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B. Ruby Rich Chick Flicks (Paperback)

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Book Title
Chick Flicks : Theories and Memories of the Feminist Film Movement
Publication Name
Chick Flicks
Title
Chick Flicks
Subtitle
Theories and Memories of the Feminist Film Movement
Author
B. Ruby Rich
Format
Trade Paperback
ISBN-10
0822321211
EAN
9780822321217
ISBN
9780822321217
Publisher
Duke University Press
Genre
Literary Criticism, Social Science, Performing Arts
Topic
Feminism & Feminist Theory, Feminist, Reference, Film / Guides & Reviews, Gender Studies, Film / History & Criticism
Release Date
30/09/1998
Release Year
1998
Language
English
Country/Region of Manufacture
US
Item Weight
20.7 Oz
Type
Textbook
Item Length
9in
Publication Year
1998
Item Height
0.9in
Item Width
6in
Number of Pages
448 Pages

About this product

Product Information

If there was a moment during the sixties, seventies, or eighties that changed the history of the women's film movement, B. Ruby Rich was there. Part journalistic chronicle, part memoir, and 100% pure cultural historical odyssey, Chick Flicks --with its definitive, the-way-it-was collection of essays--captures the birth and growth of feminist film as no other book has done. For over three decades Rich has been one of the most important voices in feminist film criticism. Her presence at film festivals (such as Sundance, where she is a member of the selection committee), her film reviews in the Village Voice , Elle , Out , and the Advocate , and her commentaries on the public radio program "The World" have secured her a place as a central figure in the remarkable history of what she deems "cinefeminism." In the hope that a new generation of feminist film culture might be revitalized by reclaiming its own history, Rich introduces each essay with an autobiographical prologue that describes the intellectual, political, and personal moments from which the work arose. Travel, softball, sex, and voodoo all somehow fit into a book that includes classic Rich articles covering such topics as the antiporn movement, the films of Yvonne Rainer, a Julie Christie visit to Washington, and the historically evocative film Maedchen in Uniform . The result is a volume that traces the development not only of women's involvement in cinema but of one of its key players as well. The first book-length work from Rich--whose stature and influence in the world of film criticism and theory continue to grow-- Chick Flicks exposes unexplored routes and forgotten byways of a past that's recent enough to be remembered and far away enough to be memorable.

Product Identifiers

Publisher
Duke University Press
ISBN-10
0822321211
ISBN-13
9780822321217
eBay Product ID (ePID)
371012

Product Key Features

Book Title
Chick Flicks : Theories and Memories of the Feminist Film Movement
Author
B. Ruby Rich
Format
Trade Paperback
Language
English
Topic
Feminism & Feminist Theory, Feminist, Reference, Film / Guides & Reviews, Gender Studies, Film / History & Criticism
Publication Year
1998
Genre
Literary Criticism, Social Science, Performing Arts
Number of Pages
448 Pages

