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Christian McCrea Dune (Paperback) Constellations

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Book Title
Dune
Publication Name
Dune
Title
Dune
EAN
9781911325826
ISBN
9781911325826
Publisher
Liverpool University Press
Format
Trade Paperback
Release Year
2019
Release Date
28/02/2019
Item Height
0.3 in
Item Length
7.3 in
Author
Christian Mccrea
Language
English
Country/Region of Manufacture
GB
Series
Constellations Ser.
Genre
Films & TV
Subject Area
Performing Arts
Subject
Film / Genres / Science Fiction & Fantasy, Film / History & Criticism
Publication Year
2019
Type
Textbook
Item Weight
12.3 Oz
Item Width
5.5 in
Number of Pages
112 Pages

About this product

Product Identifiers

Publisher
Liverpool University Press
ISBN-10
1911325825
ISBN-13
9781911325826
eBay Product ID (ePID)
10038697930

Product Key Features

Number of Pages
112 Pages
Publication Name
Dune
Language
English
Publication Year
2019
Subject
Film / Genres / Science Fiction & Fantasy, Film / History & Criticism
Type
Textbook
Subject Area
Performing Arts
Author
Christian Mccrea
Series
Constellations Ser.
Format
Trade Paperback

Dimensions

Item Height
0.3 in
Item Weight
12.3 Oz
Item Length
7.3 in
Item Width
5.5 in

Additional Product Features

Intended Audience
Scholarly & Professional
Illustrated
Yes
Synopsis
This book is the first long-form critical study of the film; it delves into the relationship with the novel, the rapidly changing context of early 1980s science fiction, and takes a close look at Lynch's attempt to breathe sincerity and mysticism into a blockbuster movie format that was shifting radically around him., David Lynch's Dune (1984) is the film that science fiction--and the director's most ardent fans--can neither forgive nor forget. Frank Herbert's original 1965 novel built a meticulous universe of dark majesty and justice, as wild-eyed freedom fighters and relentless authoritarians all struggled for control of the desert planet Arrakis and its mystical, life-extending "spice." After several attempts to produce a film, Italian movie mogul Dino De Laurentiis and his producer daughter Raffaella would enlist David Lynch, whose Eraserhead (1977) and The Elephant Man (1980) had already marked him out as a visionary director. What emerges out of their strange, long process is a deeply unique vision of the distant future; an eclectic bazaar of wood-turned spaceship interiors, spitting tyrants, and dream montages. Lynch's film was "steeped in an ancient primordial nastiness that has nothing to do with the sci-fi film as we currently know it," as Village Voice critic J. Hoberman put it--only with time becoming a cult classic. This book is the first long-form critical study of the film; it delves into the relationship with the novel, the rapidly changing context of early 1980s science fiction, and takes a close look at Lynch's attempt to breathe sincerity and mysticism into a blockbuster movie format that was shifting radically around him., David Lynch?s Dune (1984) is the film that science fiction?and the director?s most ardent fans?can neither forgive nor forget. Frank Herbert?s original 1965 novel built a meticulous universe of dark majesty and justice, as wild-eyed freedom fighters and relentless authoritarians all struggled for control of the desert planet Arrakis and its mystical, life-extending ?spice.? After several attempts to produce a film, Italian movie mogul Dino De Laurentiis and his producer daughter Raffaella would enlist David Lynch, whose Eraserhead (1977) and The Elephant Man (1980) had already marked him out as a visionary director. What emerges out of their strange, long process is a deeply unique vision of the distant future; an eclectic bazaar of wood-turned spaceship interiors, spitting tyrants, and dream montages. Lynch?s film was ?steeped in an ancient primordial nastiness that has nothing to do with the sci-fi film as we currently know it,? as Village Voice critic J. Hoberman put it?only with time becoming a cult classic. This book is the first long-form critical study of the film; it delves into the relationship with the novel, the rapidly changing context of early 1980s science fiction, and takes a close look at Lynch?s attempt to breathe sincerity and mysticism into a blockbuster movie format that was shifting radically around him., David Lynch's Dune (1984) is the film that science fiction-and the director's most ardent fans-can neither forgive nor forget. Frank Herbert's original 1965 novel built a meticulous universe of dark majesty and justice, as wild-eyed freedom fighters and relentless authoritarians all struggled for control of the desert planet Arrakis and its mystical, life-extending "spice." After several attempts to produce a film, Italian movie mogul Dino De Laurentiis and his producer daughter Raffaella would enlist David Lynch, whose Eraserhead (1977) and The Elephant Man (1980) had already marked him out as a visionary director. What emerges out of their strange, long process is a deeply unique vision of the distant future; an eclectic bazaar of wood-turned spaceship interiors, spitting tyrants, and dream montages. Lynch's film was "steeped in an ancient primordial nastiness that has nothing to do with the sci-fi film as we currently know it," as Village Voice critic J. Hoberman put it-only with time becoming a cult classic. This book is the first long-form critical study of the film; it delves into the relationship with the novel, the rapidly changing context of early 1980s science fiction, and takes a close look at Lynch's attempt to breathe sincerity and mysticism into a blockbuster movie format that was shifting radically around him.
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