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Overtones and Undertones : Reading Film Music Paperback Royal S.

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Item specifics

Condition
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
Seller Notes
“Former library book; may include library markings. Used book that is in clean, average condition ...
Special Attributes
EX-LIBRARY
Publication Name
University of California Press
ISBN
9780520085442
Book Title
Overtones and Undertones : Reading Film Music
Item Length
9in
Publisher
University of California Press
Publication Year
1994
Format
Trade Paperback
Language
English
Item Height
1.1in
Author
Royal S. Brown
Genre
Music, Performing Arts
Topic
Film / General, History & Criticism, General
Item Width
6in
Item Weight
24.1 Oz
Number of Pages
396 Pages

About this product

Product Information

Since the days of silent films, music has been integral to the cinematic experience, serving, variously, to allay audiences' fears of the dark and to heighten a film's emotional impact. Yet viewers are often unaware of its presence. In this bold, insightful book, film and music scholar and critic Royal S. Brown invites readers not only to "hear" the film score, but to understand it in relation to what they "see." Unlike earlier books, which offered historical, technical, and sociopolitical analyses, Overtones and Undertones draws on film, music, and narrative theory to provide the first comprehensive aesthetics of film music. Focusing on how the film/score interaction influences our response to cinematic situations, Brown traces the history of film music from its beginnings, covering both American and European cinema. At the heart of his book are close readings of several of the best film/score interactions, including Psycho, Laura, The Sea Hawk, Double Indemnity, and Pierrot le Fou. In revealing interviews with Bernard Herrmann, Mikl s R sza, Henry Mancini, and others, Brown also allows the composers to speak for themselves. A complete discography and bibliography conclude the volume.

Product Identifiers

Publisher
University of California Press
ISBN-10
0520085442
ISBN-13
9780520085442
eBay Product ID (ePID)
328371

Product Key Features

Book Title
Overtones and Undertones : Reading Film Music
Author
Royal S. Brown
Format
Trade Paperback
Language
English
Topic
Film / General, History & Criticism, General
Publication Year
1994
Genre
Music, Performing Arts
Number of Pages
396 Pages

Dimensions

Item Length
9in
Item Height
1.1in
Item Width
6in
Item Weight
24.1 Oz

Additional Product Features

Lc Classification Number
Ml2075.B76 1994
Table of Content
Acknowledgments Introduction 1 Narrative/Film/Music 2 Actions/Interactions: "Classical" Music 3 Actions/Interactions: Historical Overview 4 Actions/Interactions: The Source Beyond the Source 5 Styles and Interactions: Beyond the Diegesis Interlude I: Erich Wolfgang Komgold: The Sea Hawk (1940) Interlude II: Miklos Rozsa: Double Indemnity (1944) Interlude III: The Eisenstein/Prokofiev Phenomenon 6 Herrmann, Hitchcock, and the Music of the Irrational 7 New Styles, New Genres, New Interactions Interlude IV: Jean-Luc Godard: Vivre sa vie (1962) Interlude V: Jean-Luc Godard: Pierrot lefou (1965) 8 Music as Image as Music: A Postmodern Perspective A Brief (Postmodern) Conclusion lnterviews Miklos Rozsa David Raksin Bernard Herrmann Henry Mancini Maurice Jarre Lalo Schifrin John Barry Howard Shore Appendix: How to Hear a Movie: An Outline Notes Discography Bibliography Index
Copyright Date
1994
Lccn
93-046924
Dewey Decimal
781.5/42/09
Dewey Edition
20
Illustrated
Yes

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