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Joshua C. Taylor Nineteenth-Cen
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eBay item number:335035358372
Item specifics
- Condition
- Book Title
- Nineteenth-Century Theories of Art
- Publication Name
- Nineteenth-Century Theories of Art
- Title
- Nineteenth-Century Theories of Art
- Contributor
- Joshua C. Taylor (Edited by)
- Format
- Trade Paperback
- ISBN-10
- 0520048881
- EAN
- 9780520048881
- ISBN
- 9780520048881
- Publisher
- University of California Press
- Genre
- Art
- Release Year
- 1989
- Release Date
- 08/02/1989
- Language
- English
- Country/Region of Manufacture
- US
- Item Height
- 1.4in
- Item Length
- 9in
- Item Width
- 6in
- Item Weight
- 27.3 Oz
- Series
- California Studies in the History of Art
- Publication Year
- 1989
- Topic
- History / Modern (Late 19th Century to 1945), History / General
- Number of Pages
- 563 Pages
About this product
Product Information
This unique and extraordinarily rich collection of writings offers a thematic approach to understanding the various theories of art that illumined the direction of nineteenth-century artists as diverse as Tommaso Minardi and Georges Seurat. It is significant that during the nineteenth century most artists felt compelled to found their artistic practice on a consciously established premise.
Product Identifiers
Publisher
University of California Press
ISBN-10
0520048881
ISBN-13
9780520048881
eBay Product ID (ePID)
556404
Product Key Features
Book Title
Nineteenth-Century Theories of Art
Format
Trade Paperback
Language
English
Topic
History / Modern (Late 19th Century to 1945), History / General
Publication Year
1989
Genre
Art
Number of Pages
563 Pages
Dimensions
Item Length
9in
Item Height
1.4in
Item Width
6in
Item Weight
27.3 Oz
Additional Product Features
Series Volume Number
24
Lc Classification Number
N7476.N5 1987
Table of Content
Preface Introduction PART I. BEAUTY AND THE LANGUAGE OF FORM SIR JOSHUA REYNOLDS, Discourses on Art (I77I) FRANCESCO MILIZIA, The Art of Seeing in the Fine Arts ofDesign According to the Principles of Sulzer and Mengs (I78I) JACQUES-LOUIS DAVID, The Jury of Art (I793) WILLIAM GILPIN, Essay on Picturesque Beauty (I792) ALEXANDER COZENS, A New Method of Assisting the Invention in Drawing Original Compositions of Landscape (1785) EDME-FRANyOIS ANTOINE MIEL, The Dream ofOrestes by Berthon (18I7-1818) QUATREMERE DE QUINCY, On the End oflmitation in the Fine Arts (1823) J. A. D. INGRES, Commentaries on Art PART II. ART AND THE COMMUNITY OF SOULS WILHELM WACKENRODER, Outpourings from the Heart of an Art-Loving Monk (1797) WILLIAM BLAKE, A Descriptive Catalogue of Pictures (1809) Marginalia to Reynolds''s Discourses (ca. I8o8) FRANCOIS RENE, VICOMTE DE CHATEAUBRIAND, The Beauties of Christianity (1802) FRIEDRICH OVERBECK, Diaries and Letters (18II, I8I4) ADOLPHE THIERS, On Naivete in the Arts (I822) TOMMASO MINARDI, On the Essential Quality ofltalian Painting from Its Renaissance to the Period of Its Perfection (I834) A.F. RIO, The Poetry of Christian Art (I836) ETIENNE-JEAN DELECLUZE, "The Beards" of I800 and "The Beards" ofToday (I835) CHARLES BAUDELAIRE, What Is Romanticism? (I846) EUGENE DELACROIX, journals (I824-I847) PART III. TRUTH TO NATURE AND THE NATURE OF TRUTH PIERRE-HENRI DE VALENCIENNES, Advice to a Student on Painting, Particularly on Landscape (I800) PHILIPP OTTO RUNGE, Letter to Daniel Runge (I802) CARL G. CARUS, Nine Letters on Landscape Painting (I83I) RALPH WALDO EMERSON, Essays (I8J6-I84I) JOHN RUSKIN, Preface to the Second Edition of Modern Painters (I844) JOHN CONSTABLE, Letters and Notes on Painting (I802- I836) CAMILLE COROT, Letters and Reflections on Painting BENJAMIN ROBERT HAYDON and WILLIAM HAZLITT, Articles from the Encyclopaedia Britannica (I8I6) THEOPHILE THORE, To Theodore Rousseau (I844) CHAMPFLEURY, Courbet: The Burial at Omans (I86I) JEAN-FRANCOIS MILLET, Selected Writings (I858-I863) GUSTAVE COURBET, Selected Writings (I855-I870) PART IV. ART AND SOCIETY THEOPHILE THORE, New Tendencies in Art (I857) HIPPOLYTE TAINE, The Philosophy of Art (I865) PIERRE-JOSEPH PROUDHON, Concerning the Principle of Art and Its Social Purpose (I857) WILLIAM MORRIS, The Art of the People (I882) PART V. AN ART OF PURE VISION EMILE ZOLA, Edouard Manet (I867) Art at the Moment (I866) ADRIANO CECIONI, Telemaco Signorini (I884) Vincenzo Cabianca (ca. I884) EMILE BLEMONT, The Impressionists (I876) GEORGES RIVIERE, The Exhibition of the Impressionists (I877) MICHEL-EUGENE CHEVREUL, The Principles of Harmony and Contrast of Colours, and Their Applications to the Arts (I839) CHARLES BLANC, The Grammar of Painting and Engraving (1869) FELIX FENEON, The Impressionists in I886 Neoimpressionism (1887) PART VI. ART AS CREATION VITTORIO IMBRIANI, The Fifth Promotrice Exhibition, Letters IV and V (I868) JAMES MCNEILL WHISTLER, Mr. Whistler''s "Ten O''Clock" (1885) CONRAD FIEDLER, Onjudging Works of Visual Art (1876) CHARLES HENRY, The Chromatic Circle (1888) GEORGES SEURAT, Letter to Maurice Beaubourg (1890) GUSTAVE KAHN, Seurat (1891) List of Illustrations and Credits Index
Copyright Date
1988
Lccn
86-007054
Dewey Decimal
701/.1/8094
Series
California Studies in the History of Art Ser.
Dewey Edition
19
Illustrated
Yes
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