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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See the ...
Book Title
The Chorus of Drama in the Fourth Century BCE: Presence and Repre
Publication Date
2019-11-26
ISBN
9780198844532
Subject Area
Drama, Literary Criticism, History
Publication Name
Chorus of Drama in the Fourth Century Bce : Presence and Representation
Item Length
8.6 in
Publisher
Oxford University Press, Incorporated
Subject
Ancient / Greece, Ancient & Classical
Series
Oxford Classical Monographs
Publication Year
2020
Type
Textbook
Format
Hardcover
Language
English
Item Height
0.9 in
Author
Lucy C. M. M. Jackson
Item Width
5.7 in
Item Weight
17.7 Oz
Number of Pages
304 Pages

About this product

Product Information

This first comprehensive study of the ancient Greek dramatic chorus in the fourth century reassesses the traditional narrative that it more or less 'declined' in quantity and quality, demonstrating instead how varied and vital this component of drama continued to be during a time when the theatre became truly international.

Product Identifiers

Publisher
Oxford University Press, Incorporated
ISBN-10
0198844530
ISBN-13
9780198844532
eBay Product ID (ePID)
24050025246

Product Key Features

Author
Lucy C. M. M. Jackson
Publication Name
Chorus of Drama in the Fourth Century Bce : Presence and Representation
Format
Hardcover
Language
English
Subject
Ancient / Greece, Ancient & Classical
Series
Oxford Classical Monographs
Publication Year
2020
Type
Textbook
Subject Area
Drama, Literary Criticism, History
Number of Pages
304 Pages

Dimensions

Item Length
8.6 in
Item Height
0.9 in
Item Width
5.7 in
Item Weight
17.7 Oz

Additional Product Features

Intended Audience
Scholarly & Professional
Lc Classification Number
Pa3136
Reviews
"This study overwhelmingly demonstrates that the chorus remained central to Athenian cultural life in this period, and I found myself wondering about how and to what extent a kind of 'choral logic' also subtended Athenian ideas about democracy, identity, political membership, etc. Anyone interested in pursuing those sorts of questionsDLor simply in the history of ancient Greek theater and performanceDLwill be well rewarded for time spent with this book." -- Johanna Hanink, Brown University, Bryn Mawr Classical Review, This study overwhelmingly demonstrates that the chorus remained central to Athenian cultural life in this period, and I found myself wondering about how and to what extent a kind of 'choral logic' also subtended Athenian ideas about democracy, identity, political membership, etc. Anyone interested in pursuing those sorts of questions--or simply in the history of ancient Greek theater and performance--will be well rewarded for time spent with this book., "This study overwhelmingly demonstrates that the chorus remained central to Athenian cultural life in this period, and I found myself wondering about how and to what extent a kind of 'choral logic' also subtended Athenian ideas about democracy, identity, political membership, etc. Anyone interested in pursuing those sorts of questions--or simply in the history of ancient Greek theater and performance--will be well rewarded for time spent with this book." -- Johanna Hanink, Brown University, Bryn Mawr Classical Review, "This study overwhelmingly demonstrates that the chorus remained central to Athenian cultural life in this period, and I found myself wondering about how and to what extent a kind of 'choral logic' also subtended Athenian ideas about democracy, identity, political membership, etc. Anyone interested in pursuing those sorts of questionsor simply in the history of ancient Greek theater and performancewill be well rewarded for time spent with this book." -- Johanna Hanink, Brown University, Bryn Mawr Classical Review, "This study overwhelmingly demonstrates that the chorus remained central to Athenian cultural life in this period, and I found myself wondering about how and to what extent a kind of 'choral logic' also subtended Athenian ideas about democracy, identity, political membership, etc. Anyone interested in pursuing those sorts of questions'e"or simply in the history of ancient Greek theater and performance'e"will be well rewarded for time spent with this book." -- Johanna Hanink, Brown University, Bryn Mawr Classical Review
Table of Content
FrontmatterList of FiguresAbbreviations, Citations, and Transliteration0. Introduction1. The Material Circumstances1.1. When and Where Did the Choruses of Drama Dance?1.2. Choral Performers1.3. Training and Preparation2. The Chorus in New Tragedy2.1. The Rhesus2.2. The Chorus in the Fragments of Fourth-Century Tragedy2.3. Lyric Poetry in the Fourth Century3. The Chorus in 'Old' Tragedy3.1. Iphigenia at Aulis3.2. Seven Against Thebes4. The Chorus in Comedy4.1. Assemblywomen4.2. Wealth4.3. The Chorus in Menander and the Fragments5. An Interlude: Absence, χοrο*u~ , and the Aristotelian Embolima6. Chorus and Festival6.1. The Festival Chorus6.2. Chorus and Choregia7. The Chorus and Society7.1. Xenophon's Choruses7.2. Plato's Choruses7.3. The Chorus in the Fourth-Century Imagination8. ConclusionsEndmatterBibliographyIndex
Copyright Date
2019
Dewey Decimal
882.01
Dewey Edition
23
Illustrated
Yes

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