number of Pages
- 88 Pages
About this product
Product Information
Lisa Fay Coutley's lyrical debut collection, Errata, investigates the delicate balance between parent and child, love and loss, hope and grief. Errata's narrator reflects on struggles and fears that span generations in compositions that are at once musical and bleak.
Product Identifiers
Publisher
Southern Illinois University Press
ISBN-10
0809334488
ISBN-13
9780809334483
eBay Product ID (ePID)
210328079
Product Key Features
Book Title
Errata
Format
Trade Paperback
Language
English
Topic
General, American / General
Publication Year
2015
Genre
Poetry
Number of Pages
88 Pages
Dimensions
Item Length
9in
Item Height
0.4in
Item Width
6in
Item Weight
1.3 Oz
Additional Product Features
Lc Classification Number
Ps3603.O88823a6 2015
Reviews
"Taking Sylvia Plath as its acknowledged lodestar, Coutley's bold first collection offers an unsentimental extension of midcentury confessional poetry. In spare, angular language that snarls with music, she gives fierce voice to the daughter, the lover, the mother to expose the secret chafes and reframings of a woman's experience, bearing witness to the errata of lived experience against expectation--'not,' as she writes, 'for the transformation but the record.' Coutley dares her readers to a staring contest and never looks away."--Kimberly Johnson, author of Uncommon Prayer "The beauty in Errata is a perilous one--the landscape of the book its own destiny--corrective, exacting. Her lexicon holds with lovely tension 'the word fragile, the word impassable'--and still we learn from Coutley to navigate 'by the compass of a rattlesnake's tongue' and to trust 'ravens tugging at the firmament.' Her subjects ranging from family and motherhood to mortality and the inescapable dangers of the ordinary, Coutley's poems sustain 'the urgency of homing bones.' Errata is an unforgettable volume."--Claudia Emerson, author of The Opposite House "Lover, mother, daughter, poet: each of Lisa Fay Coutley's identities plays a necessary role in this balanced and brave first collection that speaks with the wisdom of a second or third. Her ability to split the difference between lyric and narrative registers allows Errata to become song and story simultaneously--the act of leaving and, later, the looking back at what's been left."--Dorianne Laux, author of The Book of Men "Coutley gathers up the strongest of her images and strings them together with a needle of intense yearning and the thread of a very strong line. The ache of yearning here exists between man and woman, mother and son, daughter and father or mother, who powerfully attract and also repel like magnets. The startling objects of her imagery, such as a kitchen knife or a cigarette, contain both domestic bliss and certain danger, tenderness and precision. Coutley's poetry places these objects not only in the field of our vision but also in our hands."--John Poch, author of Fix Quiet "Coutley's collection soars when the poems in which the speaker tries to teach her sons about life are buttressed against the poems in which the speaker herself is learning about life. This is the heart of Errata ." -- The Rumpus " Errata is the latest addition to the outstanding Crab Orchard Series in Poetry from the Southern Illinois University Press and is very highly recommended." -The Midwest Book Review , "Taking Sylvia Plath as its acknowledged lodestar, Coutley's bold first collection offers an unsentimental extension of midcentury confessional poetry. In spare, angular language that snarls with music, she gives fierce voice to the daughter, the lover, the mother to expose the secret chafes and reframings of a woman's experience, bearing witness to the errata of lived experience against expectation--'not,' as she writes, 'for the transformation but the record.' Coutley dares her readers to a staring contest and never looks away."--Kimberly Johnson, author of Uncommon Prayer "The beauty in Errata is a perilous one--the landscape of the book its own destiny--corrective, exacting. Her lexicon holds with lovely tension 'the word fragile, the word impassable'--and still we learn from Coutley to navigate 'by the compass of a rattlesnake's tongue' and to trust 'ravens tugging at the firmament.' Her subjects ranging from family and motherhood to mortality and the inescapable dangers of the ordinary, Coutley's poems sustain 'the urgency of homing bones.' Errata is an unforgettable volume."--Claudia Emerson, author of The Opposite House "Lover, mother, daughter, poet: each of Lisa Fay Coutley's identities plays a necessary role in this balanced and brave first collection that speaks with the wisdom of a second or third. Her ability to split the difference between lyric and narrative registers allows Errata to become song and story simultaneously--the act of leaving and, later, the looking back at what's been left."