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Carol J. Clover Men, Women, and Chain Saws (Paperback) (UK IMPORT)

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Book Title
Men, Women, and Chain Saws : Gender in the Modern Horror Film-Updated Edition
Publication Name
Men, Women, and Chain Saws
Title
Men, Women, and Chain Saws
EAN
9780691166292
ISBN
9780691166292
Publisher
Princeton University Press
Format
Trade Paperback
Release Year
2015
Release Date
26/05/2015
Item Height
0.6in
Item Length
8.5in
Item Weight
8 Oz
Author
Carol J. Clover
Contributor
Carol J. Clover (Preface by)
Language
English
Subtitle
Gender in the Modern Horror Film - Updated Edition
ISBN-10
0691166293
Country/Region of Manufacture
US
Genre
Social Science, Performing Arts
Series
Princeton Classics
Topic
Film / Genres / Horror, Film / General, Popular Culture, Film / History & Criticism
Publication Year
2015
Features
Revised
Item Width
5.5in
Number of Pages
280 Pages

About this product

Product Information

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditiona

Product Identifiers

Publisher
Princeton University Press
ISBN-10
0691166293
ISBN-13
9780691166292
eBay Product ID (ePID)
208787578

Product Key Features

Book Title
Men, Women, and Chain Saws : Gender in the Modern Horror Film-Updated Edition
Author
Carol J. Clover
Format
Trade Paperback
Language
English
Features
Revised
Topic
Film / Genres / Horror, Film / General, Popular Culture, Film / History & Criticism
Publication Year
2015
Genre
Social Science, Performing Arts
Number of Pages
280 Pages

