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Jo Ann Callis Jo Ann Callis (Hardback)

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Book Title
Jo Ann Callis : Other Rooms
Publication Name
Jo Ann Callis
Title
Jo Ann Callis
EAN
9781597112758
ISBN
9781597112758
Publisher
Aperture Foundation, Incorporated
Format
Hardcover
Release Year
2014
Release Date
02/06/2014
Item Height
0.5in
Item Length
11.1in
Item Weight
0 Oz
Author
Jo Ann Callis
Language
English
Subtitle
Other Rooms
Country/Region of Manufacture
US
Genre
Photography
Publication Year
2014
Topic
General, Subjects & Themes / Nudes, Individual Photographers / Artists' Books
Item Width
8.7in
Number of Pages
88 Pages

About this product

Product Information

Other Rooms , the first publication to comprehensively feature Jo Ann Callis' mid-1970s investigation of the nude body and sexuality, is a revelation; the work is provocative, seductive and remarkably fresh. The artist's playful, evocative use of constrictions and overlays on the human form, including twine, belts, tape and other everyday materials, are both humorous and fraught, offering an intensely personal assessment of the variable meanings of pleasure and the female nude as a staple of fine art photography. Callis has been an active artist since the 1960s, working in painting, sculpture and photography, among other media, and is known for capturing complex and often opposing emotions in a single piece. Jo Ann Callis: Other Rooms is an exquisitely produced artist's book containing Callis' photographs of the human form from her 1976-77 provisionally titled series Early Color, as well as a selection of black-and-white photographs from the same period. In this intimate volume, Callis photographs her models nude, frequently in close proximity, and in anonymous and mysterious settings, juxtaposing tactile props like honey, sand and fabric with skin. The photographs in this volume are at once beautiful and discomfiting, delicate and raw, mysterious and thoughtful, and confirm Callis' important place in the history of 1970s color photography.

Product Identifiers

Publisher
Aperture Foundation, Incorporated
ISBN-10
1597112755
ISBN-13
9781597112758
eBay Product ID (ePID)
177644508

Product Key Features

Book Title
Jo Ann Callis : Other Rooms
Author
Jo Ann Callis
Format
Hardcover
Language
English
Topic
General, Subjects & Themes / Nudes, Individual Photographers / Artists' Books
Publication Year
2014
Genre
Photography
Number of Pages
88 Pages

Dimensions

Item Length
11.1in
Item Height
0.5in
Item Width
8.7in
Item Weight
0 Oz

Additional Product Features

Lc Classification Number
Tr675
Reviews
Callis: A (woman's) hand, dredged in flour, nails blackened, rests flat in a yolk of honey on a smooth, eggshell-colored bedsheet. You also glimpse a thigh, and the glint of hairs. Nothing in teh image tells you why. It appears halfway through this new volume, which is the first to survey skin in Callis's work-and, with its funny, silky slippages, exemplifies her dollhouse surrealism. The publication of "Other Rooms" is excellently timed. There is an international vogue for old-school printed nudity, as well as a furor over nipples on Instagram; the Museum of Modern Art (New York) recently staged a retrospective for Robert Heinecken, whom Callis studied photography with at UCLA. Of the eighty-three images in this book, eighty-two were made in the-mid 70's, when color film was still gaining traction as fine art; seventy-two are in color. All but two contain at least one body part. The bodies are white, slim but not muscular, untouched by scalpel or ink; the decor is self-consciously modest., Aside from the scholarly and emotional impact of seeing these seminal images collected in one place, with the editorial participation of the artist, there is something satisfyingly lush and tactile about the production value of the book itself which underscores the subtle luminosity and erotic pleasure animating these nevertheless fiercely feminist portraits., A student of Heinecken at UCLA, Callis offers a female counterpoint to his work: She teases us with sexuality through provocative poses, skin altered by lipstick and binding, relics of fetishes, and another's roving hands. - American Photo Callis helped pioneer studio photography into its full, chromatic potential. She was among the first to blur interiors with interiority in a manner both uncanny and unutterable, like the moment a song shifts from major to minor key, or a scene from a dream in which you can't name the face, but you know exactly whom you are with. Her picture's aren't coquettish; there isn't any cheeckiness to her suggstions. There is only an odd arousal, an absolute command of the strange. - Dazed The images present a bloodless eroticism, uncanny, simultaneously sexual and absented of desire. - American Suburbx Callis' body of work doesn't just speak to hidden desires; it is also candid and almost unsettlingly sensuous in its fragmented treatment of the body, existing in a detached, dreamlike state of timelessness without definitive context. - Interview Callis' lavishly saturated Cibachromes of cinematic, painstakingly composed tableaux of food, the body, and everyday objects play with surrealism and tease the subconscious, oftentimes set within the domestic space and dealing with tropes of femininity. - Interview Her imagery feels deliciously voyeuristic, with many of her subjects' faces obscured, or just a ash of bound flesh in frame. Callis invites us to peer in on a private tableau, and praise the power of the body. - Flare, Other Rooms presents both color and black-and-white photographs by Callis, most of the human form-and the rare image bereft of it, such as "Yellow Room," feels utterly haunted./p>Other Rooms comes with a well-wrought preface by novelist Francine Prose, who seeks the work as primarily a discourse on sex-and indeed, the Freudian dreamscape here is evocative, with its piles of black sand and pools of honey. But add to that rhetoric a concern wtih poetics of space, those lush pockets of air and light that surround the image as it's seen by the mind's eye. This too, Callis has captured with her camera-a feat of quiet astonishment., A student of Heinecken at UCLA, Callis offers a female counterpoint to his work: She teases us with sexuality through provactive poses, skin altered by lipstick and binding, relics of fetishes, and another's roving hands.
Copyright Date
2014
Target Audience
Trade
Dewey Decimal
779/.092/4
Dewey Edition
19
Illustrated
Yes

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