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Triangulated Visions: Women in Recent German Ci, O'Sickey, Von-Zadow.+

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
ISBN
9780791437186
EAN
9780791437186
Book Title
Triangulated Visions : Women in Recent German Cinema
Item Length
9in
Publisher
STATE University of New York Press
Publication Year
1998
Format
Trade Paperback
Language
English
Item Height
1in
Author
Ingeborg Von Zadow
Genre
Social Science, Performing Arts
Topic
Popular Culture, Film / History & Criticism
Item Width
6in
Item Weight
14.1 Oz
Number of Pages
291 Pages

About this product

Product Information

This broad-ranging collection, the first of its kind, gathers essays on the representation of women in recent German cinema, as well as recent interviews with German women filmmakers.

Product Identifiers

Publisher
STATE University of New York Press
ISBN-10
0791437183
ISBN-13
9780791437186
eBay Product ID (ePID)
270220

Product Key Features

Book Title
Triangulated Visions : Women in Recent German Cinema
Author
Ingeborg Von Zadow
Format
Trade Paperback
Language
English
Topic
Popular Culture, Film / History & Criticism
Publication Year
1998
Genre
Social Science, Performing Arts
Number of Pages
291 Pages

Dimensions

Item Length
9in
Item Height
1in
Item Width
6in
Item Weight
14.1 Oz

Additional Product Features

Reviews
"This is a book which really needs to be read, on the work of some of the most important artists working in cinema today." -- Gwendolyn Foster, University of Nebraska-Lincoln "The theories, films, and directors discussed here have been too seldom treated but are very important to film studies, German studies, and cultural studies in general. This book does a valuable service in redressing this neglect." -- Barton Byg, University of Massachusetts-Amherst "The topic of women in German cinema is undeniably significant in itself, and also of interest as an aspect of cinema studies and German literary/cultural studies. The inclusion of material on filmmaking in the former GDR and on documentary, along with more standard fictional films, as well as the filmmaker interviews and essays discussing a number of recent films, all make this volume particularly valuable." -- Ramona Curry, University of Illinois at Urbana-Champaign
Table of Content
Acknowledgments Introduction Ingeborg Majer O'Sickey Part I. Genre and Other Border Crossings 1. Triangulating Performances: Looking After Genre, After Feature Nora M. Alter 2. Fassbinder, Women, and Melodrama: Critical Interrogations Douglas Kellner 3. Behind the Curtains of a State-Owned Film Industry: Women-Filmakers at the DEFA Margrit Frolich 4. The Queer and Unqueer Spaces of Monika Treut's Films Marcia Klotz Part II. Triangulations of Ethnicity, Gender, and Class 5. "It Takes Three to Tango" or Romanace Revisited: Jutta Bruckner's One Glance and Love Breaks Out Barbara Kosta 6. Interview with Jutta Bruckner: Feminist Filmmaking in Germany Today Ingeborg von Zadow 7. Observing Rituals: Ulrike Ottinger's Johanna d'Arc of Mongolia Julia Knight 8. Community and Its Contents: Race and Film History in Percy Adlon's Bagdad Cafe David J. Levin 9. Interview with Seyhan Derin: ben annemin kiziyim (I Am My Mother's Daughter) Henriette Lowisch Part III. Images of Power and Pleasure 10. Narcissism: The Impossible Love Kaja Silverman 11. Wanda's Whip: Recasting Masochism's Fantasy--Monika Treut's Seduction: The Cruel Woman Barbara Mennel 12. Why Drag the Diva Into It? Werner Schroeter's Gay Representation of Femininity Ulrike Sieglohr 13. Interview with Doris Dorrie: Filmmaker, Writer, Teacher Klaus Phillips Part IV. Images of Women as Social Ciphers 14. Commodified Body: Helga Redemeister's Mit starrem Blick aufs Geld (Blank Stares and Hard Cash) Magda Mueller 15. Interview: Women, Film, and Writing in the GDR: Helga Schubert and the DEFA Ute Lischke-McNab 16. Models or Misfits? The Role of Screen Heroines in GDR Cinema Andrea Rinke 17. Wenders' Genders: From the End of the Wall to the End of the World Scott Spector Part V. Recovering (from) History: Memory and Film 18. "The Robber Bridegroom" in Helma Sanders-Brahms's Deutschland, bleiche Mutter: Erzahltes Marchen und erlebtes Greuelmarchen Rosmarie Thee Morewedge 19. Fairy Tales and Reflexivity in Marianne Rosenbaum's Peppermint Peace Susan E. Linville 20. Interview with Helke Sander: Reception of Liberators Take Liberties: I would have hoped for a different discussion... Sabine Smith 21. Helke Sander's Liberators Take Liberties and the Politics of History Marie-Luise Gattens Appendix A New Home for the EIFF-European Institute for Women and Film Ute Lischke-McNab talks with Jutta Bruckner Contributors Subject Index Author Index
Target Audience
Trade
Lccn
97-034327
Dewey Decimal
791.43/652042/0943
Series
Suny Series in Feminist Criticism and Theory Ser.
Illustrated
Yes

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