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Cliff Carlisle A Country Legacy 1930 - 1939 (CD) Album - Picture 1 of 1
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Cliff Carlisle A Country Legacy 1930 - 1939 (CD) Album

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Last updated on May 08, 2024 07:31:32 EDTView all revisionsView all revisions

Item specifics

Condition
Brand New: An item that has never been opened or removed from the manufacturer’s sealing (if ...
Release Title
Country Legacy
Title
A Country Legacy 1930 - 1939
Format
CD
EAN
0788065773229
Edition
Album
Genre
Country
Style
Country Blues
Release Date
31/08/2004
Release Year
2004
No Of Discs
4
Artist
Carlisle, Cliff
Run Time
244
Record Label
JSP
MPN
JSPCD7732
UPC
0788065773229

About this product

Product Identifiers

Record Label
JSP
UPC
0788065773229
eBay Product ID (ePID)
12046032800

Product Key Features

Release Year
2004
Format
CD
Genre
Country
Artist
Carlisle, Cliff
Release Title
Country Legacy

Dimensions

Item Height
1.65in
Item Weight
0.84lb.
Item Length
5.75in
Item Width
5.08in

Additional Product Features

Number of Tracks
84
Number of Discs
4
Tracks
1.1 Wild Cat Woman ; a Tom Cat Man 1.2 Memphis Yodel 1.3 Desert Blues 1.4 High Steppin' Mama 1.5 Rambling Yodeler 1.6 Dear Old Daddy 1.7 Seven Years with the Wrong Woman 1.8 Gamblin' Dan 1.9 Handsome Blues 1.10 When the Evening Sun Goes Down 1.11 That Great Judgement Day 1.12 Goodbye Old Pal 1.13 I Want a Good Woman 1.14 My Lovin' Kathleen 1.15 You'll Miss Me When I'm Gone (Just Because) 1.16 Nevada Johnny 1.17 There Is No More That I Can Say 1.18 Prepare Me O Lord 1.19 Roll on, Roll on 1.20 When It's Round Up Time in Heaven 1.21 Home of the Soul 1.22 Ash Can Blues 1.23 Mouse's Ear Blues 1.24 That Nasty Swing 1.25 Sal's Got a Meatskin 1.26 Ring Tail Tom 1.27 Onion Eating Mama 1.28 It Takes An Old Hen to Deliver the Goods 1.29 Shanghai Rooster Yodel 1.30 Chicken Roost Blues 1.31 Wigglin' Mama 1.32 Sugar Cane Mama 1.33 Tom Cat Blues 1.34 No Daddy Blues 1.35 My Rockin' Mama 1.36 Rooster Blues 1.37 Guitar Blues 1.38 It Ain't No Fault of Mine 1.39 Shine Your Light for Others 1.40 Two Eyes in Tennessee 1.41 Blind Child's Prayer 1.42 When the Angels Carry Me Home 1.43 Columbus Stockade Blues 1.44 Shanghai Rooster No 2 1.45 Brakeman's Reply 1.46 Waiting for a Ride 1.47 Hobo's Fate 1.48 Cowboy Johnny's Last Ride 1.49 Get Her By the Tail on a Downhill Grade 1.50 My Travellin' Night 1.51 True ; Trembling Brakeman 1.52 Hobo Blues 1.53 Pan American Man 1.54 Pay Day Fight 1.55 Far Beyond the Starry Sky 1.56 I'm Saving Saturday Night for You 1.57 Dang My Rowdy Soul 1.58 My Rocky Mountain Sweetheart 1.59 Goin' Down the Road Feelin' Bad 1.60 Georgia Moon 1.61 I Don't Mind 1.62 I'm Sorry Now 1.63 Lonely Orphan Child 1.64 Trouble Minded Blues 1.65 Mean Mama Don't Worry Me 1.66 Why Did It Have to Be? 1.67 When It's Round Up Time in Texas 1.68 Shine on Me 1.69 Stretch of 28 Years 1.70 Footprints in the Snow 1.71 Gonna Raise a Ruckus Tonight 1.72 Going Down the Valley One By One 1.73 Memories That Haunt Me 1.74 Black Jack David 1.75 Going Back to Alabama 1.76 Lonesome for Caroline 1.77 Uncloudy Day 1.78 Broken Heart 1.79 Shot the Innocent Man 1.80 Girl in the Blue Velvet Band 1.81 Sally Let Your Bangs Hang Down 1.82 Where My Memory Lies 1.83 New Memories of You That Haunt Me 1.84 On the Banks of the Rio Grande
Notes
Cliff Carlisle is often compared to Jimmie Rodgers - both men were 'blues' yodelers - but there were differences. Carlisle was not averse to using risqué material, which Rodgers would never have done. Carlisle's recording career opened in 1930, with Gennett. He recorded prolifically in the 1930s, initially with Wilbur Ball and then later his brother Bill Carlisle. He made records for many labels including Bluebird, Decca, Vocalion and ARC. After WW2 he recorded for Mercury and King. Although his early recordings have not been completely ignored, this collection aims to provide an overview of his work. Cliff Carlisle was born in Kentucky, near Mount Eden. He was the third of eight children in a musical family. Apart from outside influences, their father was a singing teacher at a local church. Cliff bought a $4.95 guitar from Sears-Roebuck. He adapted his playing to a Hawaiian style after hearing the recordings of Frank Ferera. Cliff adapted his Sears guitar to create a 'slide' effect. At sixteen, Cliff and a cousin Lillian Truax played socials and school dates as a duo. They won a number of talent contests, but Lillian married. In 1924 he met up with Wilbur Ball, an acoustic/Spanish guitar picker who was a very capable tenor harmony vocalist. Carlisle and Ball joined a tent show troupe where Cliff made his true professional debut. They would continue to play travelling shows for the next ten years. In 1930 they made their recording debut, for Gennett, who at the time recorded 'rural' musicians, both black and white. Their roster in the otm/country field included Fiddlin' Doc Roberts and Gene Autry. Autry records were released on the company's budget label, Champion. The 'nonsense' song Desert Blues, a Jimmie Rodgers composition, was recorded for Gennett in 1930 or 1931. Other items cut for the label can be heard elsewhere on this set. Also heard here are sides by Cliff with his brother Tommy