--Dorianne Laux, author of The Book of Men "Coutley gathers up the strongest of her images and strings them together with a needle of intense yearning and the thread of a very strong line. The ache of yearning here exists between man and woman, mother and son, daughter and father or mother, who powerfully attract and also repel like magnets. The startling objects of her imagery, such as a kitchen knife or a cigarette, contain both domestic bliss and certain danger, tenderness and precision. Coutley's poetry places these objects not only in the field of our vision but also in our hands."--John Poch, author of Fix Quiet "Coutley's collection soars when the poems in which the speaker tries to teach her sons about life are buttressed against the poems in which the speaker herself is learning about life. This is the heart of Errata ." -- The Rumpus, "Taking Sylvia Plath as its acknowledged lodestar, Coutley's bold first collection offers an unsentimental extension of midcentury confessional poetry. In spare, angular language that snarls with music, she gives fierce voice to the daughter, the lover, the mother to expose the secret chafes and reframings of a woman's experience, bearing witness to the errata of lived experience against expectation--'not,' as she writes, 'for the transformation but the record.' Coutley dares her readers to a staring contest and never looks away."--Kimberly Johnson, author of Uncommon Prayer "The beauty in Errata is a perilous one--the landscape of the book its own destiny--corrective, exacting. Her lexicon holds with lovely tension 'the word fragile, the word impassable'--and still we learn from Coutley to navigate 'by the compass of a rattlesnake's tongue' and to trust 'ravens tugging at the firmament.' Her subjects ranging from family and motherhood to mortality and the inescapable dangers of the ordinary, Coutley's poems sustain 'the urgency of homing bones.' Errata is an unforgettable volume."--Claudia Emerson, author of The Opposite House "Lover, mother, daughter, poet: each of Lisa Fay Coutley's identities plays a necessary role in this balanced and brave first collection that speaks with the wisdom of a second or third. Her ability to split the difference between lyric and narrative registers allows Errata to become song and story simultaneously--the act of leaving and, later, the looking back at what's been left."--Dorianne Laux, author of The Book of Men "Coutley gathers up the strongest of her images and strings them together with a needle of intense yearning and the thread of a very strong line. The ache of yearning here exists between man and woman, mother and son, daughter and father or mother, who powerfully attract and also repel like magnets. The startling objects of her imagery, such as a kitchen knife or a cigarette, contain both domestic bliss and certain danger, tenderness and precision. Coutley's poetry places these objects not only in the field of our vision but also in our hands."--John Poch, author of Fix Quiet, "Taking Sylvia Plath as its acknowledged lodestar, Coutley's bold first collection offers an unsentimental extension of midcentury confessional poetry. In spare, angular language that snarls with music, she gives fierce voice to the daughter, the lover, the mother to expose the secret chafes and reframings of a woman's experience, bearing witness to the errata of lived experience against expectation--'not,' as she writes, 'for the transformation but the record.' Coutley dares her readers to a staring contest and never looks away."--Kimberly Johnson, author of Uncommon Prayer "The beauty in Errata is a perilous one--the landscape of the book its own destiny--corrective, exacting. Her lexicon holds with lovely tension 'the word fragile, the word impassable'--and still we learn from Coutley to navigate 'by the compass of a rattlesnake's tongue' and to trust 'ravens tugging at the firmament.' Her subjects ranging from family and motherhood to mortality and the inescapable dangers of the ordinary, Coutley's poems sustain 'the urgency of homing bones.' Errata is an unforgettable volume."--Claudia Emerson, author of The Opposite House "Lover, mother, daughter, poet: each of Lisa Fay Coutley's identities plays a necessary role in this balanced and brave first collection that speaks with the wisdom of a second or third. Her ability to split the difference between lyric and narrative registers allows Errata to become song and story simultaneously--the act of leaving and, later, the looking back at what's been left."