Dimensions

Item Length
9in
Item Height
0.9in
Item Width
6in
Item Weight
20.7 Oz

Additional Product Features

Lc Classification Number
Pn1995.9.W6r47 1998
Reviews
“This is a remarkable book. Rich has written a memoir that encourages the reader not only to see the original essays in a new context but also and especially to understand the development of an intellectual and political moment with all of its complications and personal investments.�-Judith Mayne, author of Cinema and Spectatorship, "This is a remarkable book. Rich has written a memoir that encourages the reader not only to see the original essays in a new context but also and especially to understand the development of an intellectual and political moment with all of its complications and personal investments."--Judith Mayne, author of Cinema and Spectatorship, "Rich has written pieces for many journals and some of the articles reprinted here have been critically influential. [She offers] a wealth of analysis, from close textual detail to a general review of women filmmakers' triumphs in erstwhile male arenas of filmmaking. Although Rich documents how the spaces where women speak sometimes become embattled and embittered, we still have a vision of hope and change. That hand could be a helping one." -DIVA, April 1999 "A remarkable book. Rich has written a memoir that encourages the reader not only to see the original essays in a new context but also and especially to understand the development of an intellectual and political movement with all of its complications and personal inventions." --Judith Mayne, author of Cinema and Spectatorship "This ... is sure to become a classic. [Rich] has proven herself to be a courageous guide into unchartered aesthetic and political territory and, in describing so eloquently what she finds there, she does what critics aspire to but rarely achieve; she both educates and entertains." -- Sally Potter, director of the films Orlandoand The Tango, "This is a remarkable book. Rich has written a memoir that encourages the reader not only to see the original essays in a new context but also and especially to understand the development of an intellectual and political moment with all of its complications and personal investments."-Judith Mayne, author of Cinema and Spectatorship, "Ruby Rich reinvents both herself and her approach to film criticism, in a fascinating book that alternates autobiography and theory. She is wise and funny at the same time, never dogmatic, always allowing her discovery process to remain in clear view."--Roger Ebert, "This collection of writings by B. Ruby Rich is sure to become a classic. She has proven herself to be a courageous guide into uncharted aesthetic and political territory and, in describing so eloquently what she finds there, she does what critics aspire to but rarely achieve: she both educates and entertains."--Sally Potter, director of the films Orlando and The Tango, "This collection of writings by B. Ruby Rich is sure to become a classic. She has proven herself to be a courageous guide into uncharted aesthetic and political territory and, in describing so eloquently what she finds there, she does what critics aspire to but rarely achieve: she both educates and entertains."-Sally Potter, director of the films Orlando and The Tango, "Ruby Rich reinvents both herself and her approach to film criticism, in a fascinating book that alternates autobiography and theory. She is wise and funny at the same time, never dogmatic, always allowing her discovery process to remain in clear view."-Roger Ebert
Table of Content
Preface: Jews without Books Introduction Prologue. I found it at the movies Film in the sixties Prologue. Hippie Chick in the Art World Carolee Schneemann's Fuses Prologue. Angst and Joy on the Women's Film Festival Circuit Leni Riefenstahl: The Deceptive Myth Prologue. Life, Death and Tragic Homecoming 4. Voodoo Verité: Maya Deren's Divine Horsemen Prologue. An Iguana, Some Wolves, and the Dawn of Theory In the Name of Feminist Film Criticism Prologue. O Brave New World One Way or Another: Sara Gomez and the Cuban Experience Prologue. A Woman's Declaration of Secession from the Avant-Garde Sex and Cinema Prologue. Love's Labour Lost Misconception: Labouring under No Illusions Prologue. Cows and Hero Worship The Films of Yvonne Rainer Prologue. Knokke-Heist and the Fury that was Edinburgh Designing Desire: Chantal Akerman Prologue. Euphoria Reclaims History From Repressive Tolerance to Erotic Liberation: Maedchen in Uniform Prologue. Softball, the Goddess and Lesbian Film Culture The Right of Re-Vision: Michelle Citron's Daughter Rite Prologue. The Allure of Alchemy Femicide Investigation: Thriller Prologue. Sour Grapes She Says, He Says: The Power of the Narrator in Modernist Film Politics Prologue. Sex, Gender, and the Consumer Culture Antiporn: Soft Issue, Hard World (Not a Love Story) Prologue. Unguided Tours The Feminist Avant-Garde Prologue. Attacking the Sisters, or the Limits of Disagreement Cinefeminism and its Discontents Prologue. Libel Threats and Exile Tactics Truth, Faith and the Individual: Thought on U.S. Documentary Film Practice Prologue. Disempowerment and the Politics of Rage Lady Killers: A Question of Silence Prologue. Film Stars as Outstanding Human Beings Julie Christie Goes to Washington Prologue. Banning the Victim 21. Good Girls, Bad Girls: Joyce Chopra's Smooth Talk Prologue. The Berks and the Sex Wars Feminisims and Sexulality on the Eighties Epilogue: Charting the Eighties
Copyright Date
1998
Lccn
98-012052
Dewey Decimal
791
Intended Audience
Trade
Dewey Edition
21
Illustrated
Yes

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