Dimensions

Item Length
8.5in
Item Height
0.6in
Item Width
5.5in
Item Weight
8 Oz

Additional Product Features

Series Volume Number
15
Lc Classification Number
Pn1995.9.H6
Edition Description
Revised Edition
Preface by
Clover, Carol J.
Reviews
"Fascinating, Clover has shown how the allegedly nave makers of crude films have done something more schooled directors have difficulty doing - creating females with whom male veiwers are quite prepared to identify with on the most profound levels" -- The Modern Review, "In her reading of both particular horror films and of film and gender theory, Clover does what every cultural critic hopes to: she calls into question our habits of seeing." --Ramona Naddaff, Artforum, Clover makes a convincing case for studying the pulp-pop excesses of 'exploitation' horror as a reflection of our psychic times. ---Misha Berson, San Francisco Chronicle, Fascinating, Clover has shown how the allegedly naïve makers of crude films have done something more schooled directors have difficulty doing - creating females with whom male veiwers are quite prepared to identify with on the most profound levels, It's easy to see why this book is considered such a landmark in film analysis. ---Rod Lott, Flick Attack,, "Carol Clover's compelling [book] challenges simplistic assumptions about the relationship between gender and culture. . . . She suggests that the "low tradition' in horror movies possesses positive subversive potential, a space to explore gender ambiguity and transgress traditional boundaries of masculinity and femininity." --Andrea Walsh, The Boston Globe, "[A] brilliant analysis of gender and its disturbances in modern horror films. . . . Bubbling away beneath Clover's multi-faceted readings of slasher, occult, and rape-revenge films is the question of what the viewer gets out of them. . . . [She] argues that most horror films are obsessed with feminism, playing out plots which climax with an image of (masculinized) female power and offering visual pleasures which are organized not around a mastering gaze, but around a more radical "victim-identified' look." --Linda Ruth Williams, Sight and Sound, "Clover actually bothers (as few have done before) to go into the theaters, to sit with the horror fans, and to watch how they respond to what appears on screen." --Wendy Lesser, Washington Post, [A] brilliant analysis of gender and its disturbances in modern horror films. . . . Bubbling away beneath Clover's multi-faceted readings of slasher, occult, and rape-revenge films is the question of what the viewer gets out of them. . . . [She] argues that most horror films are obsessed with feminism, playing out plots which climax with an image of (masculinized) female power and offering visual pleasures which are organized not around a mastering gaze, but around a more radical "victim-identified' look. ---Linda Ruth Williams, Sight and Sound, "It's easy to see why this book is considered such a landmark in film analysis." --Rod Lott, Flick Attack, In her reading of both particular horror films and of film and gender theory, Clover does what every cultural critic hopes to: she calls into question our habits of seeing. ---Ramona Naddaff, Artforum, "Clover makes a convincing case for studying the pulp-pop excesses of 'exploitation' horror as a reflection of our psychic times." --Misha Berson, San Francisco Chronicle, "Clover makes a convincing case for studying the pulp-pop excesses of 'exploitation' horror as a reflection of our psychic times." ---Misha Berson, San Francisco Chronicle, Clover, takes the most extreme genre, horror flicks, seriously. There is no condescension in this significant and probing discussion of psychology and sexuality and their role in lurid fantasy. ---Desmond Ryan, Philadelphia Inquirer, "Clover, takes the most extreme genre, horror flicks, seriously. There is no condescension in this significant and probing discussion of psychology and sexuality and their role in lurid fantasy." ---Desmond Ryan, Philadelphia Inquirer, "[A] brilliant analysis of gender and its disturbances in modern horror films. . . . Bubbling away beneath Clover's multi-faceted readings of slasher, occult, and rape-revenge films is the question of what the viewer gets out of them. . . . [She] argues that most horror films are obsessed with feminism, playing out plots which climax with an image of (masculinized) female power and offering visual pleasures which are organized not around a mastering gaze, but around a more radical "victim-identified' look." ---Linda Ruth Williams, Sight and Sound, "It's easy to see why this book is considered such a landmark in film analysis." ---Rod Lott, Flick Attack,, Clover actually bothers (as few have done before) to go into the theaters, to sit with the horror fans, and to watch how they respond to what appears on screen. ---Wendy Lesser, Washington Post, Carol Clover's compelling [book] challenges simplistic assumptions about the relationship between gender and culture. . . . She suggests that the "low tradition' in horror movies possesses positive subversive potential, a space to explore gender ambiguity and transgress traditional boundaries of masculinity and femininity. ---Andrea Walsh, The Boston Globe, "Carol Clover's compelling [book] challenges simplistic assumptions about the relationship between gender and culture. . . . She suggests that the "low tradition' in horror movies possesses positive subversive potential, a space to explore gender ambiguity and transgress traditional boundaries of masculinity and femininity." ---Andrea Walsh, The Boston Globe, "Fascinating, Clover has shown how the allegedly naïve makers of crude films have done something more schooled directors have difficulty doing - creating females with whom male veiwers are quite prepared to identify with on the most profound levels" -- The Modern Review, "In her reading of both particular horror films and of film and gender theory, Clover does what every cultural critic hopes to: she calls into question our habits of seeing." ---Ramona Naddaff, Artforum, "It's easy to see why this book is considered such a landmark in film analysis." ---Rod Lott, Flick Attack, "Clover actually bothers (as few have done before) to go into the theaters, to sit with the horror fans, and to watch how they respond to what appears on screen." ---Wendy Lesser, Washington Post, "Clover, takes the most extreme genre, horror flicks, seriously. There is no condescension in this significant and probing discussion of psychology and sexuality and their role in lurid fantasy." --Desmond Ryan, Philadelphia Inquirer
Copyright Date
2015
Lccn
2015-930407
Dewey Decimal
791.436164
Intended Audience
Trade
Series
Princeton Classics Ser.
Dewey Edition
23
Illustrated
Yes

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Product is 95% alike picture but a little more blurry. Controller play well but had a notice from psn that my joypad wasn't authentic and could by problematic🤷‍♂️ no trouble so far! Shipping was fast but no tracking and worst packaging ever.. like the box came banged up... send a question to seller never had a reply 😅.... Good product overall, excellent price, fast shipping, wrapped only on 4 sides out of 6, no tracking and never reply... 4★ product / 2★ seller ✌️
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The book is in perfect condition, brand new, and is exactly as described. This item is difficult to find here, and the seller priced it very reasonably. It shipped from the UK to Canada, and unfortunately took a little longer to arrive than the seller hoped, but it was shipped less than 24 hours after I purchased. When I contacted the seller, they were very responsive and helpful. I would not hesitate to purchase from this seller again. Definitely recommend!
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