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After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934 (Film
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After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934 (Film
US $28.65US $28.65
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After the Silents: Hollywood Film Music in the Early Sound Era, 1926-1934 (Film

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Condition:
Very Good
Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE ... Read moreabout condition
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    eBay item number:364025120368
    Last updated on Jul 04, 2025 10:58:51 EDTView all revisionsView all revisions

    Item specifics

    Condition
    Very Good
    A book that does not look new and has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket (if applicable) included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See the seller’s listing for full details and description of any imperfections. See all condition definitionsopens in a new window or tab
    Seller Notes
    “Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - ...
    ISBN
    9780231165839

    About this product

    Product Identifiers

    Publisher
    Columbia University Press
    ISBN-10
    0231165838
    ISBN-13
    9780231165839
    eBay Product ID (ePID)
    202491219

    Product Key Features

    Number of Pages
    400 Pages
    Publication Name
    After the Silents : Hollywood Film Music in the Early Sound Era, 1926-1934
    Language
    English
    Publication Year
    2014
    Subject
    History & Criticism, Film / History & Criticism, Film & Video
    Type
    Textbook
    Subject Area
    Music, Art, Performing Arts
    Author
    Michael Slowik
    Series
    Film and Culture Ser.
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.1 in
    Item Weight
    20 Oz
    Item Length
    0.9 in
    Item Width
    0.6 in

    Additional Product Features

    Intended Audience
    Scholarly & Professional
    LCCN
    2014-009771
    Reviews
    Slowik has done some essential and necessary research in important archival collections. He not only sketches out the important trends and developments of this nascent period of classical film music history, but also makes a compelling argument that there are important continuities that connect the mature silent period with the early sound period., Slowik offers a comprehensive and compelling analysis of the evolving and diverse musical landscape of early sound film and revises our understanding of the development of the classical Hollywood film score., Slowik not only sketches out the important trends and developments of this nascent period of classical film music history but also makes a compelling argument that there are important continuities that connect the mature silent period with the early sound period., With a thorough investigation of hundreds of conversion-era feature films, Michael Slowik has provided an important revision of film music history to account for a wide range of scoring practices. After the Silents is impressive scholarship and a valuable resource for anyone with an interest in film sound., Scholars interested in film music will enjoy Slowik's discussion of the differences in film scoring practices across studios and in B films versus mainstream, higher-budget films.... Recommended.
    Dewey Edition
    23
    Grade From
    College Graduate Student
    Illustrated
    Yes
    Dewey Decimal
    781.5/42097309042
    Table Of Content
    Acknowledgments Introduction 1. A Wide Array of Choices: Musical Influences in the 1920s 2. Music in Early Synchronized and Part-Talking Films, 1926-1929 3. Toward a Sparse Music Style: Music in the 100 Percent Talkie, 1928-1931 4. Interlude: The Hollywood Musical, 1929-1932 5. Music and Other Worlds: The Hollywood Film Score, 1931-1933 6. Reassessing King Kong; or, The Hollywood Film Score, 1933-1934 Conclusion Appendix: Chronological Filmography, 1926-1934 Notes Bibliography Index
    Synopsis
    Viewing more than two hundred films from the period, Michael Slowik launches the first comprehensive study of a long-neglected phase in Hollywood's initial development, Many believe Max Steiner's score for King Kong (1933) was the first important attempt at integrating background music into sound film, but a closer look at the industry's early sound era (1926-1934) reveals a more extended and fascinating story. Viewing more than two hundred films from the period, Michael Slowik launches the first comprehensive study of a long-neglected phase in Hollywood's initial development, recasting the history of film sound and its relationship to the "Golden Age" of film music (1935-1950). Slowik follows filmmakers' shifting combinations of sound and image, recapturing the volatility of this era and the variety of film music strategies that were tested, abandoned, and kept. He explores early film music experiments and accompaniment practices in opera, melodrama, musicals, radio, and silent films and discusses the impact of the advent of synchronized dialogue. He concludes with a reassessment of King Kong and its groundbreaking approach to film music, challenging the film's place and importance in the timeline of sound achievement.
    LC Classification Number
    ML2075.S63 2014

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