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The Classic Novel: From Page to Screen, Giddings, Sheen 9780719052316 New.+

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Item specifics

Condition
Brand New: An item that has never been opened or removed from the manufacturer’s sealing (if ...
PublishedOn
1999-12-30
ISBN
9780719052316
EAN
9780719052316
Book Title
Classic Novel : from Page to Screen, The Classic Novel : from Page to Screen
Publisher
Manchester University Press
Item Length
8.5 in
Publication Year
2000
Format
Trade Paperback
Language
English
Illustrator
Yes
Item Height
0.6 in
Author
Robert Giddings
Genre
Literary Criticism, Performing Arts, Social Science
Topic
Film / Screenwriting, Popular Culture, General, Modern / General, Film / History & Criticism
Item Weight
11.5 Oz
Item Width
5.4 in
Number of Pages
256 Pages

About this product

Product Identifiers

Publisher
Manchester University Press
ISBN-10
0719052319
ISBN-13
9780719052316
eBay Product ID (ePID)
1633943

Product Key Features

Book Title
Classic Novel : from Page to Screen, The Classic Novel : from Page to Screen
Number of Pages
256 Pages
Language
English
Publication Year
2000
Topic
Film / Screenwriting, Popular Culture, General, Modern / General, Film / History & Criticism
Illustrator
Yes
Genre
Literary Criticism, Performing Arts, Social Science
Author
Robert Giddings
Format
Trade Paperback

Dimensions

Item Height
0.6 in
Item Weight
11.5 Oz
Item Length
8.5 in
Item Width
5.4 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
21
Dewey Decimal
791.4/375
Table Of Content
1. Introduction2. Pickwick Papers: beyond that place and time (Robert Giddings)3. Where the garment gapes: Faithfulness and promiscuity in the 1995 BBC Pride and Prejudice (Erica Sheen)4. Sentimentality, sex and sadism: the 1935 version of Dickens's The Old Curiosity Shop (Jenny Dennett)5. Beholding a magic panorama: television and the illustration of Middlemarch (Ian Mackillop & Alison Platt)6. Hardy, history and hokum (Keith Selby)7. A taste of the gothic: Film and television versions of Dracula (Jonathon Bignell)8. Times of death in Joseph Conrad's The Secret Agent and Alfred Hitchcock's Sabotage (Suzanne Spiedel)9. Lids tend to come off: David Lean's film of E. M. Forster's A Passage to India (Neil Sinyard)10. Brideshead Revisited revisited (Fred Inglis)11. Piecing together a mirage: Adapting the English Patient for the screen (Bronwen Thomas), 1. Introduction 2. Pickwick Papers: beyond that place and time (Robert Giddings) 3. Where the garment gapes: Faithfulness and promiscuity in the 1995 BBC Pride and Prejudice (Erica Sheen) 4. Sentimentality, sex and sadism: the 1935 version of Dickens's The Old Curiosity Shop (Jenny Dennett) 5. Beholding a magic panorama: television and the illustration of Middlemarch (Ian Mackillop & Alison Platt) 6. Hardy, history and hokum (Keith Selby) 7. A taste of the gothic: Film and television versions of Dracula (Jonathon Bignell) 8. Times of death in Joseph Conrad's The Secret Agent and Alfred Hitchcock's Sabotage (Suzanne Spiedel) 9. Lids tend to come off: David Lean's film of E. M. Forster's A Passage to India (Neil Sinyard) 10. Brideshead Revisited revisited (Fred Inglis) 11. Piecing together a mirage: Adapting the English Patient for the screen (Bronwen Thomas)
Synopsis
A critical examination of the long established tradition of adapting classic novels to film or TV screen. It is historically wide-ranging, encompassing novelists from Jane Austen to Michael Ondaatje. The early cinema ransacked literature for stories suitable for retelling in moving pictures. Dickens was particular popular in the silent days and has remained so every since. As the art of the cinema matured, and cinematography, music, special effects and sound were improved, the art of dramatization began to produce high quality version of respected novels. This service to literature was one way the cinema gained respectablity. The authors in this book analyze a wide variety of literary dramatizations including "The Old Curiosity Shop" (1935), various versions of "Dracula", the BBC's recent versions of "Middlemarch" and "Pride and Prejudice" and the award-winning version of "The English Patient"., This book critically examines the long established tradition of adapting classic novels to film or TV screen, encompassing novelists from Jane Austen to Michael Ondaatje. The early cinema ransacked literature for stories suitable for retelling in moving pictures, and as the art of the cinema matured, and cinematography, music, special effects and sound were improved, the art of dramatization began to produce high quality versions of respected novels. The authors in this book analyze a wide variety of literary dramatizations., This book critically examines the long established tradition of adapting classic novels to film or TV screen. An emerging area of interest - the relationship between film and literature and the way cinema and television have translated classic novels into moving pictures from the 30s to the 90s.. A wide-ranging but focused collection that is bang up to date and free of media jargon that looks at both the film and the book.. Includes discussion of: The English Patient, Pride and Prejudice and Middlemarch, Pickwick Papers, Dracula, Dickens, Conrad, Hardy and Waugh., This book critically examines the tradition of adapting classic novels to film or TV screen. It includes novelists from Jane Austen to Michael Ondaatje., This book critically examines the long established tradition of adapting classic novels to film or TV screen.. An emerging area of interest - the relationship between film and literature and the way cinema and television have translated classic novels into moving pictures from the 30s to the 90s.. A wide-ranging but focused collection that is bang up to date and free of media jargon that looks at both the film and the book.. Includes discussion of: The English Patient, Pride and Prejudice and Middlemarch, Pickwick Papers, Dracula, Dickens, Conrad, Hardy and Waugh., This book critically examines the long established tradition of adapting classic novels to film or TV screen. An emerging area of interest - the relationship between film and literature and the way cinema and television have translated classic novels into moving pictures from the 30s to the 90s. A wide-ranging but focused collection that is bang up to date and free of media jargon that looks at both the film and the book. Includes discussion of: The English Patient, Pride and Prejudice and Middlemarch, Pickwick Papers, Dracula, Dickens, Conrad, Hardy and Waugh.
LC Classification Number
PN1995
Copyright Date
2000
ebay_catalog_id
4

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