--Dorianne Laux, author of The Book of Men "Coutley gathers up the strongest of her images and strings them together with a needle of intense yearning and the thread of a very strong line. The ache of yearning here exists between man and woman, mother and son, daughter and father or mother, who powerfully attract and also repel like magnets. The startling objects of her imagery, such as a kitchen knife or a cigarette, contain both domestic bliss and certain danger, tenderness and precision. Coutley's poetry places these objects not only in the field of our vision but also in our hands."--John Poch, author of Fix Quiet, "Taking Sylvia Plath as its acknowledged lodestar, Coutley's bold first collection offers an unsentimental extension of midcentury confessional poetry. In spare, angular language that snarls with music, she gives fierce voice to the daughter, the lover, the mother to expose the secret chafes and reframings of a woman's experience, bearing witness to the errata of lived experience against expectation--'not,' as she writes, 'for the transformation but the record.' Coutley dares her readers to a staring contest and never looks away."--Kimberly Johnson, author of Uncommon Prayer "The beauty in Errata is a perilous one--the landscape of the book its own destiny--corrective, exacting. Her lexicon holds with lovely tension 'the word fragile, the word impassable'--and still we learn from Coutley to navigate 'by the compass of a rattlesnake's tongue' and to trust 'ravens tugging at the firmament.' Her subjects ranging from family and motherhood to mortality and the inescapable dangers of the ordinary, Coutley's poems sustain 'the urgency of homing bones.' Errata is an unforgettable volume."--Claudia Emerson, author of The Opposite House "Lover, mother, daughter, poet: each of Lisa Fay Coutley's identities plays a necessary role in this balanced and brave first collection that speaks with the wisdom of a second or third. Her ability to split the difference between lyric and narrative registers allows Errata to become song and story simultaneously--the act of leaving and, later, the looking back at what's been left."--Dorianne Laux, author of The Book of Men "Coutley gathers up the strongest of her images and strings them together with a needle of intense yearning and the thread of a very strong line. The ache of yearning here exists between man and woman, mother and son, daughter and father or mother, who powerfully attract and also repel like magnets. The startling objects of her imagery, such as a kitchen knife or a cigarette, contain both domestic bliss and certain danger, tenderness and precision. Coutley's poetry places these objects not only in the field of our vision but also in our hands."--John Poch, author of Fix Quiet "Coutley's collection soars when the poems in which the speaker tries to teach her sons about life are buttressed against the poems in which the speaker herself is learning about life. This is the heart of Errata ." -- The Rumpus " Errata is the latest addition to the outstanding Crab Orchard Series in Poetry from the Southern Illinois University Press and is very highly recommended." -The Midwest Book Review
Table of Content
Contents Acknowledgments ONE Shooting Geese, Elegy for a Skinwalker Ode to the Bottle Driving Drunk, & a Dozen White Crosses Researchers Find Mice Pass On Trauma to Subsequent Generations Dear Morpheus-- Posing for Aunt Sandy Emptying the Red Vase Why to Bury a Parrot The Way the Plot Respiration TWO On Home Coffee Dirty Fruit Listen During the Final Scene Her Father Says She Worries Too Much Chicken Soup After the Fire Sadly, There Was No Dog Bite Goodbye in the Voice of My Father Self-Portrait as Pyrocumulonimbus Woman from Water THREE My Lake In Which Dorothy Appears Driving Up-Canyon with My Two Teen Sons Commute In the Carnival of Breathing Twelve Days Scrubbing the Dead Careo Self-Portrait as Mountains Surrounding a Dry Lakebed Ash over Utah The Lapidary Speaks Patientia FOUR Errata Family Portrait as the Language of Disaster Love & Squall When He Comes at Me Ode to Postpartum Small Break in the Cirrocumulus To Sleep View from the High Road My Desert Barefoot on the Pulpit For My First Dog Notes
Copyright Date
2016
Target Audience
Trade
Lccn
2015-016769
Dewey Decimal
811/.6
Series
Crab Orchard Series in Poetry Ser.
Dewey Edition
23
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eBay item number:305360503318
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Product is 95% alike picture but a little more blurry. Controller play well but had a notice from psn that my joypad wasn't authentic and could by problematic🤷♂️ no trouble so far! Shipping was fast but no tracking and worst packaging ever.. like the box came banged up... send a question to seller never had a reply 😅.... Good product overall, excellent price, fast shipping, wrapped only on 4 sides out of 6, no tracking and never reply... 4★ product / 2★ seller ✌️
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