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Most relevant reviews

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  • by tritab5
    Jul 13, 2006

    Steel-guitar playin',Blues Yodelin' Country Boy!

    If your interest in music stops at Rock, Rap or even the Big Bands, it's a shame you have to miss someone as legendary as Cliff Carlisle! He runs a gamut from the suggestive "Mouse's ear Blues" to old-fashioned religious songs like "When its' round-up Time in Heaven" you'll hear some great old tunes that just may not sound so out-of-date if you'll open your mind. My personel favorite is "Wild Cat Woman and Tom Cat Man". I can't say it would be a pleasure to hear all 84 songs at once, but if you mix him in your player of choice, you'll certainly get people's attention. Country fans will surely enjoy. It's just a shame that Cliff's name is not better known. Now for the disclaimer: I happen to Love old ...

  • by gLTsz5vNR1e@Deleted
    May 13, 2009

    I like the title just as it is. Tells me everything

    I found this music ao Clifs to be a very good examle of the mujsic of that period. His slide Guitar playing set a new standard which, amomg other, influnced Lew Chlidress althoghr Childress never admited this that I know of. Also other Guitar players was and still are trying to copy hi style Including me. He copied Jimmy Rodgers singing as closely as he could ,but then a lot of other country singers tried to copy Rodgers. Much of his material was original but I found some of the lyrics approching 'blue' and not acceptable for yonger listeners. At least not sutiable when I was young. I am now 83. Over all I am very pleased with this set. I only had a very few of his recordings before this James CArlile Las Cruces NM Ph 575 525 9688

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